RYG4R

who knows. I haven't talk to the label yet.

I don't have spotify so that means I would not be able to get that anyway. I'll just wait if someone sell it on eBay.

Where can I get that?

If these new releases by MS becomes successful, WB will definitely revive LINKIN PARK because the band still have album contracts that has not been delivered by LP because of Bennington's passing. How many albums left for LP? was it 5-album deal? so OML was the first of that new contract yeah? or I'm just confused?

It's a carbon copy of Faint.

No WTCFM? That shit heals the world.

That artwork reminds me of ATS but very vibrant.

Ohhhhh I love that esp his 2015 rendition of Cigarettes.

Are we in the alternate 2007 timeline? shaved head, aesthetic reminiscent to earlier MTM logos, etc.

The new era haircut.

featuring Taylor Swift - The Eras Agenda

MS logo with Fort Minor 2015 (somehow updated) typeface. Interesting!

I prefer 2015 FM as well. I think Mike is trying to figure out which persona he's going to do moving forward. FM has a lot of potential for come back but I want him to continue with LP. So there's that.

It sounded worse. you can hear it is remastered for small tiny speakers on your phone.

Mike Shinoda Joe Hahn Dan Mayo Matt Harris Jon Green Phoenix That's the lineup I wanna see.

What's special about this Manny? He butchered LIVING THINGS. He just got lucky with Lost because it was already mixed by the legendary Andy Wallace. I didn't even like Marroquin's mix on OML tracks.

Amazing interview. I love Zane Lowe, I love how knowledgeable he is when it comes to the band's history.

Totally understandable why they didn't revisited 'Massive' and 'Healing Foot' during MTM sessions. Great interview!

few more days!

Side B is flat and I agree.

MTM is not my cup of tea, either. But I like Shadow of the Day and Given Up tho.

LT and THP were supplementary releases, IMO. It's there because they had to because of contract and shit. No passion whatsoever. OML on the other side, it had the passion but lacked commitment. OML deserved to have an external producer. Different minds, different takes, different vibe. Though, we had different writers and contributors but they all sound the same.

Meteora could've had been a double album if the label didn't pressured the band.

What the band needs right now is to finish off this Meteora|20 marketing and promotion stuff. Once that's out of the way, LP can start discussing what's next for the band. This is the right time since the band is on the HYPE with Meteora and stuff. "Lost" is doing great on the chart, the HYPE is there. Once they see the numbers and sales of how well the reception of the band 5 years and a half since Chester's passing. They are currently testing the waters right now. Shinoda's In My Head is doing great on the chart as well. The band is globally missed, so there's no point in discontinuing the band. Once everything is set, the band can talk about choosing the producer for the band (MS and BBB need to step down as producers). THP and OML were mid as hell. Get someone who has a lot of experience when it comes to producing. Hire Brian Eno (maybe) as long they won't hire Max Martin. If they want to do folk, hire Aaron Dessner. Write as many songs as they would like. Experiment but not crazy experiment like they did during ATS era since this is about reintroduction to the world. Paramore did a great job with their self-titled album in 2013.

There's no LINKIN PARK without Shinoda then.