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Qwerty18

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Everything posted by Qwerty18

  1. Ahaha, WTF. Is it me or Mike is really screaming during OSC bridge? I mean, those are not even agressive shouting, but real screams. I don't recall Mike doing such in any other LP shows
  2. Now that I've heard a tease of it, I'd love to have the entire ATS demo "Chicken Basket". Mike said back then that this demo made him feel like he was on drugs. And damn, listen how awesome it sounds (0:46 onwards) And also, some of the super heavy songs from the MTM era, about which Mike still talked recently.
  3. Ah, it's pretty cool to see some people talking about this song! Vocal-wise, it's one of my favorite performance of Chester (including LP-stuff) . It sounds so raspy and evilish! I guess Condemned is the only other song I can think of where he uses that singing style. Unfortunately, I doubt Chester can still sing this way nowadays. Maybe he isn't even interested by it anymore. Anyway, facts are there :from ATS onwards, his raspy voice have been getting worse and worse live. And studio-wise, the amount of raspy parts have decreased a ton in their new material. ATS had WAK chorus. LT didn't really have one big raspy part, except for some lines ("...to burn it down!", "one last lies").
  4. Yep, no need to get into this argument, you wouldn't convince me anyway, even with all caps
  5. You've been hanging around on LPA too much... Just kidding, eh. But, there isn't such things as "musically immature". Lyrics can be immature, but not the music. Kids like heavy guitars? Good for them. That won't stop me for also liking them, even if I'm not exactly a kid anymore. And "accomplished what they wanted" argument is funny, since I guess, they accomplish what they want with each album release. They did wanted to make reminescent from the past music this time, and so they did.
  6. 1. Don't Stay (RIR 2004 intro) 2. QWERTY (2006 version) 3. Given Up 4. With You 5. When They Come For Me (Empty Space intro) 6. Lies Greed Misery 7. Points of Authority 8. Lost In The Echo (2012 intro) 9. Waiting For The End 10. Castle of Glass 11. High Voltage (2001 version) 12. Blackout 13. Figure.09 14. From The Inside 15. What I've Done (AMBO intro) 16. The Catalyst 17. P5hng Me A*wy 18. Powerless 19. Bleed It Out (Burning in the Sky or Sabotage cover) ENCORE 20. A Place For My Head 21. Papercut 22. Faint 23. One Step Closer
  7. Yep, this. Well, yes, since he said he liked The Catalyst and Burn It Down. To me, it sounded like he basically hated all LP stuff, the "old teeny nu metal stuff", and the "new pretentious stuff". Not that I care about what some random critics says btw. It's not the first time someone is bashing on LP, and it will not be the last.
  8. Don't stay or Figure would be great. They're designed to be live songs.
  9. I don't see anything negative about LP renewing their contract with Warner. The band seems to be free creatively, and the fact LP still is under Warner allows us to hear those old LP demos each year. And also, I'm pretty sure LP would loose a lot of popularity if it was not for Warner promotion. Honestly, I think that a lot of the people who want LP to leave Warner think that way because they assume LP will become much more creative if they go indie. Especially those who believe Living Things was made because of label pressure. This whole argument sounds artificial to me; I really think LP is doing what they want musically nowadays. So yes, if LP wants to leave, it's fine, and if they don't, it's fine. It really doesn't matter to me as long as they deliver music I enjoy.
  10. Bruiser and Space Station are awesome! I like them way more than Complimentary Also, how strange to have samples of unreleased LP songs (Chicken Baskets, Sakura,...) without having actually hear those songs?
  11. Mike being the brain of the band isn't new to me lol However, I think we don't give Brad enough credit for what he does in the music process. In LPTVs/making of records, we can often see both him and Mike discussing where the songs should be going.
  12. Even if it was a little forced, I'm still glad we got Condemned. Definitely a favorite of mine, along with Walking In Circles.
