LPsMart

no problem man! If you're still struggling: I made audio samples with each individual finger played one at a time. I suggest learning it in this order: Second Finger (I use the right index finger) Third Finger (I use the middle finger, except on the Bb - there I use my ring finger) Both of those together First Finger only (I use the thumb) everything together (but clearer to hear than the original) Please note that I didn't play this on click and I used an Roland FP7 E-Piano using the instrument LP used live and on 160 bpm straight, each finger but it's one file Also I made a folder for this so everything's at one spot: https://drive.google.com/drive/folders/1zXwWNh8WsTg6YTl7LND6FD8KohDe8PmA?usp=sharing Next thing I would do is a video, but I think after this there's no need

I was actually trying to do this recently but my whole cloud got deleted, now I'm missing most of the stuff if you mean the dung dun bun dunbun dunding etc played with that bell sound (this is notes not chords lol): it's C4 and F and Ab4 on the first dung, F4 and Ab4 on the dun, then the bun is the C4 again, then dun and bun again, then dun and the ding is a Bb4 On the second chord it's Db4 F4 and Ab4 for the dung and duns and buns and Bb4 again on the ding On the third chord it's Bb3 F4 and Ab4 for the dung and duns and buns and Bb4 again on the ding The fourth is just half a bar, so dung dun bun and it's C4 F4 and Ab4 (like at the beginning) The fifth one is also half a bar but only the dung with C4 E4 and G4 (basic C major lol) You basically just change the bass note, play a Bb on the and of a bar and on the last bar you change the upper two notes in the middle instead of the bass note In chords this would be: Fm/C Db B5sus7 (not sure if this is correct tho it's basically a Bb chord without the third but with a natural 7th instead) Fm/C and C This is stupid, who would understand this? I'll transcribe it, sorry man. Just the intro but I think that's the only keys throughout the song PDF JPG PNG

the samples from Mic sound like they're from a text-to-speech-synthesizer about the other two samples... I would rather like to know in which folder those are, I can't find any samples from Rendezvo in any folder

I second this question

the female artist must have been shivering

I basically live for comments like this ❤️

you may but most of their singles have multitracks online, so that would've been boring

I edited this part out of a Linkin Park song, and I want you to guess, where it's from. https://vocaroo.com/1gTdC6EU3xcJ Speaker warning: This sounds kinda creepy in some way, so you wanna turn down your volume. If your mind is totally blank, here is the section played at the right speed and forward instead of backwards: https://vocaroo.com/1fcrtmd8Scnh If you found out, please don't comment the answer yet, so people can guess on their own. Have fun!

alone again // you go away can you upload a sample of your work in progress, so it can be found out in which direction to move the sound

Actually the live mix was way better. I remember it being as energetic as previous cycles. The audio for the stream was good for it being from OML cycle, but still OML live mixing.

How have I never found this before

agreed

no.

he's a robot bot bot bot bot and he won't stop stop stop stop 'cause he's a robot Edit: maaan i was late to the party and didn't even realize

yeah of course he was involved in writing and stuff but most likely didn't perform, that's what's disappointing Brad not playing guitar is a whole different story - he is super involved in the process (as you can see e.g. in "the meeting of ATS" or "Brad says hello to mikeshinoda(dot)com", which is hilarious btw) - and you know he wrote Three Band Terror on his own, so there's a whole song he performed on his own on LT - even though the music itself on UIB was mike and brad for sure, he sang. Lol CFTI and Session are super Mike-y, idk how ppl would think it's JH. With You for example has tons of scratching and isn't a JH song at all.

nope I'm 100 percent positive that that was Mike, I think I read it somewhere, not sure about The Summoning though - that should have been Joe please, if not it would be disappointing to have only 5 members on that album

I think everybody did great on that album - especially Rob had his time to shine, he's just an excellent drummer. Brad did some sick soli, Chester brought back some amazing screaming, Mike showed off his singing ability once again on ALITS, and did major songwriting on the whole album. Well and then there's the bassist and we don't need to talk about Joe on THP I guess, he didn't even direct any music video besides UIG. I know people dislike the songs for their lyrics and I couldn't care less, 'cause musically it's still a wholesome album and I feel rather bad for people, that can't listen to it like that.

this topic being reviewed in 2021 is something I would never have dreamed of hahaha

that's on the album too but way down in the mix, here it's just not mixed well check the multitracks, you can hear it pretty clearly

there's very subtle scratching on the studio version too. they did that usual manipulation stuff with an MPC and then Joe scratched it up.

I think so too. I believe there has to be another demo, from Chester's very early days. Like rerecording the Xero CD with Chester and that's it. I think So Far Away should be on there too. I suppose it was written right after they fired Mark and then Chester hopped on there to do his very few lines. Also I think Flower was never recorded onto CD, I think it was just between Emo and She Couldn't and since it was a pretty song they called it Flower for the time being. I think it's just a literal working title for the project of this song before the vocals finally came together. To me it sounds like they put Brad and Joe on Emo and called it Flower before Chester and Mike wrote lyrics, like it's obvious that version could never have been on a demo CD, 'cause that would've been like "Ashes", which I still don't understand why they included it before finishing beforehand. An early demo of She Couldn't

nah that's what I think too, there's just no demo out there that contains it (except the one in Mike's closet)

Unpopular opinions right here: I enjoy the studio version of QWERTY more than the live version I think the intro of Blackbirds makes it more of a "being a part of something" experience, but I left it out on the instrumental, 'cause it's just a loop and I see why that is annoying in some way Not Alone has amazing lyrics and great performance and it's certainly hypnotizing, I just don't like the sound they used on that one that much. but still it's a great song and if it was more energetic I would listen to it way more often - even though I listen to ballads like that on the regular, it's just a little different from what I like

Alright I'm pretty sure it's not from those recording sessions. No live drums, which doesn't make sense if Rob in fact had recorded some. Totally different guitar tone to the album and also not as polished as later recordings (tone-wise of course not as good as the HT masters but I mean rather guitar song writing - e.g. the lick before the last chorus is sounding like something Brad would have improved on later on. The harmony vocals are even a little louder than the main vocals, which makes me believe this is rather a home recording they did. Also the vocals are a little flat here and there which is a big no-no on album takes. They're not even edited. I think that's enough reasons.

I think we can all agree on 1. QWERTY 2. Blackbirds 3. Not Alone