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Everything posted by LPLStaff

  1. Mike was recently interviewed by Strombo on Apple Music, and here's the recap. - Strombo said on Summer Sanitarium 2003, he was interviewing Mike and Chester in Toronto. When it came time to end the interview, they discovered Fred from Limp Bizkit wasn't going to come off of his bus to do an interview so Mike and Chester gladly stayed an extra 40 minutes to fill the time with a very long interview, just before Linkin Park had to go to Boston for the next show of the tour. - Mike was not a big fan of the idea of releasing a Hybrid Theory 20 package. LP management pitched him the idea but he was like, "I wasn't into it in the beginning." He said, "Really? 20 years? I don't know. Why now?" He said once old photos, flyers, etc came up, he then liked the idea. - Mike tells a story from when he and Brad talked in 1998 about having good musical ideas and it'd be a waste if no one heard them. He said they decided from the ground up, the way the band records and sounds they use, they wanted to find ways to push the boundaries with sounds and make people a little uncomfortable when listening to it. Rap/rock was starting at the time but a lot of it was "macho." - The band would mail out street team materials with cassette tapes, etc before they toured and on their first tour ever they would show up and see 20-30 LP fans in line outside the shows. - About Chester passing away and how Linkin Park is dealing with it: "It's more like losing a brother or best friend. Not only did we spend an insane amount of time together, but also we built something." / "We built that together - it's an identity. Like, who are you? We are Linkin Park. And we did that together. Linkin Park is a part of all of our DNA, so when that got fractured and taken apart in a sense, I don't think anybody could really understand because you can't really relate that to anything else, it's not just family, it's not just friends, it's not just brotherhood, it's not just business... it's all of those things wrapped together. For better or worse, that could be something that is not very healthy but you also can't do it any other way. In order to be a band, and be this successful, and exist for this many years as like a highly functional unit of guys, it had to be that way. With that said, I think that there are parts of our relationships and our well being that we are doing so well... I'm super proud of everybody and how everybody's done and coped with things and adapted. And also parts where it's like, "Yeah, we could probably do better." Whether it's just like having bad days or... I don't know. It's a very personal subject. I don't think any of us are at liberty or would even be able to explain this to anybody. You could spend years on it and still not crack the surface of what all of that emotion is."
  2. Sometimes reading text makes it seem like the mood is more intense than it really is. He was in a fun/joking mood as usual.
  3. On October 26th, grandson tweeted: "GRANDSON X LINKIN PARK" , uploading a picture with is name written with the Hybrid Theory logo generator both on Facebook and Instagram which sent social media into a frenzy, getting thousands of interactions quickly. Days ago he also tweeted "SHUT UP WHEN IM TALKING TO YOU", so fans are now speculating about a possible cover or remix of One Step Closer. Mike was asked about the tweet today on Twitch and had this to say: "I do not have a comment on the grandson tweet. Leave me alone. You guys are relentless. I just wanted to get that out of the way so that we can actually get down to business today and make something without you guys spending the entire morning doing that. So just... I'm putting it out there. I'm not answering." He then added, "grandson tweeted an image. I'll tell you what it's not - some of the fans were like, "It's a brand new Linkin Park song featuring grandson!" and then some people threw in other names too. It's like, sure. You know it's not that. It's fun, it's going to be something fun and exciting. It is something, but it's not that. Yeah, grandson is a great kid. Jordan." Fever 333 also tweeted with the caption "333 X LP", grandson retweeted announcing: "TOMORROW". Jason Aalon from Fever 333 commented during a live stream saying that it's "Something very cool with a little bit of collaboration-ish, kinda like a tribute. Just thought it would be cool to honor it." What do you think we'll get tomorrow?
