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LPLStaff

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  1. 2 hours ago, HFL377 said:

    Chester's Pictureboard that was on HT20 was the Xero instrumental from 1998 with Chester's vocals recorded in 1999 so it is from 1999, what they are referring to is the version they recorded for the actual Hybrid Theory album in 2000 according to Jeff Blue. They also recorded drums at least for Slip, Stick N Move, and And One during the Hybrid Theory sessions. 

     

    While we don't have that Slip and And One, the Stick N Move on Hybrid Theory 20 is most likely from the NRG sessions in early 2000.

  2. 28 minutes ago, KolusLP said:

    I'm the guy from the listening party in Madrid, as I told Capacity I only slept 3 hours ( 3 months baby) the night before the listening party and I was very tired.

    I only heard one time each song, and Massive was the second one, I only remember that it was more raw, at the moment it seemed to me that were vocals of Mike and Chester but Derek opinion is more accurate for sure.

    I heard the MT demos when there were released in each of the LPU but I havent listened again in a long time, and Its been like 15 years since i last saw the video of Wizard Song that is why I didnt recognised the Wizard Song beat with Mike.

    BTH is the Mike demo, as I said many time that I did hear that versión.

    And regarding Dont Stay as I Said in anonther chats I heard a song that had some of the beats but I think is contained in one of the other demos.

    I tried to remember every detail to share with LP community but I'm getting old and my memory fails. Sorry for the misundertandings that my post produced

     

    Welcome! Very jealous of the amazing opportunity you had to hear Meteora 20 before anyone in the world. That was the first listening party and a true exclusive for the Spanish fans.

     

    Your descriptions are awesome. Don't worry about any small details like that - I can't even remember something 8 songs ago when I hear an album for the first time haha. Don't apologize! You did an incredible job, better than I could have done. :) Hope you have a great time here on LPLive and congratulations on being selected to attend the listening party. 

  3. 17 minutes ago, LPAAltwireDerek said:

    Resolution is actually really fun because it’s a different kind of rap for Mike that we don’t hear much. Kinda reminded me of old school pre Hybrid Theory Mike in his delivery. If it was more finished of a song and had a chorus it would probably be one of my favorites on the CD. That’s why I said it was such a pity they didn’t advance the demo further in my review. I really like what exists. 

     

    This sounds pretty cool. And it was one of the final songs at NRG they were working on, in that last batch of songs that made it so far into the process. So they must have really loved it. Excited for the release!

    Thanks for all of the info on the songs!

  4. Wizard Song is truly shocking. Fully expecting it to sound wildly different due to the mention of Shifter being so different from the final FTI at NRG. So if Resolution made it to NRG the instrumental likely evolved heavily. It might be GREAT. Let's see!

  5. Altwire is back at it again, this time with the exclusive first look at Meteora|20 with the first public review of the release!

    There is a full run down of all of the "Lost" demos as well as a lot of feedback on the release in general:

    "But I know you’re here for more than a recap of what you’ve heard, so don’t worry – I have what you’re looking for.
     

    “Massive” begins with a glitchy, fast-paced breakbeat reminiscent of “Session” and some of the band’s late 90s demos. Soon, the track transitions to an alternative metal sound that would fit well among the hard rock sound of the early 2000s. In the verses, Mike Shinoda sings solo, delivering poignant lyrics such as “I guess it’s true, you can’t really change the person you’ll be. The least I can do is set myself free.” The song then progresses into an anthemic sung chorus in the style of TRUSTcompany. Shinoda sings, “I heard the screaming in my dreaming every night. I awake, and I’m still mistaking you for right.”"


    Check it out in full here.

  6. 5 hours ago, unksoldier2000 said:

    i wonder why th he refused, any idea?

     

    Could be anything from losing Chester is too much on him emotionally to participate in something like this - remember, Don was at the helm for two of the biggest rock albums in our lifetimes and knew a lot about Chester from these sessions and time together, to anything else like he has moved on from it in his life, or something. 

     

    Chester would be blowing up about Lost if he were still around. Hell they'd play it live for a special event, I'm pretty sure of it. Whether for a TV performance on SNL or Kimmel or an exclusive LPU event, that seems like something LP would do with a number one song from something 20 years ago and how much they like interacting with their fans.

