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I just noticed something between the two snippets that we got from both Dave Garrett and 💀Rear Admiral💀. If you listen at around 0:39 while listening to Dave Garrett's snippet when Mike says "Hundred three BPM equals ninety degrees", you hear something in the with the music. I can't tell what it is. It sounds like an extra drum sound or something? I don't know what it is, honestly. Meanwhile, if you listen at around 0:35 (original snippet and fixed snippet) while listening to 💀Rear Admiral💀 when Mike says the same thing, the sound isn't there. Just thought it'd be something to share because I had JUST noticed that difference, with the extra drum sound or whatever it is, just then.

I'm guessing 115 BPM can be a guesstimate for the song.

What about the voice sample in Saimo? I can probably mess around with the pitch for the "Technique/Rendezvous" sample and the "Saimo" sample to see what I can get.

"And One" has a bpm of 115 (the main song, not the rap outro; the rap outro is 100 BPM). I also found the BPM's to decent amount of the LPU demos too. I put the song through here (https://tunebat.com/Analyzer), then, to make sure they actually are that BPM, I take either an AI acapella or instrumental of the LPU songs (unless it's a demo instrumental; in that case, I take a Linkin Park song acapella with the same BPM and put it over the demo instrumental) and put the AI acapella over an instrumental of another Linkin Park song with the same BPM, and vice versa. Then if it works, as if it sounds like a mashup, then that's when I can definitely tell that that is indeed the songs BPM. That's what I do to figure out the BPM's of those songs, anyway.

How can the vocal sound effects from "Nobody Can Save Me", "Battle Symphony", & "Sorry For Now" be changed? I saw these paragraphs on the pages for each of the songs: Nobody Can Save Me: Before One More Light was released, Mike Shinoda gave Waves a song-by-song glimpse into the album's production and mixing. For "Nobody Can Save Me", he said, "That’s one of my favorite sounds on the album. It was one of our scratch vocal tracks which we cut up and made the melody out of. There’s some basic low-pass filtering here with the Waves Linear Phase EQ, a little distortion, and a reverb with very short decay time. The filter is opened up in different sections, to make those sections feel bigger." Battle Symphony: The title "Battle Symphony" was first seen in a picture posted on Joe Hahn's Instagram story on September 6, 2016 of Brad playing acoustic guitar with the band's song board behind him. The song is about things falling apart and putting it back together. The vocal chops came from demo scat vocals Mike Shinoda chopped up in ProTools. He used pitch shifter and alterboy, and grabbed pieces and chopped it up on the grid. Then added some effects to finalize it. Describing how the samples in the song were made, Mike said, "I think that was part of the demo, like the vocal demo. And chopped up music from the demo, super effected. So treated both of those things together as if I sampled it, and then effected that. Played it on pads and stuff, as I recall." This was similar to how the samples in both "Nobody Can Save Me" and "Sorry For Now" were made on the album as well. Sorry For Now: Mike Shinoda spoke about how the collaboration came together in interview to LPAssociation, "On Sorry For Now, I had a finished vocal and a rough track that the whole band liked, but we all thought the track could use some spice. We invited Blackbear and Andrew Goldstein in with me, Chester, and Brad, and we created this vocal sample drop together that took the song to a whole new level. It was really fun having people with different perspectives and talents in the room each time." Describing how the vocal samples in the song were made, Mike said, "The high pitched voice on Sorry For Now, I think it was just a scat version of the chorus. So it may be saying 'Sorry For Now' and stuff and I just chopped it up. Or it may be saying gibberish, like some version of that. I think it may be a little bit of 'na na na.'"

There are even a couple of remixes of "Go To Waste" too.

I've found the topic with "Trust": I can't find any topics with "Already Looking At Me", "Let You Go", and "Second Chances" besides this one.

