Fleur de Lys

I love the agression. Awesome song. Chester sounds so much like Disturbed in this song.

How the hell do all you guys know that Mike can't sing? Ever heard of vocal training? You would all be amazed if you knew how much you can develop a voice over a short period of time. Mike is not stupid, he would not be singing a lot if he knew he would not be able to pull it of live. Plus, Chester said not long ago that Mike has "developed" a strong vocal.

It might not even be the wrong term. They might have used auto-tune, but then it's for the effect and not pitch-correction. I don't like the sound of voice-effects either, only a little plate, reverb, delay, and such.

I'm sorry, but if they were just using the effect for pitch correction, you wouldn't be able to hear it at all. One of my local bands for instance, used a lot of auto-tune in their songs, recorded in a little non-proffesionel studio, and it's impossible to hear. So once and for all people: IF LP JUST WANTED TO CORRECT THE PITCH, YOU WOULDN'T BE ABLE TO HEAR IT! --> WHAT YOU HEAR ON ATS IS AN EFFECT. If you want a link to the local band I'm talking about, I'll post it. Non of you will be able to hear the autotune, and it's even just in some half-assed, non-proffesionel studio.

I like the song It's pretty awesome. They finally did something that's really new, genre-busting if you will.

Auto tune, pitch correction, call it whatever you want. If the artist wants it to be impossible to hear that they fixed the wrong notes, it's easy to do, and it's been that for years. Therefore, it's the artists choice if they want that robotic voice, it's more of an effect, cause if they just wanted to just sing clean, even though they could not in real life, they could hide the autotune much better.

This was exactly what I expected from the second I heard it was gonna be more electronic driven last year. I'm not surprised. And it's really nice and new. People calling it a mess: Are these rythms slighty to hard for LP fans to understand or what? Just because it's not 4/4, dosn't mean it's a mess. And I like the structure of the song, it's really hard to follow, it dosn't use the verse-chorus-verse-chorus-bridge-choruschorus. And that's great. You can just sit back and enjoy, not thinking about where in the song you are. It breaks out of some of the structural rules that have been there for ages. Also, this is very close to the original if you ask me, and I doubt there will be anything interesting on the last bits, but we'll see. You can't hear autotune. It's a common mistake that you can hear autotune, but you can't. It's easily done, and you have to have very trained ears to be able to hear it. I'm not saying LP never used it, but what you are hearing here, my friend, is just an effect.

I hope it's the album name, it sounds great in my ears. Much better than Minutes to Midnight.

I really can't wait, this will be good. The place selling tickets has this qoute on their show page. Joe Hahn: "We are working to create a special experience for our fans where each of these live performances is designed to be a transformative multi-media experience, blending our songs and art and featuring never-before-seen visual technology."

R.I.P. Ronnie. Your music kicked ass, heavy metal father.

What exactly does this have to do with Warner?

People were booing at the big festivals, and that's not funny, put yourself in the shoes of Chester for a minute.

The theory that Chester is doing this for more sales is bullshit. I guess that these comments will sell around 50 CD's, if not less, and to think such comments will help the overall sales is stupid and Chester knows that. I hate these conspiracy theories on the big bands, this is NOWHERE near a marketing trick. He is just reflecting on the bad sales, I believe he really loved this record, and it got a lot of negative reviews, bad sales, and people booed them off at concerts. That's a really big slap in the face, because he thought people would like it, I feel fucking sorry for him. And the band isn't really gaining any fans as far as I know, just LP fans saying: "It's allright, but I like LP better". And that's not what he expected. I do think it's a good record, and I love singing along to it, he has awesome melodies.

Awesome idea, I'll definitly pay for a download.

Sorry about that, Christmas holidays, haha.

Did you guys see the edit in the post? He played keys at the Chi Cheng / Deftones benefit show apperantly. I had no idea about this performance. Who was he playing with? Any YouTube videos up?

Wow, I always thought Chester was screaming his lungs out douring his growls, but apparantly not. When he says "My My" in the My Suffering video, he has a really low output, and it sounds exactly like his screams, just lower. Guess Chester really is one of those mic only screamers, I'm a little dissapointed.

The performance of What I've Done wasn't even anything special, I just hate the way Chester sings "Doooone". Anyway, pretty cool. But they should've picked Bleed It Out, since it was awesome there and it was a single too.

Exactly what I was going to say. I think they had the recordings, and just needed do a final mix and that's what Brad meant. Across The Line is mixed as good as the rest of Minutes to Midnight, which makes it more of a b-side than a demo actually.

The thing people think is "crazy" about the guitars on the Faint demo is the fact that the melody is played with powerchords only, instead of octaves and harmonizing powerchords, it might sound pretty cool and fresh to your ear now, but really, the real guitars in the real version are much much better musically in my opinion. That goes for all the demos, Figure 09 for instance, it sounds pretty fresh and new right now, but when you think about it, the guitars are much better on the real version. The bridge has much more rythm in the real version, just go back and listen and compare, it's much more developed, much more special on the real version. The tapping riff in the intro is much more badass on the real song, though the guitar sound is more raw on the demos, which is pretty dope. In my opinion, what you really get out of this is a deep inside look of Linkin Park's working process, and that's really really cool, so I love this LPU CD, it's the very best yet. But in my opinion all the songs are better than the demos, everything else would be stupid as it's demos. I like Across The Line, very unique track.

I think what you're missing is a storyline to go with the performance. They're are both just band performances.

Wow, that's very interesting! Where did you get this info?

Someone, please ask him how he keeps tight to the samples Linkin Park use live, I always wanted to know if he's using a click in his earmonitors or..?

This is 100 % the best performance I've seen from this band.

Crawl Back In is up now. http://www.youtube.com/watch?v=bvy6M0G11rU