  4. Hi troll. No one has your "fucking" song.
  5. General thread for a potential 8th Linkin Park studio album, if the band does end up releasing one. Collecting everything here - post any relevant news topics, discussion, etc in this thread. - April 15, 2019 via Yonhap News: "And… Now the band has started talking about making new music together." ((("Will Linkin Park come back?"))) -> "Maybe in about 10 years? (Laughs) It might be sooner. I don't want to set a deadline. We just want to focus on the present and talk about music. We aren't discussing detailed plans. I just want to go back to those days when I made music in the garage." -Joe - April 19, 2020 via Instagram Live (LAFC): "Band wise, we are always kind of writing, we are always working on new music. Right now, with what's going on in the international situation, we're a little bit on pause with all that." -Phoenix - April 21, 2020 via Facebook Live (Dan Really Likes Wine): "So at this point, globally, we are all doing a version of the same thing. For us with the band, we have been writing before this all started. Casually at this point we are doing Zoom meetings to eat lunch together and say hi. But we are not able to get together and write or do that whole bit. We're working at home a little bit, working up ideas. I've been playing a lot of drums just to do something new. I've been doing that for the last year, year and a half, and I've been purposely making as much noise as possible to create my own space in the house." -Phoenix - October 23, 2020 via Spin: “When asked if Linkin Park are working on new songs for their eighth studio record, Delson smiled widely — knowingly. “I think everything is open,” he explained. “Certainly, a lot is undefined, but I think the possibility is wide open.”" -Brad
  6. He has mentioned it twice this year, the most recent one was like 2 days ago. The Meteora list will be impossible for live shows. Astat's list is great but already misses MFR 2005. You have to do a PR 04 show. You almost have to skip Rock am Ring 2004 because of how much other content there is. Reading 2003 is an absolute must. Perhaps the two MUST HAVE live items though are a PR 04 show and Summer Sonic 2006. Work backwards from there.
  7. Sounds like LP does not have a recording of that show judging by what Mike has said on Twitch.
  8. No. Because for the HTEP they entered a professional studio with Mudrock. The demo CDs were recorded by the band using their own gear. They only worked with Don Gilmore for 6~ish weeks in mid 2000, they were recording everything themselves before that. That's why the HTEP sounds better. Those demos for Part of Me and Carousel were recorded after the HTEP for possible inclusion on HT (glad they didn't go with them; Don also vetoed Stick N Move) so that is why they don't sound as good. The demo CD stuff was just showcasing what they were working on before Warner sent them in the studio with a real producer for the debut album. I agree that the creative streak they hit with Chester was really impressive - Papercut, Dust Brothers, Plaster, Crawling, Points, Untitled... all of those were brand new songs that absolutely kicked ass. The fact LP created those so quickly is mindblowing. Remember the 8 track demo CD was almost released as a long EP before they recorded Hybrid Theory. Thank goodness they didn't do that because it would have ruined the surprise of the album. She Couldn't was also on that one. I wonder why Rhinestone and Esaul weren't on that and She Couldn't was. Maybe they were saving those two for the album, or they didn't think they were in the 8 strongest songs they had. We'd never know the answers to those questions unless we asked the band literally in February 2000 lol
  9. Correct. Billboard 200 IMO doesn't matter as much, but some will argue it matters the most because it has streaming included. But that's where viral songs lead the charts. HT20 isn't going to have anything go viral like Fleetwood Mac had with TikTok. Album chart and being #2 is legit, because this is a box set. IMO that's what you should focus on. No way LP was going to top the Billboard 200 with this, there wasn't even a lead single.
  10. Would love to hear "No Roads Left" and "In Between" with Chester on vocals. If the band said Mike sang both of them better, then his versions probably really are better. But it'd be cool to hear, because the MTM era was so good. Those seem like obvious inclusions on an MTM box set, if they ever did one.
  11. Holy grail list probably is something like this: 1. "Thoughts That Take Away My Pride" from Meteora (probably not even the song's real name lol, could be called something like "Make Them Disappear" or a random title). The only known extra Meteora song with vocals. It's entirely possible they have other demos with vocals (A-Six?) we don't even know about. Like "Could Have Been" on HT20. 2. "Friendly Fire". Most certainly a a full OML song with Jon Green, which Mike said is actually an awesome song, is at the top of this list. All of Jon's songs with LP have been good. With "Pictureboard" being released, the list certainly went down a notch... it was the biggest item out there but we do have 2 left that are on that level. Seriously after those 2 there are probably not GREAT songs left that we *know about*. Can only imagine what the band has from MTM, ATS, THP, OML with vocals / semi or mostly completed that we've never even heard of. "Friendly Fire" is probably great since Mike was right about "Pictureboard" not being that good. "Deftest" was either vetoed by Mike or Mark, but was definitely revisited this year when going through the archives because why would Mike mention a 23+ year old demo so randomly like that? It must be quite bad. Would be cool to have for history's sake, for sure. But we only know of 2 more songs (listed above) that are probably awesome. No idea what is unknown that they have, but they probably do have some for each album that are badass.
