lpliveusername

There's a clean version of ATS: https://itunes.apple.com/us/album/a-thousand-suns/id528971067 https://itunes.apple.com/us/album/thousand-suns-deluxe-version/id590430555 + the multitracks have clean vocals.

From LPAssociation's interview with NoBrain:

Isn't Universe different from Resurrection?

From the band's YouTube channel:

And One

Same old set: 01. Requiem/Catalyst 02. Guilty All The Same 03. Given Up 04. With You 05. One Step Closer 06. Blackout Intro 07. Papercut 08. Rebellion 09. Runaway 10. Wastelands 11. Castle Of Glass Experience (w/ The Radience) 12. LOATR/SOTD/Iridescent 13. Robot Boy Intro 14. Joe Solo 15. Numb (w/ Numb/Encore) 16. Waiting For The End (w/ Until It Breaks) 17. Final Masquerade 18. Mike Solo 19. Dirt Off Your Shoulder/Lying From You 20. Somewhere I Belong 21. In The End 22. Faint 23. Burn It Down 24. Lost In The Echo 25. New Divide 26. MS Rap (Points Of Authority) 27. Until It's Gone 28. What I've Done 29. Bleed It Out (w/ Drum Solo)

http://lplive.net/shows/db/2001/20010625 "Zakk Wylde’s"

And One

Makes sense. Astat said "Iridescent" was the working title of another song but they decided to use it for this one. Thanks.

http://lplive.net/shows/db/chesterbennington/20121027 Friday I'm In Love: http://lplive.net/shows/db/chesterbennington/20121206

Yes. It's the ending of the song. [...]out your frown And just smiling at the sound And as sleek as a shriek Spinning round and round Always take a big bite It's such a gorgeous sight To see you eat in the middle of the night You can never get enough Enough of this stuff It's Friday I'm in love I don't care if Monday's blue Tuesday's gray and Wednesday too Thursday I don't care about you It's Friday I'm in love Mondays you can fall apart Tuesday Wednesday break my heart Thusrday doesn't[...]

7

Done.

"Songs From The Underground", "A Decade Underground" and "Burn It Down Remixes" are too long to be EPs (+ "BID remixes" was a promo, I think promo CDs shouldn't be listed). Internal demo CDs don't count as "EP the band released". They were never supposed to be out there. By definition, the "2-track demo" is a single.

LOATR and SIB were released on CD (not sure if these exact versions, but they had all these same tracks). And I wouldn't say "Blackbirds" was released only in m4a because you can get it in mp3 from "8-Bit Rebellion!". I think the "Mastered for iTunes" releases were exclusive to iTunes: - HT had the unreleased live version of "High Voltage" + the POA remix in higher quality + Papercut from RTR (only audio release of this version as far as I know). - Meteora had SIB from RTR (only audio release of this version as far as I know). - M2M had the new versions of NRL and ATL (the new mix of SOTD was already available at HDTracks). - ATS had a higher quality version of "Blackbirds". + the Live from SoHo and iTunes Festival EP.

+ Mike said it was never finished (LPU chat after MTM came out).

I think it's time to announce a release date.

http://shop.johnnycupcakes.com/

http://en.wikipedia.org/wiki/Luis_D._Ortiz

"The only thing I don't understand is the WID Shinoda remix on LPU11....they knew we already had that. Perhaps they were rushed to replace another song at the last minute or something. I still think it was intensional, because it IS different from the original remix version we had. Oh, what's different? I didn't know that. As far as I remember, it's a bit shorter. They cut something after the second chorus or something like that. Also, the difference is the breakdown before the robotic ''I start again, and whatever pain may come, today this ends, I'm forgiving what I've done''. Compare and listen and you will see. I like the LPUX version better." Don't know where this came from.

The POA demo and the WID remix were actually different from the versions we already had.

Yeah, Fire In The City sounds interesting. I would also love to hear Chicken Basket. Description from Mike's blog: It’s been a busy week. Studio every day, working on new stuff. This week, I did a song where the music sounds like Santogold (or Santigold, if you like) meets Postal Service meets At The Drive In or something. Very weird…but even weirder, the vocals are crazy–I asked our engineers what they thought it sounded like, and the responses I got were things like “Peter Gabriel” and “Huey Lewis, in a really good way.” Four-part harmonies that ebb and flow with the track. I feel like I’m on drugs when I’m listening to it. It’s tentatively called “Chicken Basket.”