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LPMaskMan

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Everything posted by LPMaskMan

  1. A photo gallery posted on the forum in this summer at LPU Summit Carnivores Tour which contained pics of equipment. A photo showed a computer screen running Live. Where the automated paramaters can clearly seen. I couldn't find it.
  2. I think not. No audio routed in Live, just MIDI to control the external devices.
  3. That's true. Ableton controls the show. That's why Mike has a big computer screen, keyboard and mouse on his synth stand.
  4. OSC, of course. No doubt, that's ultimate finall boss in LP setlists.
  5. it's all automated in Ableton Live. Ableton sends midi signals to the devices to change their presets when a song starts.
  6. I synched and replaced that webcast sourced DVD-video with audience audio, that one posted long time ago on this site. I haven't kept the original one, because that's sounded shitty. Also I have a DVD with original webcast audio. There was no VCD. Only mpeg1 files shared originally and NOT authored into VCD. (maybe I have them somewhere)
  7. That might be work, but we need only a people who recorded it and has capture card and HDCP stripper gadget.
  8. If the webstream is encrypted you have not too much chance to DL it.
  9. Have you tried to spot the m3u8 file? (with tools like: firefox's built in inspector, URLSnooper, etc..) ffmpeg might be download that, using the following command: ffmpeg -i "URL OF M3U8 FILE" -c copy my_webcast_rip.ts http://ffmpeg.zeranoe.com/builds/ https://www.youtube.com/watch?v=xcdTIDHm4KM
  10. Also I think this would be Kings Collage. Venue looks same.
  11. No More Sorrow would be great! I liked the extended intros.
  12. ALTIS would be really great live. Especially Mike's rap in the middle with huge delay effect would awesome in live.
  13. Some software drumsampler. I guess it maybe Ableton Live's built in Drum Rack or Native Instruments Battery. He controls it with a Lemur app from iPad.
  14. Thanks for this! Really interesting interview!
  15. Thanks! Great to hear these alternate versions. Especially ALTNC and Catalyst are interesting ones.
  16. If it's more than 50GB, you can't upload to mega for free, but I doubt it'll be bigger than 15GB.
  17. Another High Voltage related question: Where the "Mike Shinoda" remix thing came from? I've seen few times that version called as "Mr Hahn 2000 Reprise". Also simply called as (Remix).
  18. Don't call them headphones as I said, these are earmuffs. Maybe he practiced a lot and that's why he can perefectly play that song live? Maschine has no blinking light when metronome on as I've seen on youtube vids.
  19. Info for Wien source 3 (Linkin Thomas' source) Size: 7,2 GB Duration: 46 minutes Recorded songs: Castle Of Glass (cuts in), Ballad Medley, Robot Boy, Joe DJ solo, Burn It Down, Waiting For The End, Final Masquerade, Mike Solo, Numb, Crawling, Until It's Gone, What I've Done, Bleed It Out (cuts in the middle of drum solo) additional notes: incomplete recording, very nice close-ups, sound is lacks of low and some of middle frequencies. Videos from this sauce: https://www.youtube.com/watch?v=C9iLVmOp2a8https://www.youtube.com/watch?v=fkVRK94W0pY https://www.youtube.com/watch?v=4zRCKGLTh60 Source 5: Video - AUD (Nikon digicam, info soon) (Right Angle #4) Location: block 74 Taper: S. Erika Time: 25 mins Format: .mov (1080p) / 2,5 GB Comments: incomplete, only intro/GATS, Given Up, LITE, ND, Crawling, UIG, WID recorded Source 6: Video - AUD (Nokia Lumia 630) (Right Angle #5) Location: front of stage Taper: LpTheMikey Time: 74 mins Format: .mp4 (720p) / 5,26 GB Comments: shaky, missing songs: Blackout, Runaway, COG, Robot Boy, DJ solo, BID, LITE, videos: https://www.youtube.com/watch?v=WW3b43t9Tpc&list=UUSKVbq9EQypynloGaWhzEqw another pit source, left angle: https://www.youtube.com/user/Coolrock87/videos
  20. These are not headphones. These called as earmuffs, just like used in loud working places. Similar stuff that can be bought at any worker's safety store.
  21. I saw someone at Wien too. Also I almost got a Limp Bizkit recording with gopro from 2nd row from their Budapest 2014 show. The action cameras are not suitable for concert recording in audience as I think. They are okay for extreme sports and whatever, but sux for aud vids.
  22. They had great energy on this year and awesome setlists too.
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