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Thank you Skipees!! I can't believe he said he couldn't even go into the studio the next day because of all the screaming he did working with Mike. This was late 2005. We will never get these heavy MTM demos. Lol. Sound awesome though.

;)

 

at least we have the best of them - QWERTY.

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Scott and Ian are listed in the credits of Hybrid Theory as bassists. Ian played on Papercut, APFMH, and Forgotten, while Scott only played on One Step Closer. They were both just hired help. Minor musicians who didn't do anything else notable. Same for Kyle Christener.

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What ever happened to Scott Kozoil, Kyle Christener and Ian Hornbeck? Who the fuck is Ian Hornbeck?

There is this guy named Scott Belsha who is said to have played drums for Xero for awhile. He had a band called A Beautiful Army of Trees. When I first found this MySpace page they had a photo with someone named Kyle. I suspect it was Kyle Christener.

 

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Edit: Kyle Christener had a band called Nosedive, but their MySpace page was deleted years ago.

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LPAmerican did an interview with Scott Koziol a few years ago. It's in portuguese, but you can use google translator.

 

Scott Koziol foi um baixista temporário do Linkin Park. Ele tocou baixo para o clipe "One Step Closer", do álbum Hybrid Theory. Deixou o Linkin Park quando o baixista David Farrell retornou à banda em 2000.

E esta semana nós conseguimos contato com ele. Ele foi muito atencioso, respondeu algumas perguntas e nos enviou fotos recentes. Fica aqui nosso agradecimento pela atenção e pelo apoio. Confira a entrevista completa logo abaixo:

 

LPAmerican: Como você descreve sua experiência com o Linkin Park?

Scott: Eu fui abençoado com uma oportunidade única para colaborar com os membros do Linkin Park. Eles são artistas inovadores, músicos e empresários. Eu estava somente 6 meses em Los Angeles quando conheci a banda. Eles me mostraram a cidade, me apresentaram uma variedade de novas artes, e me empurraram em novas direções. Eles trabalham muito pesado para conseguirem a perfeição musical, visual e artística com o maior respeito com seus fãs. Qualidade acima da quantidade. Isso foi uma experiência me influenciou significativamente e mudou minha vida.

 

LPA: Como se sente em saber que participou de um dos clipes que consagrou o Linkin Park e o mostrou para o mundo (One Step Closer)?

Scott: Ela é uma ótima faixa e um vídeo muito legal… Estou satisfeito que muitas pessoas gostaram e que ela criou novas oportunidades para a banda.

 

LPA: Como vocês se conheceram e como entrou para a banda?

Scott: Eu fui indicado à banda por uma pessoa não muito famosa chamada Barry Squire, um músico que trabalha em LA com serviço de indicações. Rob Bourdon me ligou, nos conversamos um pouco, ai ele me mandou um CD de algumas músicas para eu aprender. Eu escutei a banda ensaiando algumas vezes dai começamos a ensaiar em Hollywood 6 dias por semana e 8 horas por dia, preparando-nos para os shows ao vivo e a gravação do Hybrid Theory.

 

LPA: Após sua saída da banda, você participou de algum projeto musical?

Scott: Tenho participado de alguns shows ao vivo, galerias e gravações para uma variedade cantores e compositores, cantores em formação e cantores de grandes gravadoras.

 

LPA: Atualmente, você ainda está trabalhando com música, ou você está indo para um caminho diferente?

Scott: Eu trabalhei com a Apple de Outubro de 2004 até Outubro de 2008, estava usando minhas habilidades artísticas e tocando quase todos os dias, mas minha agenda estava muito ocupada e não pude fazer muitos shows nesse tempo. Visitei faculdades para ensinar estudantes, professores, funcionários e administração sobre a Apple. Eu estava fazendo oficinas, apresentações e falando ao público sobre os temas de colaboração, música, comunicação digital e aumento da produtividade através do uso eficaz da tecnologia. Eu aprendi muito com meu treinamento com a Apple durante minha colaboração com ótimas pessoas nas escolas e na Apple. Eu estou na “Cal Poly (SLO) Journalism Advisory Board” então eu ocasionalmente visito as faculdades para colaborar com Jornalismo e Departamentos Gráficos (GRC). Eu participo em atividades envolvendo a organização do Grammy.

 

Minha posição com a Apple terminou já alguns meses atrás, e eu comecei a fazer shows de Baixo de novo em 2009. Atualmente eu estou trabalhando com a esession.com, artistas de Washington, um artista independente da Pensilvânia e outro artista não registrado de Cleveland. Muitos dos artistas nos quais eu estava trabalhando durante os anos passados estão fora da cidade, então eu gravo o baixo no meu estúdio e envio e recebo os arquivos enquanto as músicas são criadas.

 

LPA: Além do baixo você toca mais algum instrumento?

Scott: Sim, eu toco muitas coisas, eu estou começando a ir para o caminho de banda de garagem ou “Logic Pro” daí tocando qualquer coisa que está em torno dos instrumentos tradicionais e utensílios domésticos ou mesmo brinquedo de cachorro. Eu tenho tocado muita guitarra ultimamente, usando e pegando sons de todas as coisas tolas de teclados, Vihuela e Guitarron até instrumentos de percussão convencional…

 

LPA: Qual é seu tipo de música favorito?

Scott: Eu escuto uma variedade de música, a partir de uma ampla gama de estilos. Ultimamente eu tenho escutado Deftones, Daughters of Mara, Nine Inch Nails, Anthrax, MIA, A.R. Rahman, John Zorn, Billy Holiday, Robert Plant with Alison Krauss, Led Zeppelin, Thelonious Monk, Kings of Leon, The White Stripes e Bob Marley para citar alguns… Eu estava escutando o Linkin Park EP outro dia, que tem um som matador e continua um dos meus favoritos.