  12. Over the past few weeks in the Hybrid Theory 20 press, we’ve heard the band mention a “3 track sampler” for Xero before the 4 track. It’s the first we’ve ever heard of it. Mike on October 15 talked about the start of Xero on Twitch, revealing a new track previously unknown to fans called "Deftest." About "Dialate": ""Dialate" was one of my first demos that I did with my friend Mark. At that point, it was certainly just me and Mark. There was no band, it was just me and Mark making stuff. And we made "Dialate" and "Deftest" and at some point after that, "Stick N Move." I think there were a couple other tracks that we doodled around with and didn't release or that we hated or whatever. Stuff that we didn't finish. I think most or all of that stuff is out, it's all in the Hybrid Theory 20 or in the LPU or whatever. But "Dialate" was that early." He pulled up "Could Have Been" on YouTube and said: "So this is off of Hybrid Theory 20, this is when Chester first joined the band, essentially. So that's just live guitar mic'd up, MPC for all the rhythm tracks, and then bass through like a bass pod, an emulator. Like, one of the little laptop ones I think. We were just using like an SM58 mic. This is not live drums, this is MPC drums. Yeah this is an early Chester demo, we were playing around with the back-and-forth. So I think this one with the crazy bass stuff at the end, right? Yeah, so this is when we first tried out this guy Kyle as a bass player. Dave had left. So this is Kyle at the end. Like, he loved Primus and slap bass stuff, so he was gnarly. He loved all of that super fast slap bass stuff. So I thought like, "Let's give him a bass solo spot." And yeah, that solo was Kyle. That was interesting. I actually thought we weren't going to be able to put this track on Hybrid Theory 20 box set because we haven't talked to Kyle in that long. I was like, "Yeah I don't know how you're going to track that guy down... like, good luck. And I don't know if he'll approve it - he might be like, "Give me all the publishing, I want 100% of the publishing or else you can't have the song.""" And apparently I have to imagine he was cool, because it all worked out. I actually didn't talk to him. But yeah, that was that era, it was very much in transition and Chester was pretty new in the band." On the stream on October 20th, Mike said, "LPLive is now trying to get locked on to Deftest as the new Pictureboard. Pictureboard is a pay off. Other demos, not so much. If you were to hear that, you would not be... I strongly suggest you don't start putting your attention on Deftest. That is not a thing to do. Pictureboard, you hear it, "Wow that's cool, I'm so glad we were so focused on that song." No I never said Pictureboard was a bad song. It has Chester on it. Deftest, Mark and I did like a four track cassette version of it and it sounds like shit. You guys don't want that, trust me. It's D-E-F-T-E-S-T by the way, not D-E-A-F, because Mark was a big fan of the Deftones. And we were just testing out ideas. So you can tell just right away, from the name itself, that it is not a grail. This is not an incredible fucking thing. Trust me on this." But back to the Xero sampler... do we have a potential for a sampler existing with "Dialate", "Deftest" and "Stick N Move"? What do you think? Or is the band referring to the three song sampler as the band audition tape?
  13. This is an absolute disaster with WhoSampled. Wow.
  14. It's a case of LP just not typing it correctly on the broadcast. The entire thing is a mix of both shows. Probably because one of the shows had chaos with the crowd, etc (Check the show pages).