  7. Brad said Lost was mixed with the rest of the album in New York and Lost was the only extra song they mixed at the time. That's a pretty late cut from the album at that point.

     

    Any final predictions for the demos? Wesside with vocals? A6 with screaming by Chester? Resolution being a Lost demo? Figure.09 with singing verses? There is a ton of potential in these demos for epic stuff.

  8. Fans: We want more from other members besides Mike always doing the press
    Also fans: These interviews with Brad are repetitive

     

    lol. Any time we can hear from the band these days is good. Brad speaks very well and this was a solid interview. Talking about Don, mentioning he (Brad) was the one that wanted the song mixed by Manny, etc... the smaller details like Mike taking residency in a bus in 2001 to get demos made for the next album, all of that is cool.

  9. Brad Delson has just sat down with Rock Antenne for an audio interview, which you can listen to here. Most of it has been summarized below:

     

    Making 'Meteora': "We had a really big challenge of desperately wanting to follow up Hybrid Theory. There was a lot of nonsense in the press that we were made up somehow. The challenge was how to physically make these songs while we were still on the road. We actually outfitted a bus with a studio. Mike basically moved into that bus and we would spend time with him on that bus, creating ideas that ultimately formed the bedrock of this album that we made with Don Gilmore who also produced Hybrid Theory. We wanted to prove that Hybrid Theory wasn't a fluke, that we had something to say. We wanted to make something timeless."

    About "Lost": "Not everything we make is great. We make a lot of stuff to try to capture something really, really special. And this is one of those moments. And I haven't heard it in probably 20 years. And when I heard it, I was floored by it. It's one of my favorite things we've ever made. I think his vocal performance is exquisite. The subtlety on the verses and the power in the chorus... the vocal production is really, really special. Don Gilmore is a really fantastic vocal producer, among all of his other talents. I think the way he captured Chester's voice on that song... is one of the best songs we've made, I think. I am super stoked. Here in the U.S. it's number one right now at alternative and at rock radio."

     

    "Lost" being left off of Meteora: "The icing on the cake is when we were making the album, Mike and I were in New York with Andy Wallace, a legendary engineer. He mixed Hybrid Theory. He mixed fourteen songs and we were going through, like, how to sequence them because our format was the "album", like we wanted a whole album to take you on a journey and tell a story. And so getting the sequence right and getting the elements right is an art form unto itself. We had this song and we felt like it was similar to our other song "Numb", and we really wanted "Numb" to have its own moment to shine. So let's hold this other song off of the record and maybe at some future moment it'll have its own day in the sun. And then we forgot that that song existed."

     

    Mixing "Lost": "I really wanted the multitracks. Even though the mix was beautiful, it really didn't feel like a timeless song and I wanted to give it to Manny Maroquin who mixed our recent albums, to listen to it with fresh ears."

    "Lost" video, Meteora visuals: "I think that the visuals that were created for this song are really special. As artists, we've always prioritized the visual landscape of our band. It was never like, "Oh now we are going to just add visuals." Mike and Joe both went to one of the best art schools in the states and are really accomplished artists. And we've able to collaborate with artists like Delta, who created that Meteora wall. When I think of Meteora, I think of stepping into a whole universe. I'm not just thinking of songs, I am thinking of a whole experience. And when I think of songs on the album, I think of their visuals. That's the first thing I think of. When I think of "Breaking the Habit", I am seeing "Breaking the Habit." Joe went to Japan at that time and collaborated with some of the most talented anime artists and created a whole visual world. And the fact he was able to revisit that for this song and put a whole new spin on it just makes total sense to me. Like it's really a beautiful, exquisite piece of art. I am really stoked on the directors that worked on that and how it turned out. It's super, super cool. I don't even know how they did it."

     

    The name 'Meteora': Brad actually Googled the Greek meteora. "These were really inspiring to us. The vastness, they feel really breathtaking. I think there is an interplay between the cliffs and the manmade element. I think it's a juxtaposition I think these images to me convey like a majestic vastness, they conjure a timelessness and they also conjure a juxtaposition of elements you don't expect. I was not fortunate enough to visit this place. When I went to Greece, I was very focused to getting to the show on time. That's the thing people don't realize about touring. I would say the exception is Germany because I spend so much time in Germany that I feel like I know Berlin pretty well, Berlin specifically because that's the place I spent the most time when I was in Germany. Most places we tour to, we would see the hotel, the venue, a restaurant and the airport at a really crazy pace. This time in our career was really a whirlwind. I am doing two hours of press today and it feels like a lot. When I was that age, they would have been like, "Okay you are going to do two hours of press before the show, because you are young and have lots of energy." So it was a whirlwind at that time, it was clear in the documentary footage on this box set. It feels like an amazing sense of being grounded and having a deeper appreciation for everything we have created and for the impact it has had and continues to have. I am really grateful."

