gorast

GODDAMN IT I WANTED TO POST THIS Hopefully that means more. Song lengths aside, less than 12 is not enough for an album.

How come nobody ever gets that this is just a placeholder and that the real image will show up once all the pixels are filled in...next week?

I half-expected it on We Made It, when you rap with Busta you gotta whip it out at least once

Aiman clearly didn't give a shit about Ash's post SIB, if I've ever heard a radio song...

NAW BRO IT'S JUST JESUS MESSING WITH US AGAIN

Man that'd be the BEST ALBUM COVER EVEEEER

Session, man. Session and Valentine's Day, I love both of those to death.

Ugh you guys must not like flutes or something. FIGURE.09 /jackassmode

or ten days MONOCLE SMILE

WAT doesn't make it better

YEAR ZERO SYNDROME

Half of Tool's radio singles destroy the five minute mark. NIN's done it too. So have THE BEATLES for God's sake But it is LP, after all...if something in the song feels too unorthodox or boring to keep in the radio edit they might cut it (like SotD)

Holy shit The Catalyst is almost six minutes long? FUCK YES also 4+ minute songs, AND 12 OF THEM FJSD:FLDSJF:LKDJ:FLAKJFSDLSKDJFFKAJ:SLDKS:DFLKJ

BECAUSE IT'S A CONSPIRACY AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA this is some sick cover art.

looks nice bro but if they do that (again) I'm going to delete it and have a picture of Mike's "DID IT FOR THE LULZ" face on every song in iTunes

Well, In Pieces has a similar feel to it. Verse-chorus-verse-chorus with the music building up leading into the bridge.

Hit the Floor is the most shit track on Meteora, I'm sorry. Anyway bawwwwwwwwwwwwwwwwwwwwww APFMH won't win.

Hit the Floor sucks ass anyway, I wouldn't want to hear that live

Japanese bonus tracks? Ha. I don't give a shit unless it's a b-side.

NOTHING IS TOO GOOD FOR MTM JAF:LAKJF:LKSDJLAKJFLKSJDF just kidding ATL is the shit bro

Surely someone else would post just this sentence

Wow, I did NOT think papercut would be knocked out. With You again COME ON APFMH YOU MUST WIIIIIIIIIIIIIIIN

I'll partially agree to that. Several parts of the music are, focused on, amazingly well-written. The desolate-sounding acoustic of the first verse, Rob's drumming pretty much through the whole song, Brad's solo, and the closing two minutes or so. The other parts bog these parts down, though. The bridge building up to the solo feels too dragged out. Lyrically it's a bit of a bluh song. I like the concept, but it doesn't feel implemented properly.

Who's behind them?

I don't. Yeah, it's good. Yeah, it's lengthy, two full minutes longer than LP's previous longest studio track (not counting She Couldn't). The best ever? No. It's got that emotional feeling, it's got the solo, it's got the badass a cappella climax, and most importantly, it's got Phoenix singing live. All good things. But it's not their best studio track ever. The song feels full and powerful on the first few listens, but once you've gone through it several times, it loses that...punch. It falls flat, like soda that you left open. I'm not going to say what I myself think is LP's best studio track. But it's not TLTGYA.