  15. Stick and Move is with Chester. Orders have begun shipping 2 days ago.
  16. Our guess is Kyle. Could be Brad, it's definitely one of them.
  17. Linkin Park Radio on SiriusXM Turbo (Ch. 41) has debuted the two previously unknown songs from #HybridTheory20 - "Dialate" and "Could Have Been"! "Dialate" is a Xero song recorded to cassette with Mike and Mark around 1996/1997, while "Could Have Been" is a song written by Mike, Chester, and Brad from the Hybrid Theory (band) era. The song features a Red Hot Chili Peppers-style bass jam at the end with a heavy chorus and fast rapping by Mike. Let us know when you hear these two "brand new" songs!
  18. The PR02 DVD is Vegas + San Diego. Same video edit that they are streaming.
  19. Linkin Park has begun their #HybridTheory20 press ahead of the album's release. On September 29, Brad, Dave, Joe and Mike took part in a private online press conference hosted by Matt Pinfield. Information disclosured during the conference is slowly surfacing and we'll be updating this post as they show up. "Pictureboard", from Loudwire: During a Linkin Park virtual press junket, Mike Shinoda shared some of the background behind the track. "Fans have known about ‘Pictureboard for about 19 or 20 years. They’ve known of the existence of it, but didn’t know at all what it sounded like." He revealed that after being asked about it frequently, they at one point thought of making it an LPU fan club song, but it had a sample that needed to be cleared, which seemed a little unrealistic at the time. Shinoda marveled at the fan determination to uncover the track over the years. "There’s so many songs … why is there so much focus on this one? You’ve never even heard it," he pondered. But even after clearing the sample (which he revealed was a Barry White drum sample), fans were able to piece together that the clip of audio was from an interlude the band had played at a rock festival in 2000 or 2001. He recalls, "The fans had even come up with a name for that performance. They made up their own name for that interlude and they were asking me about that interlude, and I was like, “You don’t understand. You guys made up the name. I don’t even know what song it is you guys are referring to. You literally named that thing something else. I didn’t come up with that.” Guitarist Brad Delson revealed another reason why the track has some importance in Linkin Park's history. During the chat, he explained, "Unless my memory is super wrong, which is very possible, but not likely, I think that was the first thing I heard Chester’s voice on." He recalls, "I remember getting that and saying, ‘Hey, what do you think of this guy? He just sent us this recording.’ I wasn’t like crying with joy, but almost. I was like, ‘Wow, I don’t even know what that is.’ He’s so tiny and vulnerable on the verse and you can hear all those timbres and harmonics and then all the overtones on the heavy part. To me, it just blew my hat off my head. And then we were like, ‘We gotta meet this guy.’” Shinoda says of finally being able to share the track, "We're very excited for [fans] to hear it," adding, "It was almost that the occasion had to be of big enough significance that it was worth doing all those things. This was that occasion." First rehearsals with Chester, from Louder: Asked about the band’s first rehearsals with Bennington, who had formerly fronted Arizona rockers Grey Daze, Mike Shinoda recalled he and his friends marvelling at the singer’s talent. “We were so protective of like, the identity of the band, and what we were trying to do,” Shinoda remembered. “We had this vision of what it was supposed to be coming into focus, and it wasn’t there yet, but we really wanted to get it right. And so when Chester came in, I remember we all couldn’t stop talking about how talented he was, and what a voice he had. “When we were making demoes together and doing stuff for the first time, he was still discovering who he wanted to be as a vocalist as well, and it was partially like, how he could express himself in a unique way, but then also what would fit this style of music, what would fit this band the best. So it was doing both of those things at the same time, and I was like, the first point of contact: it’d be me recording him, and he’d do a thing and I’d respond to that, and so it was like a slow progression into that identity. It wasn’t like there was one moment where he sang a thing and I went, ‘Wow! That’s it!’ It was like all these little steps. “We released a song for this box set called She Couldn’t, and looking back at that one, I don’t know if I realised it in the moment, but She Couldn’t, to me, was so cool because it had… for example, lyrically, it had the line ‘You’re not alone’, he didn’t scream in the song, there were no heavy, distorted electric guitars in the song, the entire rhythm track was mostly sampled, and in one song, like super super early on in our relationship together with Chester, it was like this was the type of song that would become part of our identity way down the line, like it was pointing the compass in the direction of 2010, or 2007. It was all in there, we just had to discover it.” Early demos, from Helmie Ezfar: Favorite song on Hybrid Theory, from Darren Paltrowitz:
  20. From SiriusXM: "SiriusXM’s Turbo (ch. 41) will become “Linkin Park Radio,” to celebrate the 20th Anniversary of the band’s milestone debut studio album, Hybrid Theory. Linkin Park Radio will feature the stories behind the influential and top-selling album, as well as music spanning the band’s entire career, including demos, rarities, remixes, live tracks and solo music. Listeners can expect to hear personal anecdotes from the band members and music from artists hand-picked by them. Mike Shinoda will also guide listeners on Pandora through the band’s Hybrid Theory and break down each track with Pandora Stories: Linkin Park on ‘Hybrid Theory’ at 20. This will all lead up to the October 9 release of Hybrid Theory: 20th Anniversary Edition on Warner Records. Linkin Park Radio will launch on SiriusXM’s Turbo (ch. 41) on Monday, October 5 at 12:00 p.m. ET through October 11, and continue on channel 717 on the SiriusXM app and web player only, on October 12 through October 18. Fans can now immerse themselves in an exclusive 24/7 Linkin Park experience by simply tuning in."