  13. Yeah, Kittie was one of the few I didn't know either. Well, I knew the band, and I remember Mike saying a while ago (during the HT or Meteora days) that he liked it, but I had never heard that particular song... the riff in it is seriously awesome !
  14. Ah, it was nice to hear those songs again! And as I said earlier in this thread, who cares if a genre is "dead" or not? The main thing is, some people are still enjoying it, deal with it
  15. Honestly, I'm not really interested. LP videos have kind of sucked lately. Yes, even COG, I'm not a fan of it.
  16. Qwerty in 2006 has to be his most brutal performance ever. To me, his screams during that performance were simply on fucking point...Love it!
  17. That x100000 Maybe The Messenger in place of Robot Boy, which I kinda enjoy, though
  18. LOl that thread might be fun! 1. Clarity (Like it, but it would be so boooring as an opener) 2. Fallout. (...especially followed by this...) 3. Irridescent (and this) 4. Robot Boy (and so on...) 5. Wisdom Justice Love 6. Leave Out All The Rest 7. Shadow of The Day 8. Random Foreword 9. In Between (I like it, but it would just be ridiculous to see it introduced by foreword) 10. Random Foreword 2 11. Burn It Down (commercial single era begins) 12. What I've Done 13. New Divide 14. Numb 15. In The End (and commercial single era ends) 16. Last Random Foreword 17. Not Alone 18. Breaking The Habbit (just because it contradict so well the positive lyrics of Not Alone) ENCORE 19. In The End (For the hype, let's replay it!) 20. The Messenger 21. Nobody's listening 22. Sweet Child Of Mine Cover (short version : first verse - chorus- end) ENCORE 2 23. The band coming on stage, telling the crowd that "Nah, you know, the show is really over, deal with it! "
  19. Yep, I agree with this. Telling people to stop listening to a musical style because it's supposed to be dead is ridiculous. Personnaly, I love nu-metal, 80's new wave music, 90's grunge and other genres that aren't really trendy to do anymore. But who cares, since I still enjoy listening to that music
  20. I'm too lazy to make an entire tracklist, but here is how it would have begun.... 1. Annoncement Service Public 2. Qwerty 3. Across The Line (with the heavy intro - acetate version) 4. What We Don't Know 5. Asbestos (a completed version) + Wake transition into.. 6. Given Up I have this tracklist in my music library, and I love the tone MTM could have had with such songs. For the other tracks, I'd have included Blackbirds, In Pieces, TLTGYA, No More Sorrow, HHH, and NRL, but I don't know the order. Maybe WID and BIO. Also, maybe Pale as an interlude, but in a shortened form. 5 min instrumental would have broken the flow of the record Exit : LOATR, SOTD, Valentine's Day, In Between.
  21. Waiting for confirmation from the members here who heard it, but I think this could really be Bruiser (only a snippet though)...It fits the description, and it sounds very LP-ish.
  22. Not possible. The BMI repertoire don't mention demos titles of released song (Bang Three, Drum Songs, Fear are not on it for example). Debris and HHH are both listed in that repertoire, so they're totally different songs.
  23. Asbestos And So Far way are my favorite. Voted for the first one, I like it a little better.
  24. I love this new release! Pepper, Ominous, and So Far Away all have that old LP vibe I'm a fan of (and I'm not even talking about the heavy guitars, it's more about the samples, and Mike melodies in So far away). So far Away might be my favorite on the CD. So fucking happy we're getting a new unreleased HT-era track! Now, the MTM material. First, I have to say, it was a nice surprise to see that much material from that era. But some of those are the less good stuff on the CD I guess... Homecoming and Asbestos are really amazing though! Nice to finally get some MTM heavier demos. The only thing I missed with LPU12 was 1 or 2 ATS demos, which would have been a better addition to the CD than POA and Forgotten demos I think. But anyway, I just have to thank LP for giving us the opportunity to have an insight in their music process. That's not really common in the music business, and the simple fact we're getting those demos is awesome.
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