So, I just found this song on BMI out of the blue. The music video for the song was released in March of 2022. Here's the BMI entry: https://drive.google.com/file/d/1xg6hQDmzL8JkdMM9qsZ90O3IRhdgMSb9/view GO TO WASTE Writers / Composers Current Affliction IPI # DELSON BRAD (BMI) 00355851442 DELSON GREGORY (ASCAP) 00681849698 Publishers Current Affiliation IPI # HAPPY CANARY PUBLISHING (ASCAP) 00683601341 NONDISCLOSURE AGREEMENT MUSIC (BMI) 00357145359 Performers GREG DELSON Alternate Titles No Data Available Here's the music video: Here's the lyrics to the song as well: [Verse 1: Greg Delson] A fading light On the horizon And I keep fighting For more time But there's a hope In every moment So I'm still holding Out for a sign [Pre-Chorus: Greg Delson] Cause all the love I have Is all the love you gave I try to make it last You try to walk away I've given all I can You say you've done the same We cannot change the past But we've still got today [Chorus 1: Greg Delson] So don't let it all Go to waste [Verse 2: Greg Delson] I can't decide If I'm just clinging Onto a promise Or to my pride But I can hear The answer ringing Somewhere sinking Down inside [Pre-Chorus: Greg Delson] Cause all the love I have Is all the love you gave I try to make it last You try to walk away I've given all I can Say you've done the same We cannot change the past But we've still got today [Chorus 2: Greg Delson] So don't let it all Go to waste Don't let it all Go to waste [Bridge: Greg Delson] And now all we got left's A lonely choice A fragile silence And I'm still fighting For more time [Pre-Chorus: Greg Delson] Cause all the love I have Is all the love you gave I'm trying to make it last Please don't walk away I'm giving all I can Can't you do the same We'll never change the past But we've still got today [Chorus: Greg Delson] So don't let it all Go to waste Don't let it all Go to waste There's more BMI entries I found too. Some from Brad, one from Mike, and one from Chester, Mike, Joe, Brad, & Rob. ALREADY LOOKING AT ME Writers / Composers Current Affliction IPI # BYRNE DANIEL (NS) 0 DELSON BRAD (BMI) 00355851442 HENDERSON BRYCE XAVIER (ASCAP) 1023172609 Publishers Current Affiliation IPI # NONDISCLOSURE AGREEMENT MUSIC (BMI) 357145359 SONGS OF UNIVERSAL INC (BMI) 353271280 Performers No Data Available Alternate Titles No Data Available Already Looking At Me (Brad Delson) BMI Entry: https://drive.google.com/file/d/1R7k0w5PWFIUvQSxp2N9ndiURjJfyka50/view LET YOU GO Writers / Composers Current Affliction IPI # BRADLEY LIAM PADRAIG (IMRO) 463219167 DELSON BRADFORD PHILIP (BMI) 355851344 DUNNE NIAMH (IMRO) 519126756 GRAHAM SEAN BRENDAN (IMRO) 461203887 KEOGH JAMES ANTHONY (PRS) 655077138 LONG NICHOLAS ALEX (BMI) 524491457 MCKEE DAMIEN GERARD (IMRO) 461202005 MURRAY EAMON (IMRO) 521774655 WELLS ANDREW MICHAEL (BMI) 725387230 Publishers Current Affiliation IPI # ANDREW WELLS MUSIC (BMI) 844001769 NONDISCLOSURE AGREEMENT MUSIC (BMI) 357145359 SONGS OF KOBALT MUSIC PUBLISHING (BMI) 401084411 SONGS OF UNIVERSAL INC (BMI) 353271280 SONY/ATV BALLAD (BMI) 691061940 SPIRIT B UNIQUE DAGDA SONGS LI (NS) 0 SPIRIT ONE MUSIC (BMI) 186522259 Performers No Data Available Alternate Titles No Data Available Let You Go (Brad Delson) BMI Entry 1: https://drive.google.com/file/d/16zb0FosYMTyWFJbvvjNctl4mZUjMKd7D/view Let You Go (Brad Delson) BMI Entry 2: https://drive.google.com/file/d/1GAJx1uSe0h-EbnLY3toRtpzScjfWRf2u/view SECOND CHANCES Writers / Composers Current Affliction IPI # CLASEN JESSE (NS) 0 DELSON BRAD (BMI) 355851442 FARRAR SAM JOHN (ASCAP) 339896009 RABADI JACOB (NS) 0 Publishers Current Affiliation IPI # Additional Non-BMI Publishers Performers No Data Available Alternate Titles No Data Available Second Chances (Brad Delson) BMI Entry: https://drive.google.com/file/d/1ksnuClxNV9_OUVeFJRuG8es6xKYk6XDF/view CHOOSING VIOLENCE Writers / Composers Current Affliction IPI # BENNETTS JUSTUS (ASCAP) 1088238729 EASON EDISON BOON (BMI) 1033734291 FINKELSTEIN JESSE (BMI) 732799998 SHINODA MICHAEL KENJI (BMI) 355854139 Publishers Current Affiliation IPI # BOON UNLIMITED PUBLISHING (BMI) 1028675156 MUSIC OF BIG FAMILY (BMI) 889568154 Performers No Data Available Alternate Titles No Data Available Choosing Violence (Mike Shinoda) BMI Entry: https://drive.google.com/file/d/1rFZJVf6cOOJ_9iRX_JSx1vXjlMQ7ZyX3/view TRUST Writers / Composers Current Affliction IPI # BENNINGTON CHESTER CHARLES (BMI) 00404516099 BOURDON ROBERT G (BMI) 00355850837 CORTILLO DAMON (NS) DELSON BRAD (BMI) 00355851442 HAHN JOSEPH (BMI) 00355851834 NEAL II CHARLES ANTHONY (BMI) 00852564716 SHINODA MIKE (BMI) 00355854335 Publishers Current Affiliation IPI # CD BABY BETA (BMI) 00700570289 Performers No Data Available Alternate Titles No Data Available Trust (Chester Bennington, Mike Shinoda, Joe Hahn, Brad Delson, & Rob Bourdon) BMI Entry 1: https://drive.google.com/file/d/1eWqEdCNKYG0DEOoCEmvkzKp4oDqgfLbt/view Trust (Chester Bennington, Mike Shinoda, Joe Hahn, Brad Delson, & Rob Bourdon) BMI Entry 2: https://drive.google.com/file/d/1KOdw0k2jyGu1Cb5IQtaj0kSXnd8Sgl8S/view What are "Already Looking At Me", "Let You Go", "Second Chances", Choosing Violence", and "Trust"?