  21. https://loudwire.com/linkin-park-long-awaited-song-picture-board-release/ "Fans have known about ‘Pictureboard for about 19 or 20 years. They’ve known of the existence of it, but didn’t know at all what it sounded like." He revealed that after being asked about it frequently, they at one point thought of making it an LPU fan club song, but it had a sample that needed to be cleared, which seemed a little unrealistic at the time. Shinoda marveled at the fan determination to uncover the track over the years. "There’s so many songs … why is there so much focus on this one? You’ve never even heard it," he pondered. But even after clearing the sample (which he revealed was a Barry White drum sample), fans were able to piece together that the clip of audio was from an interlude the band had played at a rock festival in 2000 or 2001. He recalls, "I remember getting that and saying, ‘Hey, what do you think of this guy? He just sent us this recording.’ I wasn’t like crying with joy, but almost. I was like, ‘Wow, I don’t even know what that is.’ He’s so tiny and vulnerable on the verse and you can hear all those timbres and harmonics and then all the overtones on the heavy part. To me, it just blew my hat off my head. And then we were like, ‘We gotta meet this guy.’” Pictureboard was on the Xero audition tape?
  22. Linkin Park has posted a new video of Mike unboxing Hybrid Theory 20 for the first time! Mike confirms "Dialate" (Xero Demo), "Reading My Eyes" (Xero Demo), and "Esaul" (Xero Demo) have Mark Wakefield on vocals. "Begrudgingly, Mark agreed to let us release the songs with his vocals, shout out to him for that." These are 1998 very early studio demos (not Xero tape).
  23. Mike hasn't answered questions on every stream lately but he does take a few occasionally. He gets questions about literally everything, so we wanted to post some of the more interesting answers that we are adding to Linkinpedia. There is no real order to any of these - it's a mix of Linkin Park songs, live tracks, other songs, and solo stuff. Enjoy. The Little Things Give You Away: “I remember the moment I wrote it. That song came very quickly. I remember sitting in the corner of the live room in this little studio we were using that I think Korn actually owned the studio, strangely, and that whole chord progression of everything up to the second chorus, everything up to the middle spot where everything changes, it all came together in almost one sitting. It was crazy. One of Rick’s ideas as we were finishing that album, he was a proponent of putting that song first on the album. We were like, “I get it, that’s a huge statement.” Because remember, people were coming off of Meteora, they were like, “This band is about One Step Closer and In The End and Breaking The Habit and From The Inside and whatever, that’s what this band is about”, and then long break and then first song on the album, Little Things Give You Away… people would have been like, “What the fuck are you guys doing? You’re idiots.” Numb, Collision Course to Little Things Give You Away.” Sleepy Time Jam: “Yeah we’re working on it, I don’t have definitive news yet. But Sleepy Jam is on the horizon, I want to get it out as quickly as possible so you guys can start using it for your sleepy time music. Remember if I told you if I put it on streaming services that it’d make royalties when you listen to it? My concept is actually, I have a scholarship at ArtCenter College of Design that I funded forever ago, and I realized, “Ah I’d really love to do something with the income from the Sleepy Time Jam that’s really cool.” I want to try to send those royalties there, I want it to help fund the scholarship. When you are doing something like that, if I donate it from my royalty income, it gets taxed on the way to me and then I can donate my portion to the school. So I’m like, “Is there a way I can do it where just donate the album itself to the school?” So if it makes $1,000, then the thousand dollars is taxed and then a portion of a thousand dollars goes to the scholarship. So I’d rather the whole thing go, if it’s possible. My scholarship at ArtCenter, it’s big enough for a graphics or illustration student based on financial