RogueSoul

Number 3 is POA!

http://lplive.net/forum/index.php?showtopic=10786&page=2&do=findComment&comment=219009 Check my post for the live updates! REALLY Promising so far!

http://www.lpassociation.com/forums/showthread.php?t=40512 Oh my.

Show starts in 14 minutes, I'll update as soon as it starts!

I've missed doing this. Date: May 24, 2014 Venue: Kino Veterans Memorial Stadium Event: KFMA Day 2014 Setlist: Drawbar (Live Debut) Guilty All The Same (Live Debut) Given Up (Ext. Outro w/ Extra Note) Points Of Authority One Step Closer (Ext. Outro) Papercut (Blackout Intro) With You (Short Scratch Intro) Runaway (1st Verse) Wastelands (Live Debut) Castle Of Glass (RECHARGED Bridge; Piano Outro Transition) LOATR/SOTD/Iridescent (Ballad Medley) Burn It Down (Ext. Intro) Waiting For The End (Apaches Intro w/ "Until It Breaks" V3; Wall Of Noise Outro) Wretches and Kings / Remember The Name / Skin To Bone (RECHARGED Version) (Medley) Numb (Numb/Encore Intro; N/E Outro Lyric Tease) In The End Faint (Ext. Outro) Until It's Gone (Live Debut) A Light That Never Comes (Until 1st Chorus; Ext. Chorus) Lost In The Echo Crawling (Until 2nd Chorus) New Divide What I've Done Bleed It Out (Ext. Intro; Ext. Bridge w/ Drum Solo & The Catalyst; Ext. Outro) Show Notes: - Mike rapped Rakim's verse on "Guilty All The Same". - This show was the first time "One Step Closer" was played in the fourth spot in the setlist. It's usual position was either as a set closer, a show closer, or a show opener with a few exceptions along the way. - "Papercut" featured a new intro featuring an instrumental version of "Blackout". This is the first time "Papercut" has received a new intro since 2008. - "Runaway" was only played through the first verse and immediately segued into "Wastelands". - "Castle Of Glass" featured an extended bridge featuring an instrumental of Mike's remix from RECHARGED. The instrumental was continued throughout the rest of the song. The song ended with a piano transition into the Ballad Medley. - "Burn It Down" received a new intro. It featured a synth intro reminiscent of "Robot Boy" along with fast drumming. - "Numb" began with the hook from "Numb/Encore". - "A Light That Never Comes" was played through the 1st chorus, and the chorus was extended with Chester's vocals. - "Crawling" was abbreviated and only played up until the second chorus. - Rob played a drum solo over the bridge of "Bleed It Out". The band also performed "The Catalyst" over the bridge, singing the "Lift me up / Let me go" part, kicking back into the song. Other Notes: - This was the first show of The Hunting Party touring cycle. - This is the first year that had both one-off shows and an entire different touring cycle within it. - A presale for the event at local Tucson Pizza Hut locations on April 12th featured tickets for only $35. - An ad from KFMA incorrectly stated that the only way to meet Linkin Park at the event was to donate non-perishable food goods to the Community Food Bank of Southern Arizona tent from 10:00am to 2:00pm to win a M&G pass. Debuts: - A snippet of "Drawbar" premiered at this show. - "Guilty All The Same" was played for the first time at this show. - "Wastelands" was played for the first time at this show. - A new hip-hop medley debuted at this show, featuring the 1st verse of "Wretches and Kings", a verse from Fort Minor's "Remember The Name", and Mike's verse from the RECHARGED remix of "Skin To Bone". - "Until It's Gone" was played for the first time at this show.

Just under 2 hours until shit goes down!

As mentioned before, they won't necessarily be playing for all 1:45:00 minutes, 2010-2011 had "extended" setlists because all of the transitions. Those added like 10 minutes to the setlist. Given what we can predict... Hybrid Theory - 35 minutes Crowd Interaction - 5 - 10 minutes Encore break - 5 - 10 minutes At the maximum, that's 55 - 60 minutes, which leaves 45 minutes to more music. If we want to average out the song lengths, it'd probably fall around 3 minutes. That's 15 more songs, probably less with longer songs like GATS and WTCFM. Nonetheless, a bunch more songs are going to be played. I honestly wouldn't be too surprised if the show lasted >25 songs.

