GlassCastles

Where in the song? No vocals in the song sound like they didn't come from Mike.

Really? I'm pretty sure it's 99% the same as the 9-Track version, just with an extra bass note at the end.

There were differences in those versions. They were fairly subtle, but they were there.

I do think we're gonna get a Hybrid Theory in full show in October. 1. Papercut (2015 Intro) 2. One Step Closer (Ext. Outro) 3. With You 4. Points Of Authority 5. Crawling 6. Runaway 7. By Myself 8. In The End 9. A Place For My Head 10. Forgotten 11. Cure For The Itch 12. Pushing Me Away 13. A Line In The Sand (Keyboard Intro) 14. From The Inside 15. Given Up (Ext. Outro) 16. Wastelands (Hard Start) 17. Castle Of Glass (Experience Version; Bridge w/ 'Wisdom, Justice, And Love' Speech Samples; Oppenheimer Outro) 18. New Divide 19. Burn It Down 20. Final Masquerade 21. Numb (Numb/Encore Intro/Outro) 22. Faint (Ext. Outro) ------------------ 23. Waiting For The End (Apaches Intro w/ 'Until It Breaks' v3; Wall of Noise Outro) 24. What I've Done (Ext. Guitar Solo Bridge) 25. Bleed It Out (Ext. Intro w/ 'Reading My Eyes' v1; Ext. Bridge w/ Sing-A-Long; Ext. Ending)

Brad has actually done fine on GATS except for the solo, which was completely expected by me, considering his recent Faint outro solos. The problem with the intro to GATS in early 2014 was the tech's fault, since it was almost an entirely new live rig if I recall correctly. Brad played it fine.

The problem everyone seems to have, or that I do, is that they're not even bothering to try it. They have several weeks before the next tour starts. In that time, they could EASILY get Keys down. Except for the solo, which really isn't even that hard once you know it, nothing about Keys is particularly difficult instrumentally except for Rob's drumming, which I believe he could probably nail given his motivation lately. However, instead of even trying, they're basically saying "Meh, fuck it. This set is good enough." They've just gotten lazy when it comes to trying to get new songs into the setlist, and that's really disappointing.

If you play it properly? Not really. I mean, if you played it constantly for an hour and a half, then yeah, it could hurt your hand/wrist, but he doesn't.

It's even more annoying when the band had literally just been to their country. Like, a week after the Brazil shows, the comments were already "COME TO BRAZIL!!!"

1. Mashup Intro #3 (w/ 'Session', '1stp Klosr', 'The Catalyst', 'Fallout', 'Darker Than Blood') 2. A Line In The Sand 3. What I've Done (AMBO Intro; Ext. Guitar Solo Bridge) 4. From The Inside 5. No More Sorrow (Long Intro) 6. Keys To The Kingdom 7. Blackout 8. Victimized (w/ QWERTY) 9. Lying From You 10. Empty Spaces 11. When They Come For Me 12. Hands Held High (Shortened (Intro, First Verse, and Chorus Only)) 13. Waiting For The End (Apaches Intro w/ 'Hands Held High' v2; Wall of Noise Outro) 14. Final Masquerade 15. Numb ('Numb/Encore' Intro/Outro + v1 Guitar) 16. Castle Of Glass (Experience Version; Bridge w 'Wisdom, Justice, And Love' Speech Samples; Oppenheimer Outro) 17. Burning In The Skies 18. Mark The Graves 19. New Divide 20. Lost In The Echo 21. Burn It Down 22. In The End 23. Bleed It Out (Ext. Intro w/ 'Reading My Eyes' v1; Ext. Bridge w/ Drum Solo; Ext. Ending) ------------------------ 24. The Requiem 25. The Radiance (w/ Savio Speech Scratch) 26. Wretches And Kings 27. Rebellion 28. A Place For My Head (Guitar Solo Intro; Ext. Bridge; Ext. Buildup Outro)

The band had a blast playing it and it was a rather high-energy song, I'll agree with that. However, nothing else about it grabs me at all. The fact that LGM is among my least favorite songs by LP doesn't help either. Chester sounds off when he does the chorus, and Mike's verses have always seemed hit-or-miss to me. Also, the whole "not screaming last chorus" thing totally KILLS the build that starts with the bridge. It ruins a song that was already pretty bad IMO.

UnpopularOpinionPuffin, you're being replaced

Assuming the SOTD Piano Version you listed it that part of the Ballad Medley, Brad plays a bit of guitar near the end of it. I know Joe doesn't do anything, but I'm not 100% sure about Phoenix. I don't think he does, though.

https://www.youtube.com/watch?v=OTtkRuoozuQ From what I can see, all of them are doing something except for maybe Joe and obviously Chester.

Already listed that one Mashup Intro #1 didn't have Chester

Mike plays guitar on Tinfoil too.

I don't believe so.

Mike's Medley is just Mike and Joe Cure For The Itch, Session, The Radiance and Joe's Medley are just Joe The piano versions of My December were just Mike and Chester Any acoustic version of The Messenger consisted of just one, two, or three members (Chester alone, Brad/Chester, Phoenix/Chester, Mike/Brad/Chester). The normal live versions of The Messenger don't have Joe or Phoenix doing anything The Requiem, Fallout, Wisdom, Justice, And Love, and Robot Boy are just Mike Jornada Del Muerto is just Mike, Chester, and Brad That's all I can think of off the top of my head. I'm SURE there are way more.

We've only had one "re-release" of an old HT demo on an LPU, and that was Forgotten from LPU 12.

1: 2: 3: 4: 5: What the fuck, guys?

Well, that's all LPU CDs are nowadays. Just demos. Except for LPU XIII, with the two tracks that weren't by the band. Keep up, Dylan

I know. But really, why is everyone so serious about this? We all know they won't play it even if it wins. Is it just a spite thing? I don't get it.

Honestly, the amount of dedication to Don't Stay in this thread just makes me want to vote Numb and In The End over and over.

No. GU was just inspired by it or something along those lines.

Wow. A Carnivores Tour show was your favorite from THP era? Interesting.

Clearly... This was a really solid LPTV. I really liked how they did the dedicated/remembrance section.