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  2. Third episode of behind the scenes from the making of the From Zero album. This episode shows the process of the making of "Heavy Is The Crown" track.
  3. Today
  4. yep. just with a lighter skin colour
  5. and Colin looks like Mike Biebernoda from the ATS era.
  6. Sounds 100% LP to me, with new unique Dead Sara swirl, that is improving something that is already perfect. Strong song, easily could have been already part of initial FZ release. Listening to it over and over again, the chorus is becoming a candidate for one of my favorite choruses ever. Hope to see more of this style in LP future.
  7. that's exactly what i thought LMAO 😭
  8. Yeah its perfect but another option wouldnt erase the original version from existence. HT its so big that a re-mix its meant to happen its just that if they do it now it will distract the people from the new album.
  9. NRL would be ok, but I would like them to redo the whole instrumental. At least that horrible guitarish sample and drums.
  10. I listened FZ today like 4 times with deluxe tracks and I almost have 100% certainty that this vocals were recorded before others. She sound more powerful. Maybe other parts of the song was reworked later in the process but I think this vocals may have been recorded in 2019 during first Mike Emily session.
  11. Hoping for some reason for No Roads Left, but don't think that will ever happen. Really not excited for Up from the Bottom or Unshattered being played live, many better songs to give us
  12. the “what’s next could be the last” and “how did we get here” stuff was from the rap. I could see it being about Chester and the band toying with paying tribute to him on LP8, and I could also see it just being about grief in general. The fact that Emily is on it makes me think Mike would say something like “it was about grief in general, something both Emily and I experienced and channeled in writing this”
  13. Looking at this picture, I'm wondering if they sell the usual tour t-shirt with the dates written on the back
  14. of course, and it was mike's response to Chester loss, but that was his time for doing that, with post traumatic and his solo tour. but now I don't see them doing that anymore
  15. yeah, that's true — i guess you can never really directly apply that term because they're still going to do whatever they want to do, i don't mean "not directly linkin park" in a bad way at all. i used that since a lot of people have compared it to the sound of what emily did with dead sara/mike's projects before these years, hopefully that makes sense. it's so controversial 😂 i try not to think about it too hard because i never mind what they do. yes, it's unlike something they've done in the past, but that's not bad at all
  16. The phrase that "doesn't sound like an LP" is always funny. Now imagine that you only listened to HT and Meteora and someone played you "In Between". You would immediately say this is not an LP. For the next 10 years, this term will be used very often, you will see.
  17. exactly! i know it depends on your opinion and/or personal taste, but i've never been someone who hates on really any of their songs. i enjoy their form of independence from not sticking to one type of music or exact sound, whatever they put out always sounds good in some way to me
  18. ain't that the beauty of Linkin Park? what is the sound?
  19. finally got to listen — huge fan of this one. not much to say since everyone has mentioned a lot already, i really love mike's verses & even if it doesn't directly sound linkin park, i'm still all for it
  20. Really good song, it could easily replace Cut the Bridge in the first version of the album
  21. Of course, two really great songs. They'd definitely be great live.
  22. Pretend To Be and What We Don't Know.
  23. Of course, Looking for an Answer is an official LP song and was also played at the Celebrate Life in Honor of Chester Bennington concert.
  24. Which songs do you mean by PTB and WWDK?
  25. I like it! Such alternative rock with a grunge edge. I like the lead guitar motif during the breakdown and when Emily sings to Mike's rap. Shinoda's verses themselves could be more aggressive or at least like in Victimized. For me, it's an 8/10. They could play it alternately with Up From The Bottom at concerts.
  26. ”Where the lines overlap” is the first one that comes to mind, or maybe Decode? 🤔
  27. Chorus reminds me of an old Paramore song but I can't remember which one. Hopefully they play UFTB at the show I go to rather than this.
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