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Astat

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About Astat

  • Rank
    Rebel
  • Birthday 05/08/1988

Previous Fields

  • LP Shows Attended
    2004.08.05 - Cuyahoga Falls, OH - Blossom Music Center 2007.08.17 - Cuyahoga Falls, OH - Blossom Music Center 2008.08.19 - Cuyahoga Falls, OH - Blossom Music Center 2011.01.28 - St. Paul, MN - Xcel Energy Center 2014.08.26 - Falcon Heights, MN - Minnesota State Fair 2017.10.27 - Hollywood, CA - Hollywood Bowl

Contact Methods

  • Website URL
    http://linkinparkguitar.com

Profile Information

  • Gender
    Male
  • Location
    White Bear Lake, Minnesota

Recent Profile Visitors

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  1. "Linkin Park was always the band that never got that kind of respect, until they just took it." - Rob McDermott LPLive is excited to bring you an exclusive we teased a few months ago, with the launch of a multi-part interview series with former Linkin Park A&R director/author of the new book One Step Closer - From Xero to #1: Becoming Linkin Park, Jeff Blue, and former Linkin Park manager (2000-2010)/Mad Mac Entertainment CEO, Rob McDermott. LPLive staff member Anthony (Astat) conducted this interview back in January, and in an overwhelming display of generosity, Je
  2. Which includes MGK, Blackbear, and iann dior, who have six top 40 singles between them in the last five years. iann dior was just on a song that spent eight weeks at #1 and is still in the Billboard top 10 seven months after it was released. And that's assuming you exclusively mean mainstream pop culture relevance, without factoring in the success K.Flay and grandson have had in the indie/alt rock scene.
  3. Ditto. Call me pessimistic, but this seems like the kind of thing that ends up killing the concept of the album AND touring. If you're Mike, what's the point of investing a bunch of time and money into recording an album or going on tour when you can make one song at a time and sell it to people with massive amounts of disposable income for $10,000+? This is Mike going the route of Once Upon a Time in Shaolin, and considering the definitely near-zero, possibly actually-zero number of people in this community who can afford to drop $10k on something as insignificant as a song, we're
  4. So I was actually wrong about this, that sample isn't in Reading My Eyes OR Stick N Move, and I don't think it's used in any of the Xero tracks at all. The "101strg" samples are from Madama Butterfly, but I can't find anywhere that they were actually used. The Reading My Eyes intro sample I was thinking of is actually from "Why You Treat Me So Bad" by Club Nouveau, which is credited on WhoSampled. Somebody asked Mike about it in a chat once and he completely misinterpreted the question (in typical Mike style) and said that it wasn't a Xero track. Nobody asked if it w
  5. This is a mistake we need to fix - the song that samples that piece is Reading My Eyes, not Stick and Move. The intro to Reading My Eyes is one of the "101strg" samples from Mike's MPC library pitched up and sped up a bunch. Different guy.
  6. Hey all, just a little update: So this ended up resulting in slightly over 3 hours of footage (I can't thank Jeff and Rob enough for being willing to sit on a Zoom call with me for that long). It took a few days to edit, split into segments, and upload onto a cloud server for Jeff/Rob to take a look at. Even after edits it was still over 2 and a half hours, and taking the original unedited video file into account, I'm sitting on about 15 GB of footage, lol. Lots to sift through! Jeff's been keeping me updated, he's just been super busy for the last week or so. We're not operating o
  7. Guys, what? Mike did this for most of the Meteora touring cycle. He did it at all the LPU tour and PR03 shows, and was still doing it at the start of Summer Sanitarium (Pontiac 7/4, Toronto 7/5). He didn't do it from East Rutherford on 7/8 onwards, so either that show or Foxboro on 7/6 was when he stopped. He didn't do it anymore through the end of the year, then he started doing it again pretty early into the U.S. Meteora World Tour in 2004. The first recording of him doing it that year was at Rosemont on 1/29, and then at the next show in Madison (1/30) he started doing a mix of it where he'
  8. The phrase "panic attack" being in there led me to think part of this came from Petrified, as it's the only time Mike's used that phrase in a song. There are two problems with this though: 1. There isn't a Petrified acapella in circulation. 2. The rhythm of the phrase "panic attack" is different than it is on Petrified (the first syllable of "panic" is held longer on Petrified). This still doesn't sound like anything real to me, but I'm convinced that it's Mike's voice at least, and I'm honestly stumped as to where it would have come from.
  9. We're excited to announce that on Thursday (1/14), LPLive will be recording a video Q&A session with former Linkin Park A&R manager/executive producer of Hybrid Theory, Jeff Blue! Jeff is known for signing a little band called Xero to a publishing development deal after their very first show in 1997, shopping them for 3 years with 44 rejections, discovering a singer named Chester Bennington, eventually signing the band with him at Warner Records as Hybrid Theory, and finally being part of the team behind their genre-defining debut album as Linkin Park in 2000. Jeff recently published a
  10. Just checked and no problems with mine.
  11. That was just me mixing up Stick N Move with Fuse lol.
  12. Cure for the Itch was never "The Cure," and Pushing Me Away was never "The Cure for Mr. Hahn's Itch." That was just a misprint on the Studio Finals CD.
  13. Username checks out. 😂
  14. Platinum Lotus Foundation has been a known name they considered for many years, and was typically mentioned in the same breath as names like Ten P.M. Stocker (referring to the band practicing at Mike's old apartment at 10 PM), Probing Lagers, and "Clear," which was obviously just a case of someone mishearing "Plear." I dug around for a few minutes and found references to those names online going back at least as far as 2006.
  15. I doubt Warner would really be inclined to veto any ideas involving releasing unheard music with Chester on it, because they'd stand to make a lot of money from it. The only scenario I see that happening is if the label feels like the band is under-selling something that they think would be worth more on a different type of release. For example there could be songs that were left off the HT:20 box set because Warner felt like they'd have more success as part of a release with a smaller number of songs on it. Whether Sam/Talinda have veto power over releases depends on what's written into
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