     

    Chester's birthday: "It's obviously sad, because I miss him. Also beautiful to have an extra special day to celebrate his memory and his legacy and how much joy he brought people, and light and life that was inside of him that he shared so vulnerably."

     

    About 'Meteora': "The emotion in these songs is so clear and true that I think that's what ultimately makes it stand the test of time."

     

    The success of 'Meteora': "I think we learned as we've grown as artists, you can't control how something is going to do commercially. You have no idea how other people are going to feel about it. The only thing you can control is your own creative contribution to something. So our ethos was kind of always like, "Let's make exactly the album we want to make, that we want to listen to", and we hope that other people feel the same. Also, all 6 of us have very different musical tastes, so if we would find something we really loved, it was a really good sign."

     

    What's going on with Linkin Park: "I think we are really focused on this release. We put a lot of energy into this box set. There is a tremendous amount of music on it that people haven't heard before. I think in particular, this song "Lost" is connecting more. Someone pointed out of the recent songs we've released, "Lost" is having a bigger impact."  He adds "I think the moment we are in is celebrating this album and I think with this song, it's just something special you can't predict. Even if you try to line everything up, you never know how something is going to impact people and connect."

  10. I don't think "a lot" of people are having trouble liking "Lost" - it's one of their best unreleased songs they've ever put out. It's up there with "No Roads Left" and "Across the Line" in terms of songs not making the album.

     

    "More the Victim" may end up being in this list too, let's see what the lossless stereo mix of it sounds like. "Fighting Myself" is pretty good.

     

    Brad said he personally wanted it mixed from Manny for this release.

  11. Maybe Wesside and Resolution are instrumentals since they are last on the tracklist. And Massive + A6 also have vocals.

     

    Not too surprising about Germany - they have done exclusive things there before... Berlin got a club show in 2012 as an exclusive intimate performance, there was a THP exclusive exhibit or store (forgot which it was) there in fall 2014, they filmed the Samsung 2014 show in Berlin, etc.

  12. On 3/22/2023 at 7:39 AM, Coizu said:

    That is exactly how it worked? If you bought it from a third party, how is Warner supposed to know about your purchase and your contact information? They can’t so they created a sign up page were you were able to register for replacements but they were only able to contact people who purchased it from them directly. I think there were people on here who registered for those replacements and also got them, even though they bought it from somewhere else. If you didn‘t get that information it is probably up to the company who handled distribution in your region. 

     

    They excluded US fans from it. It was international only. In fact the first one was UK/EU only and I thought that's what the second one was too until some fans in Mexico and South America mentioned it.

  13. 3 hours ago, gorast said:

    I think Phoenix is being overly optimistic. Didn't he also say in early 2020 that they were working on new music? And then last year Mike came out and said "no music, no album, no tour."

     

    But Phoenix is actually involved in things lol, if they are writing music, he is a part of it so it's definitely happening. The band has said multiple times since 2019 they are writing music - who knows what it's for, it could be for them personally or it turns into a release one day. There's no doubt there is music happening; Mike's comment is referring to they have no music lined up for release, no album planned, and no tour happening.

  14. Pretty set on "holy grail" items personally now with all of the following being released: Pictureboard, She Couldn't (officially, in good quality), Stick N Move (LP), Rob's Drum Song (Healing Foot), Thoughts That Take Away My Pride (Lost), two completely unknown songs Fighting Myself and More The Victim... with more insanity coming on Meteora 20, and then all of the shows, but especially that My December and My Own Summer from 2002. Those are massive items for the community.

     

    All I'd really like to hear now after this is No Roads Left with Chester from MTM, and/or a No Roads Left rehearsal from Third Encore. That's really it. Anything else they give us is just great, like Friendly Fire, etc.

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