YRQRM0

A few random ideas I have for it having nothing to do with a new lead singer or LP playing live: 1. This is just for the Bleed It Out HD video (probably the most underwhelming outcome possible) 2. LP is gonna drop a bunch of live content on streaming platforms like Projekt Revolution, live in Berlin, all the DVD shows basically. I've felt like this was an obvious move by labels for years and LP has always been ahead of the curve on this sort of thing, so why not 3. New remix project of all the Papercuts tracks as an encore for that project 4. Return of the LPU with the flagship track being another BIO demo and more demos teased 5. Some kind of demo compilation on Spotify, maybe all the demo versions of Papercuts tracks again as a sort of encore to that release, with some of them being new to us (COG demo, alternate QWERTY version)

Now we're cooking with fire. One thing though is that if LP is gonna launch a new vocalist soon, I think they'd have less Chester in their socials for a bit. Like I'd expect a steady-stream of content where Mike or other continuing members are speaking/highlighted, with a few very vague teasers for whatever is new (Mike holding a guitar writing in a studio with Brad or whatever) and then an all-at-once drop of the new single/show announcement

Generic post today about the video upgrades makes me think it's just a BIO upgrade coming. If they mentioned Mike's AO rendition that might point to something bigger? But this just feels like social filler w it having taken longer than expected to get the BIO video remastered but now it's ready My outrageous fantasy guest is for them to take the stage somewhere w the new vocalist doing a new bleed it out rendition and their new song

Isn't that one of the things that gave us THP?

Yeah listening to that instrumental really made me reflect on how much raw energy that track carries every second

THP is nice, might grab it if I happen to see it in person or on sale since I don't have that one yet

One thing I bet they'll do is create some new arrangements for the new singer ala Pushing Me Away on Piano. Imagine something like a new acoustic Waiting For The End or something that would really let her show her own style/tone, stuff like that is gonna do a lot for fans embracing her I think.

Do you think Mike doesn't know how to work with a female vocalist or something? Kiiara, Holly Brooks, K Flay all sounds great to me on their tracks. I think one thing Mike excels at as a producer is vocal layering, just listen to stuff like the NCSM, WFTE or Numb acapellas

Yeah I was thinking about this recently, I could see them choosing someone with a really unique tone that will bring something to new stuff and be instantly recognizable. The only "risk" is that her tone will feel "wrong" to a lot of people singing old songs. But yeah, having a front person with a truly special voice would be amazing for the fandom in the long run I think

I doubt it'll be looking for an answer, but I have to imagine they've written at least one song that pays some sort of tribute to Chester and their friendship, and I could see that being a track on a future album if they open the door to new studio releases. I think they might do something like have his flame tattoos on the screen for the initial tour or something, and then slowly de-emphasize the tribute aspect to him and try to form an original identity with the new singer

100% agree with this. It will be like Daisy Ridley for TFA, someone we don't know that has been extremely carefully selected that brings familiar beats to the franchise/band yet is fresh in ways that matter.

I agree, but I think the only risk is it being a female singer is gonna make it sound so different, some people might be a bit surprised to hear it when they show up. Using "+ X" probably mitigates that. But like you said, it's up to their vision. If they really feel comfortable with this person after one tour, maybe they'd drop the "+X" and go forward with them being firmly part of the band. I expect this person to show up in a studio recording beforehand, and I imagine that'll be presented as a song/EP a lot like STP did with Chester

I'm really looking forward to the chance to see them in any shape or form, even if there are no heavy songs or any kind of bias they lean into sonically, I'll just be happy to see it come to life in any form. What I wonder is if the name will just be Linkin Park, or Linkin Park + X, and whether this singer/lineup will have any studio releases before then. I would expect at least a really radio-friendly EP to try and get the singer more "integrated" with the potential set, rather than just being up there as a stand-in for Chester. Then she'd have her own songs, potentially with Mike, that would fully be theirs. With how much Mike writes, I feel like that's most likely, but we'll see.

that vinyl is pretty cool, but it needs a few more tracks to be worth it to me

Honestly a very measured and respectful response, of course it's a bit of an awkward topic, but some comments I've seen made it sound like he was going to bash them when this wasn't that

There are 100% power chords in UIG, not even debatable https://www.linkinparkguitar.com/uploads/1/4/6/6/146660116/07_-_until_its_gone.txt The difference is there's a riff going on top that wouldn't be characteristic of meteora, but that's only in the intro/outro too And I feel like the UIG lyrics are criminally underrated given the band's explanation that it's about their kids growing up, which does actually foreshadow OML-style writing a little bit, but in a good way. Agreed that it's better than the "anti-something" generic lyrics on a lot of THP

I don't see this coming out specifically but it would be a shame if they didn't take advantage of all the wonderful live editions in some way. Grab the best of PMA piano, BTH with it's extended intro/outro, the ballad medley, Rolling In The Deep and stuff like that and you have an awesome release

Completely agree. By comparison, the stuff like Castle of Glass verses and ALITS intro sound so over-engineered and empty, like they're trying really hard to sound deep but don't have much to actually say. There are a few songs with great lyrics like UIG and Rebellion, but nothing from ATS-THP resonates as honestly and earnestly as OML to me. Invisible is so simple but so clear and approachable in its meaning, I think it's beautiful. Doesn't matter if other people chimed in to me, LP clearly heard a message there and the listener can clearly hear one too.

Nah not another take but a difference in tuning like Astat says. For that one it's hard to imagine it not being an intentional different pass rather than an accidental change of layers or chain in a re-export or anything

I wonder if the WFTE thing is possibly due to updating software, like the song was made on V1 of Valhalla delay and Ableton 9 or whatever, and when they open it today it's automatically transferring to Ableton 11 with Valhalla 2.0 and there are differences in how the software behaves today, so when they re-export there are slight differences Just a guess because yeah otherwise it doesn't make much sense why they would grab different versions

dude you already strawmanned the complaint in the shoutbox once, we're clearly not saying we wanna watch the old quality, we're saying we want to watch the best source available sans AI artifacts. basically the same convo DBZ fans have had with every home disc release lol

I'd be surprised if WTFE had a 4K version natively back then with all those VFX, I bet they just did a better handbrake-type conversion with the original uncompressed file but set the dimensions to 4K. But yeah I agree, I wish they didn't have the AI upscaling in and you can clearly see it in a lot of places. There also seems to be some jittery dropped frame-type issues in a few LOATR shots, I can't tell if that's an artifact from the upscale or something else

Oh I thought OP was talking about the light crash, but yeah I agree with this for that snare sound. And the technique you're talking about is most obvious in the beginning of Heavy imo To me it sounds like a clap stacked on top of the snare to give it some variety. I'd really love more breakdowns of OML instrumentals, there's a lot of interesting color in there

Finally some discussion about the actual music. I agree about the guitar, I feel like people don't give the OML guitar work enough credit for all the texture and interest it adds, LP really took to this pop sound flawlessly despite it being so far from work like THP before or anything else As for the drop style, I think that's just part of the sound. In the context of the song I think it sounds great, it's Chester's vocals that are really carrying the intensity of that moment imo

Seems like the acapella outro might have been one of the big changes, I'm dying to hear the 2017 version now Also really cool to see Brad is still into working with their older material, I hope that means we get more releases of some OML stuff or maybe even stuff like LFTA