need and merit. So they have to be really good and they have to need the money, and they need help going to school. So we’ll figure it out, that’s why it’s taking an extra second. We aren’t going to just put it up on SoundCloud or let you download the thing, I want to do something like that with it. It’s complicated enough… the government doesn’t want you to use charitable donation as like a tax loophole basically. So you’ve gotta do it the proper, legal way and I’m not super educated on how that works so we’re figuring it out. So that’ll be that with the Sleepy Time Jam.” Melodic Metal Jam: “It’s not on Dropped Frames 3, like I said, I’ve gotta figure out a way to get these all of these other tracks to you guys. I don’t know… some of them I actually like and want to develop them for something and eventually do vocals. I don’t like the idea of doing vocals on stream. That one in particular is not on my list of ones I’d do vocals on. I feel like some of them I could see developing somehow.” About You/Over Again/Papercut (Live): “I liked the idea of mashing a few things up in the live show. I thought especially when I was doing certain Linkin Park songs in the set, I wanted them to sound different than the Linkin Park sets. Like because it was my solo set, I didn’t want to be estimating Linkin Park especially without Chester singing. The songs were already going to sound different so I tried to take them further outside of the norm so they sounded… if I played them too similar I think your brian would have been comparing it right away and it was not going to be able to be compared. My solo version context wasn’t going to be better. I’d rather make it way different and you’re like, “Oh, it’s a totally different take on the song.”” It's Goin' Down (X-Ecutioners / Mike / Joe): “The X-Men, known as The Executioners, got signed as a group to Loud Music, Loud Records. And Sean C who works with Jay-Z, he’s been in the game forever. He’s like a legend. He was their A&R guy and he came to us and said, “Hey, would you be down to work with these guys?” And I already knew… on the East Coast to me, I was trying to think, to me, would there have been a group of DJs who were more legendary. There were radio DJs there were, but in terms of scratching and performance, I think they were the dudes. Because individually they were so dope and then they got together and it was like, “Woah, a super group of DJs.” And Joe and I loved their stuff, we were way into it. I produced and wrote the track myself. Did they send drums? I feel like maybe they sent some drums and I did all of the guitars, and Joe did the scratching and they did some stuff. I don’t know if they sent some drum tracks with some scratching on it or not. But I produced it; I forgot who mixed it actually, I think they might have actually picked the mixer.” Sorry For Now: “The high pitched voice on Sorry For Now, I think it was just a scat version of the chorus. So it may be saying “Sorry For Now” and stuff and I just chopped it up. Or it may be saying gibberish, like some version of that. I think it may be a little bit of “na na na.”” Pop NSync Song: “It is not on Dropped Frames 3 unfortunately. We’ll put the NSYNC one with the Melodic Metal one.” Powerless: “I don’t know why it wasn’t played live. I don’t have a good answer for you. Other songs got picked. It was funny, we basically figured out how to play it… ish, kind of figured out how to play it, in order to do the video for it. Super weird movie.” In Pieces: “Chester did most of the vocals. I did more melody and he did more lyrics. That one was more of a Chester-vocal song and I did more of the music. Brad did something on that one too. I know what Chester was talking about, where he was at. I did the chorus, he did the verses. The music was mostly me and Brad. The steel drums were keyboards.”
  24. Yeah agreed Peppe, this is actually a case where the end result was better than the hypothetical. They could have made a video game collection of songs and music in 2009, then released a heavy studio album in 2010 from those heavy demos. I think ATS in the end was perfect, it's their best work for sure.
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