You'd be surprised. I usually record a few songs from every concert I go to with my iPhone 5. I recorded Radioactive by Imagine Dragons which is really bass heavy (dat drop doe), and the audio quality didn't falter. The only issue with recording with smartphones is getting a good video. It takes a steady hand and a bunch of refocusing to get it just right.

Damn, that's an over an hour for a bunch more songs. Give or take 5 - 10 minutes for an encore break, that's enough for like 10 singles (~30 minutes) and a good amount of others. Super pumped to see what they have in store.

Tomorrow's the day. So pumped!

This really sucks, the heavy stuff would of sounded amazing on a DSP

Soul The Prophet's return is coming soon

http://lplive.net/shows/db/2003/20030821 It says here that Joe played a short DJ set after the set... Would that be of any worth adding to his new page?

I think it'll go kinda like Mark had it, except one or two songs after PMA, maybe UIG and BIO.

Epic performance of LFY. Can't wait for the full exclusive!

If I had to list them... 1) LIVING THINGS 2) A Thousand Suns 3) Hybrid Theory 4) Minutes To Midnight 5) Meteora

Damn, this weekend's gonna be a bit boring Can't wait to see the updated site!

At the moment mine is LIVING THINGS.

When will you learn to use "In my opinion..."

I'm looking forward to the ID song, I can't say I'm TOO disappointed about LP not being in the soundtrack; if it was in 2013 or some other one-off year I would be more sad. If the song was on TF4 we would of still gotten that song on the album, and a music video that just featured the band performing and a bunch of scenes from the movie.

I should take more of an advantage of this thread. Hybrid Theory: Part 1 Papercut What's the first thing you think when you get a paper cut? You certainly aren't saying, "Ouch!" You're screaming your fucking lungs out because of the burning sensation invading your finger. Paper cuts are the most relateable sense of paranoia, something a child can even understand. When yoy get one, you're pretty certain you're gonna die within the next minute. "Why does it feel like night today? / Something in here's not right today. / Why am I so uptight today? / Paranoia's all I got left." Shinoda understands it. Paranoia begins with a loss of consciousness in the real world, all you can do is question every little detail that's out of place. You begin to judge each puny event as the pinacle of your life. "Like a face that I hold inside / A face that awakes when I close my eyes / A face that watches every time I lie / A face that laughs every time I fall" For angsty teenagers, their parents probably immediately came to mind. Who else watches your every move and judges you for it? Your parents? Society? Yourself? This figuritive face refers to your soul (no pun intended). Each move you make, you regret. Paranoia is the thought process of being influenced heavily by fear and anxiety. What better way to feel both of those when everyone is watching you? The constant need of acceptance is the strongest culprit in both anxiety and, on a completely unrelated note, depression. We'll talk about that in another interpretation. " It's like I'm paranoid lookin' over my back / It's like a whirlwind inside of my head / It's like I can't stop what I'm hearing within / It's like the face inside is right beneath my skin" The song almost seems to progress in a ballady way, such that the story of whoever you wish for this to portray is being explained in steps: he begins to question everything, then comes the inner conflicts with your actions and your judging of yourself. After that comes the chorus. At this point, the true paranoia starts to kick in. He's constantly checking for any sign of danger. His thoughts are swarming his mind like a whirlind. He's telling himself things that he can't control (internally, of course). "The sun goes down / I feel the light betray me" The light is the last thing one can depend on being there (unless it's cloudy outside, but that's what light bublbs are for). When your last resort has been seized, how can you sleep at night? Light, in the context of the song, may refer to the last traces of security this poor man had left in him. He's been consumed by darkness, otherwise known as paranoia. Mike further elaborates on the jumping off the cliff of sanity by rapping, " It's like I can't stop what I'm hearing within" The aforementioned whirlwind (taken from the chorus) has become a volatile hurricane. So remember, kids: paper cuts lead to pure, fucking insanity. I would of done OSC tobight but I'm tired as shit so I'll do it tomorrow.

I feel Mark must of wanted to shoot himself writing about LITE lol. Decent list, would of put in COG or APFMH instead of WFTE though.

Why on some setlists in the ATS era is Requiem listed as "The Requiem / The Radiance"? For example, Sunrise 2011:

Mark The Graves - 5:05 A Line In The Sand - 6:35 oh my.