bloodbath

I'm missing some Burn it Down remixes

I love MTM but I've always felt that it was a "best of" of tracks composed during that period rather than a full cohesive record. I mean, it's not a coincidence that LOATR is placed just after Given Up. Instead of MTM I would name it "The Houdini Sessions: 2005-2007"

I don't know, a random vinyl release as a wrap would be like saying that the digital MTM 15th anniversary edition it's a proper celebration of the album. I rather wait until 2025 with a deluxe edition of TRT, you put all the songs of the record, the We Major and Militia tracks, Welcome, a DVD with some performances and call it a day. 2CDs, a DVD and everyone's happy.

Because the vinyl market is full of people who willingly pay 300+ for any random shit as long is pressed on splatter-glow- in-the-dark-picture-disc or whatever they come up to.

Well, Bohemian Rhapsody isn't the best example of a biopic. There's thousands better ways to do this short film. I hope the negative feedback helps you of what not to do.

Like leftshoe18 said before, if that's what MS with friends means, I'm on board with this. We're never going to see some songs live ever again like BTH or Crawling since they were too close to Chester. But it would be such a waste that Mike by himself and a tiny band could only play a handful of LP tracks live. I'm pretty sure that he's gonna have plenty of musicians ready to play wherever he goes.

Anyone else misses the CD singles?

Yeah, they've done stuff like a best of compilation of Fear Factory, which basically is a random playlist. I suppose they give to the original label some of the streaming royalties and in exchange the label doesn't have the headache of curating new playlists/digital records. But in 99'9% of cases not even the band members are aware of this kind of releases

Record Store Day. It's a special celebration created to support the traditional record stores. That's why many musicians release something special that can only be bought during that day on those kind of shops

The vinyl market is a fucking joke

To be honest this movement, for me, wasn't off the cards. We've spoke here about how "relatively" cheap the box sets are for all they contain. I don't know the benefit margin for these boxsets, but I don't thing it would be that big. Enough to justify the production of it, I suppose. So I guess that's why, if you really want everything on vinyl (which seems the most desirable format nowadays), you REALLY have to pay for it. Which means buying the regular box set, the vinyl only edition, and now this. For me, that's the REAL price for having everything. Overpriced? Maybe, but let's face it, manufacturing vinyls is way more expensive than CDs, so Warner has to scrap money everywhere to make profit. There's a lot of LP fans around the world, but hardcore fans like the ones who dwell in this forum? Perhaps 20% of the entire fanbase. At last, I don't thing the band itself has anything to do with this release. They'll probably have the standard contract: Band retains the right to the songs, but Warner owns the master recordings. They'll receive royalties for this product, but its the label who has the last word when it comes to release something. PS: I'm a CD guy, so my only "concern" is to have someday the Nottingham and the full LIT shows on that shiny little format.

Wild guesses about this song being about LP never returning ever again in 3, 2, 1....

I would be gladly surprised if Mike did a song in the style of those artist. Again, too soon to say anything

Much more upbeat than I expected

Is there a link anywhere?

He's been in that mood since Scream 6, and I have no issues at all

I get where this feeling comes from, I don't expect anything, for me the band right now is a legacy act, so I'm happy with this kind of stuff

A Fort Minor comeback would be great. Since Mike is doing much better since his solo album/tour, I think he could afford to do something not so "serious" and personal

Why did the Projekt Revolution ended? The tour was immensely popular for the band, and specially the 04 and 07 were among the best yours the band has ever done. Was it because of money? Did the band got tired of having to organize that entire tour...?

https://www.vice.com/en/article/vba3mb/mike-shinoda-interview-slayer-reign-in-blood-2018 I know is quite old, and probably some of you back then already shared this interview, but I just remembered it and I had to give my thoughts. Since LP and Slayer are among my top bands, it's kinda curious see how that connection only exist in my head, how one of my favorite artist has never heard in its entirety one of my favorite albums ever. It's funny to read some Mike's remarks, like how for him is strange to hear Angel of Death without being a Public Enemy sampler, and how he praises Slayer for being able to keep up intensity during the whole record, something that he doesn't do, he needs dynamics (which makes sense seeing the LP setlists composition, with that calmed middle part) or how's amazed by Slayer's lyrical obsession with death. Whether you're a Slayer fan or not, it's a funny little interview

I'm still thinking that LP themselves aren't the biggest fans of Living Things though

Nah, was just joking but I would have put some of the hardest songs at the end. I'm not a big fan of OML, although I get the selection of songs and makes sense, for me takes out the best points of that tour (which I loved, btw)

Dude! What's wrong with a 27 song setlist? Plus you even cut my favorites from the setlist. You have a new enemy 🤣

If there's two weeks left I hope I have time to donate as soon as I get my paycheck PS: I'm from the opposite part of the world (Spain), would it be any problems with that?

Linkin Park has one of the most precise and meticulous discography, with countless layers of sounds perfectly mixed. I'd like to take those "experts" for a trip to other genres to truly know what's "horribly" mixed