 

Quando eu estou tocando Baixo, gosto de tocar Rock Moderno ou grupos metaleiros que tem ótimas músicas e incríveis vocalistas. Gosto de acompanhar cantores de balada feminina e trabalhar com material bom, novos cantores e compositores. Adoro reunir grandes músicos em uma "Jam Band" que curte funk, hip hop, latin, jazz e improvisações.

 

Tudo de bom para vocês e espero que tudo corra bem com o seu site... Scott Koziol.

Edited by lpliveusername
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English version...

 

Scott Koziol was a temporary bassist for Linkin Park. He played bass for the clip "One Step Closer" from the album Hybrid Theory. Left when Linkin Park bassist David Farrell returned to the band in 2000.

And this week we were able to contact him. He was very attentive, answered some questions and sent us recent photos. Here is our gratitude for the attention and support. Check out the full interview below:

 

LPAmerican: How would you describe your experience with Linkin Park?

Scott: I was blessed with a unique opportunity to collaborate with members of Linkin Park. They are innovative artists, musicians and entrepreneurs. I was only six months in Los Angeles when I met the band. They showed me the city, I had a variety of new gear, and pushed me in new directions. They work very hard to achieve perfection music, visual arts and with the greatest respect to his fans. Quality over quantity. That was an experience influenced me and changed my life significantly.

 

ALI: How do you feel knowing that participated in one of the clips that consecrated Linkin Park and showed to the world (One Step Closer)?

Scott: It is a great band and very cool video ... I am pleased that many people liked it and created new opportunities for the band.

 

ALI: How did you meet and how did the band?

Scott: I was appointed to the band by a very famous person not named Barry Squire, a musician who works in LA with service information. Rob Bourdon called me, we talked a bit, then he sent me a CD of some songs for me to learn. I heard the band rehearsing sometimes dai started rehearsing in Hollywood 6 days a week and 8 hours per day, preparing us for live shows and recording of Hybrid Theory.

 

LPA: After his departure from the band, did you participate in any musical project?

Scott: I have participated in some live shows, galleries and writes for a variety singers and songwriters, singers and singers in training majors.

 

LPA: Currently, you are still working with music, or you're going to a different path?

Scott: I worked with Apple in October 2004 until October 2008, I was using my artistic skills and playing almost every day, but my schedule was too busy and could not do many shows in that time. Visited schools to teach students, faculty, staff and administration about Apple. I was doing workshops, presentations and public speaking on the topics of collaboration, music, digital communication and increased productivity through the effective use of technology. I learned a lot from my training with Apple during my collaboration with great people in schools and at Apple. I'm in the "Cal Poly (SLO) Journalism Advisory Board" so I occasionally visit the colleges to collaborate on Journalism Departments and Graphics (GRC). I participate in activities involving the organization of the Grammy.

 

My position with Apple ended some months ago, and I started doing shows Down again in 2009. Currently I am working with esession.com, artists from Washington, an independent artist from Pennsylvania and another artist unregistered Cleveland. Many of the artists in which I was working during the past years are out of town, so I burn down my studio and send and receive files as the songs are created.

 

LPA: Besides the low instrument you play some more?

Scott: Yes, I play a lot of things, I'm starting to go the way of garage band or "Pro Logic" then touching anything that is around the traditional instruments and household items or even dog toy. I've been playing guitar a lot lately, using and picking up sounds from all the foolish things of keyboards, and Vihuela Guitarron to conventional percussion instruments ...

 

ALI: What is your favorite kind of music?

Scott: I listen to a variety of music, from a wide range of styles. Lately I've been listening to Deftones, Daughters of Mara, Nine Inch Nails, Anthrax, MIA, AR Rahman, John Zorn, Billy Holiday, Robert Plant with Alison Krauss, Led Zeppelin, Thelonious Monk, Kings of Leon, The White Stripes and Bob Marley name a few ... I was listening to Linkin Park EP the other day, which has a killer sound and it remains one of my favorites.

 

When I'm playing Bass, like playing Modern Rock or groups metalheads that has great music and amazing vocalists. I like to follow feminine ballad singers and work with good material, new singers and songwriters. I love to meet great musicians in a "Jam Band" who likes funk, hip hop, latin, jazz and improvisation.

 

All the best to you and hope everything goes well with your site ... Scott Koziol.

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English version...

 

Scott Koziol was a temporary bassist for Linkin Park. He played bass for the clip "One Step Closer" from the album Hybrid Theory. Left when Linkin Park bassist David Farrell returned to the band in 2000.

And this week we were able to contact him. He was very attentive, answered some questions and sent us recent photos. Here is our gratitude for the attention and support. Check out the full interview below:

If anyone cares, here they are:

http://www.sendspace.com/file/tmynot

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Maybe someone had asked this, but what's ment with the "Mardi Gras Mix" on Bleed It Out?

http://lplive.net/shows/20080605.php

On the setlists from that time that's just how they referred to that version of Bleed It Out that they were playing at the time. I can change that on the 2008 pages if I need to.

 

I wonder if Scott has that CD LP sent him ages ago. He's the one in the "Jammin with Hybrid Theory" video where they play Esaul and Slip right?

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"Rob Bourdon called me, we talked a bit, then he sent me a CD of some songs for me to learn. "

can you explain who's that guy and why Rob sent him a CD? Edited by Skipees
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I find it unnecessary to open a new topic in the Fort Minor section so here's my question. Red to Black is in 12/8, right?

To my understanding I would believe so.

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