felipeintheend

It’s very clear to me that the label doesn’t want to draw attention to Chester’s material. A lot of content that includes his voice on Instagram is being taken down. The band is among the top ticket sellers worldwide in the live entertainment industry; they are doing very well and probably don’t want anything to interfere with their new market strategy. They now have a new generation of fans—many people who didn’t even know Linkin Park before. About 80% of me believes there won’t be any more box sets. If anything does come out, it will likely be live shows or similar material, but not demos. If that happens I will be freaking out but I am keeping my expectations very low here based on some bussiness point of view.

@xxHybridXeroxx is my guide men. He knows everything on his mind haha. He has a good memory

Woaaaa - Finally! Thanks Max! A promise is a promise....

Feel free to sit in front of a computer for 20 years, reach out to filmers and big companies, convince them to work with you somehow, and then release everything to the public while risking a big lawyer landing in your inbox. The material in my vault will come out at the right time — when I decide to release it — and there’s nothing you can do or say to speed up that process. And no, I don’t want your money. Although my friends and I have spent over $30,000 USD so far to obtain the tapes you want for free. As for what Pinkpop has been doing… it’s incredible. Memorable. And I highly doubt other festivals will follow the same model. Download, Summer Sonic, Reading — they’re too big and have too many broadcast deals involved. Pinkpop had a standing agreement with NTR, who filmed everything from the beginning. When you produce a concert and sell the image rights to a company like the BBC (just as an example - and some festivals need that kind of deals to payoff the event costs lol), after that they must negotiate again with Warner and LP, pay even more money, and decide which songs can or cannot be released. And when I say “a deal,” I’m talking about 1M+ USD, not 10k. I learned that the hard way, and now I fully understand why we don’t get full shows sometimes. Labels still have the power to block streams depending on their marketing strategy. I don’t think we’ll see another festival creating a channel like that. They lost ownership of their footage long ago when they sold the rights to big broadcasters. I reached out to GLOBO, the owner of the LP SWU 2010 rights. They broadcast only a few songs, but they have the full show. I also spoke with the festival owner, and he told me: “There’s nothing I can do. I sold the rights to GLOBO.” If he breaks that contract, we’re talking about a million-dollar fine. lol. So yeah those shit are SO complex and if any proshot shows up, just watch, enjoy and be grateful. This does include the 2024-2026 ones

2025, and some people still think that a bigger file (14gb) could be better than a 4gb file. I have seen a 200mb file from internal tv tape looks better than a DVDM of 3gb size xD

I prefer to not expect anything anymore. lol

Nice find my friend. Let us know if you find more files into your archives love that

That wont happen ever. Festivals grab money from tv channels for selling broadcast licenses. WHY a TV channel would pay millions if the own festival just stream it later? No away. Most of festivals can't create a channel like that because they sold the licensing to third-party already. Not counting labels rules in the middle of all that. Chances to make this happen are like -1000% lol.

Just an advice for you: Nobody is going to trade a rare material for anything just remastered. Remastered items doesn't have value enough for a trade, specially because the shows you are remastering are out already... So it is pointless to spend your own time doing this if your goal is a "trade". Spend energy looking for unreleased live shows instead. Good luck

LOOL just one more Sao Paulo concert we might never have access to haha

We literally met some Netflix crew inside the stadium mentioning they were recording it for a movie (not just a live show stream) and myself gave a testimonial in video to be used in the movie (?). We all know movies take a long time to be finished... I did ask a contact from Warner Brazil and they simply have zero info about it. LP has been using this strategy of keeping everything confidential (including their own label worlwide) to avoid leaks. So who knows? Maybe they just let it go... Same happened to the PR02 DVD which we got recently. They planned to release it, but with Reanimation and LIT happening behind the scenes, they had to just archive it for the future.

I never said a proshot exists. I said a DVD. Dont take my words out of context. The circulating AUD version is VCD and I confirms a DVD legit exists off that source and not a proshot

Yes, but taper wont share or sell for cheap.

I am not 100% sure it does exists. Back the days (2008 or so), I had a talk with MFR to help them promte their cases and I gave their CEO an idea of promoting the concert and raising funds. They were all looking into the archives to find a copy and it just didn't happen. I mean... Someone in the staff plus the Warner's publicist worked on it and just couldn't find it, so big chance it has been lost, if it ever existed. GettyImage doesnt mean the full show were recorded. Remember they are a magazine, and rules for that are usually first 3 songs or max 3 songs in the set.

We will def tell the band our thoughts on what live show should be released for the mtm20. Be sure they ate reading this thread as well. Haha.