I have these songs/samples, lol. Is there a way to get these songs/samples? I've never seen them before, though I feel I've heard of them before from somewhere else besides here.

1. QWERTY 2. Not Alone 3. Blackbirds

I think it might be the "oh" that he sings after the first and second choruses, possibly.

It's that really what it is? I was hearing as "Oh", not "I". Weird.

You forgot about "Over To Me (Blue)" being the working title of "Blue": https://linkinpedia.com/index.php?title=Blue

These 3 need updated. Mark Wakefield was a part of 'The Pricks'. Dave Garrett is the bassist of both Karma and Relative Degree (as well as Xero for a brief time [before Dave 'Phoenix' Farrell]). The band members, studio recordings, shows, and live recordings of 'Xero' need updated too. 'The Pricks' and 'Relative Degree' both have studio recordings (demo tapes). According to this interview with Dave Garrett, as well as this topic I made on his story, Relative Degree recorded some demos on a cassette that he still has to this day that he hasn't found yet. He also said that Karma recorded some demos on cassette that the old guitarist from the band has. Additionally, he mentioned who the band members of 'Karma' were: Dave Garrett (bass), Rob Bourdon (drums), Steve Hever (guitar), and Josh Dulay (vocals). They also jammed with a guitarist named Eliot for a while. One more thing, Dave Garrett says that Mark had a video camcorder that had captured video of their Roxy performance when they were a part of 'Relative Degree'. The audio quality of the camcorder sucked, meaning the audio quality of the performance is bad. 'Karma' needs to be added to this. Also, according to Hoobastank guitarist Dan Estrin, Hoobastank (spelled Hoobustank at the time) filmed their first show on VHS, which includes 'The Pricks' footage as well, which Dan still has in his possession.

You may have to update this with the 1998 Xero version of "Esaul".

What did the original tracklist of LPU 9 look like? Was it like this? 1. A-Six (Original Long Version 2002) 2. Faint (Demo 2002) 3. Sad (“By Myself” Demo 1999) 4. Fear (“Leave Out All The Rest” Demo 2006) 5. Figure.09 (Demo 2002) 6. Stick And Move (“Runaway” Demo 1998) 7. Pictureboard (Unreleased Demo 1999) 8. Drawing (“Breaking The Habit” Demo 2002) 9. Drum Song (“The Little Things Gove You Away” Demo 2006)

I messaged him about the demo he gave Whalberg through Instagram, and he replied with this:

Nevermind, there's more: Baczor then mentions that he had a chance to give Mark Wahlberg a D-NAX demo that Wahlberg would listen to while warming up: Based off the last phrase, maybe Mike Baczor gave Mark Wahlberg a demo of "Can't Hold Me Down"?

I just noticed that in the video that Grey Daze posted on their Instagram of the small snippet of the drum take of “Spin”, the “oh yeah” vocal part sounds a little different from the actual song. “Spin” drum take snippet: https://www.instagram.com/p/CecPUB9ODNc/ (Go to 0:10 in the video to hear the part I’m talking about.) “Spin”: (Go to 0:43 in the video to hear the part I’m talking about.)

These are the lyrics that I got from the song that I added to Genius: [Verse 1: Chester Bennington] So much time has been wasted I want to be free, yeah I'm just a young boy Shaking on in this dream, oh yeah [Chorus 1: Chester Bennington] Where have I been?! Does anybody here remember?! Pour it all [?] I've been here since, yeah [Verse 2: Chester Bennington] [?] I've been walking Can't hear a [?], yeah I just wound up on this endless highway Can't get off of this endless highway! [Chorus 2: Chester Bennington] Yeah! Where have I been?! Does anybody here remember?! Pour it all [?] I've been here since [Bridge: Chester Bennington] Does anybody here?! Does anybody here remember?! [Verse 3: Chester Bennington] So much time has been wasted, yeah I want to be free! I'm just a young [?] Shaking on in this dream, oh [Chorus 1: Chester Bennington] Where have I been?! Does anybody here remember, well Pour it all [?] I've been here since [Outro: Chester Bennington] Does anybody here?! Does anybody here remember?! Oh yeah, oh yeah [Chester Bennington] Thank you Genius page for "The Endless Highway": Grey Daze – The Endless Highway (Unreleased Song) Lyrics | Genius Lyrics

Are you gonna do fix more information to the songs from “The Phoenix”, as well as the album itself, since there’s more information about the album out there to the public?

In my opinion, I think that the "lullaby intro" is an interesting yet slightly creepy twist to this new version of "Hole".

I went to Linkinpedia for the information on when those versions came out lol.

Whoops, I didn't mean to do that!

The difference between both versions is that the LPU 9 version (that's on the deluxe edition version of MTM that was released on May 13th, 2022) is labeled as "Across The Line", and the alternate mix/Mastered For iTunes version (that's on a different deluxe edition version of MTM that was released on January 15th, 2013) is labeled as "Across The Line (Bonus Track)." That's how to tell the difference between the two different versions, besides some minor differences in the tracks, from what I can understand.