Astat

Tons of prerecorded vocals on live performances from ATS, Living Things, and OML. Mostly gang vocals on choruses and stuff.

Whenever Mike's playing, Kirk Douglas is playing the same thing as him. I can hear them both just fine.

High Voltage (Remix), H! VLTG3, Standing in the Middle, Wish (live LPU 4.0), Step Up (live version on the Somewhere I Belong single), the entirety of Live in Texas/LPU 3.0, With You (live LPU 2.0 - Chester says "let me fucking hear you, London" or something to that effect during the intro and it's censored), Reading My Eyes (live LPU 6), You Ain't Gotsta Gotsta, Bleed It Out (live LPU 7), and oddly, the live version of Big Pimpin'/Papercut on the Collision Course DVD has the line "no passion" censored for some reason. I may be missing a few.

It'd be cool if they played teasers of various Mike songs as commercial bumpers throughout the show. Letterman's band used to do that with some of the musical guests he had on the show.

Nothing abnormally quiet when looking at each song in a DAW. Typical brickwall mastering for the most part.

Setlist: Castle of Glass Ghosts WFTE/WYG Crossing a Line Remember the Name Running From My Shadow *Edit* No outro on Remember the Name, and Mike messed up the lyrics to the first chorus of Castle of Glass.

Over Again was intentionally shortened, Mike just second guessed which verse he was going into for a second. The instrumental was the second verse the whole time. Also Welcome had no intro, Mike started by immediately launching into the verse.

Because playing a never-performed non-single from an album released 13 years ago under a different name totally makes sense when you're doing album release promo appearances. Lmfao. Might as well play X-Ecutioner Style too while he's at it... I also wouldn't say it's a sure thing that the Roots will back him for the performance, guys.

Wouldn't be the only name that got dropped in reference to Fort Minor that ended up not being involved for whatever reason. The coded message on the back of the Sampler Mixtape listed several features that were supposed to be on We Major, which included Big Daddy Kane but he never wound up on it.

I wonder how much...COLLUSION took place with Russian WeDemand voting??? I demand an investigation.

Lmao there is zero vocoder on this song that I can tell but ¯\_(ツ)_/¯ people who don't know vocal production gonna try to talk shit about vocal production. He probably read LPA's track by track review, saw it compared to Until It Breaks, and because he doesn't like Until It Breaks he's already made his mind up about the song even though he hasn't heard it, lol.

Definitely not. The only known TRT outtake that's still unreleased was Watch Their Mouth (feat. Tak).

I can think of a lot of good ways to promote an album. Having a gag order in place less than two weeks from release is not one of them.

They probably took Mike's credits for the full album and applied them to every song.

Sounds like a Hammond organ to me.

I think if anything, they'd just do another Songs from the Underground type of compilation rather than reissuing the CDs. Maybe a HTEP reissue on vinyl for Record Store Day, I think that'd be a cool idea.

Who says either one of them is even playing guitar on the track?

You're missing Runaway and Good Goodbye from that list. Remember the Name too if you're including everything LP-related.

Just the previously released version with synced audio and all of the stereo tracks split into mono (which they really shouldn't have done in some cases, as some of those tracks were actually stereo in the first place, like the drum overhead/room mic tracks).

How dare Mike Shinoda perform songs that he wrote. Pretty sure you weren't complaining about all the LP stuff in his solo sets a couple years ago. And besides, when/if LP gets back together you'll just complain about them doing it without Chester anyway.

Eww, K.Flay. Eww, MGK.

The whole multitrack is like that. Any tracks that were mono were put on one side of a stereo file, presumably to allow them to fit everything on one CD since OSC is a shorter song/doesn't have as many instrumental elements as a lot of the other HT songs.

No. Everything is definitely there.

With a couple exceptions (In the End, DOYS/LFY), nearly every Linkin Park song he put on this list can easily be identified as having been 90% or more composed by Mike.

The rest all seems legit. *Edit* Stems for Heavy and Good Goodbye have both leaked.