lpliveusername

https://we.tl/t-ACEfkFbPez

On July 20th last year we shared on our social platforms a rough edit we did of Dead By Sunrise performing 'Morning After' at the Club Tattoo 13th Anniversary Party on May 10, 2008. The video got some good reactions from our followers, so we decided to do something special for Chester's birthday this year: a multicam edit of the show using all available video recordings. This was a very special show as it was the full band live debut of Dead By Sunrise. The short set consisting of 3 songs came right after the Julien-K concert at the event. Chester said the band wanted to give fans a little preview of what their album would sound like. This was the first time that 'Walking In Circles' and 'My Suffering' were performed live, both still in their demo forms. It was also the very first live performance of 'Morning After' by Dead By Sunrise, following Chester's performances of the song with Linkin Park and Bucket Of Weenies. The video we're bringing you today consists of 3 different audience videos of 'Walking In Circles', 4 audience videos of 'Morning After' (as well as proshot clips), and, unfortunately, only 1 video for 'My Suffering'. We used the best audio available for each song. As a bonus, we're also bringing you 3 songs from the Julien-K set: 'Death To Analog', 'Kick The Bass' and 'Maestro'. While the full show was recorded in video, the audio for the full show recording is completely distorted. Those 3 songs were all we could use as they were the only ones recorded by other tapers. Enjoy! "Out Of Ashes (15th Anniversary Edition)" is coming on April 20, 2024 for the Record Store Day. The new vinyl features the entire acoustic set from the Dead By Sunrise show at the Steve Wyrick Theater in Las Vegas, Nevada on July 04, 2009. Tell all your friends. Julien-K has launched a crowdfunding campaign for their upcoming album "DRK|MODE" at Indiegogo. On this new exciting project, the band challenged themselves to create a purely electronic dark industrial album without using any guitars. Show them some love and pre-order your copy now.

Came across those photos today. There are some titles I don't recognize and others that I can't read. I was wondering if anyone here has any information about those titles or would be able to fill in the gaps.

I love this band and this song. Never this one.

EDM Shinoda is back on the menu! In a new interview to Billboard, American DJ and producer Nicholas Daniel Miller (professionally known as Illenium) revealed he has an upcoming collaboration with Mike Shinoda to be released as a single in 2024: The five-hour Trilogy shows have also given Miller time to explore the direction he’ll pursue next. After his rock- and metal-focused 2023-self-titled album, which featured artists like Travis Barker and Avril Lavigne, the Trilogy sets inspired him to return to his electronic roots, and he’s working on “a lot” of new music. Collaborations with Tiësto (a Colorado neighbor Miller calls “the f–king man”), REZZ, Seven Lions, Mike Shinoda and others he’s not yet ready to name are forthcoming — not as an album, but as singles to be released throughout 2024. Source: Billboard

The EMP bundle is exclusive because it comes with the hat. The link you posted is only the CD, which isn't available separately in other official stores.

https://lplive.net/forums/topic/11764-lpcatalog-exclusives-linkin-parkjay-z-mix/?do=findComment&comment=252923

https://linkinpedia.com/wiki/Points_Of_Authority/99_Problems/One_Step_Closer

Congrats for failing to actually read the news and falling for an obvious troll.

It happens. There are plenty of artists who got sued for not paying for the samples used in their songs. Black Eyed Peas, Jay-Z, Limp Bizkit, ... There are plenty of so called "legacy acts" who haven't released an album in over 10 years but still tour on a regular basis. You really only need to want to play shows, which Mike has stated that it's off the table for Linkin Park at the moment. The way things are going, it seems more likely for them to release new songs than to tour. Basically what Mike has been doing with his solo career, releasing random singles but playing no shows at all.

Those too. Samplers, guitars, drums, bass, ... I'm sure they paid for all of their instruments instead of stealing them.

Mike said "we basically finished specifically to this game." This was in an interview about 8-bit Rebellion. It seems that everytime an unreleased track finally gets released, the band always tweak something in it, just like they did with Friendly Fire and Lost. Another example is what the press release of LPU 9 said about Across The Line: "In response to fan feedback, the band decided to finish the song and make it available as a highlight of LPU9." We know that there was a version with an extended intro and they removed it for release.

At this point I think Geki should just publish a book about Minutes To Midnight. His posts are always huge. Collect them all and that's the book. Wow, the ending sounds huge. It's so good, I love that the pitch shifted vocals don't bury the guitars. However, I have to admit that the beginning sounds pretty empty. It needs something else in there to replace the missing sounds. You don't always need specialized personnel to work on mixing a song for it to be considered a finished product. We have finished songs that were simply mixed by Mike, who is the same person who mixes all of the band's demos (QWERTY was mixed by Ethan Mates by the way). We also have songs labeled as demos that were mixed by the same person who mixed the album it originated from, meaning it got to the final stages. The thing is that for any band, a demo is whatever the band says is a demo. If they feel it's not finished, it's not finished, regardless of who worked on it or what was done to it. Do I agree with everything Linkin Park labels a "demo"? No. Does it matter what we think about those "demos"? Not to them.

Do you even know who Rick Rubin is and what he produced? lol

Post Traumatic vinyls postponed to June 21 according to LPCatalog.

Sometimes I forget that Heavy exists. Friendly Fire is better for sure. I agree that a version of Heavy without Kiiara could be more interesting than the album version.

I think Friendly Fire is just ok. Not awful, but nothing great. I can totally see why they would exclude it from an album, but there is indeed some pretty bad songs on One More Light. I'd say Friendly Fire is at least better than Halfway Right and Good Goodbye. Maybe Invisible too.

I listened to the entire discography yesterday and I had completely forgotten how annoying those vocals were, especially when you're playing the song loud. I also felt like skipping it when they started. I think the song is really good, Mike, blackbear and that other guy did great with it, but would be even better without those samples.

These were basically my thoughts about Heavy when it came out. They talked a lot about doing vocals first and paying a lot of attentrion to vocals while creating the album and you can really tell this was the only thing they were concerned about in those two songs. They're just vocal after vocal without anything in between. Friendly Fire even starts with the "vocals and very light instrumentation" format that the band said was the early stages of the songs on One More Light. Heavy has a great build up during its bridge that I thought would lead to something amazing, but it just ends abruptly and goes back to the chorus. They really grew a lot as instrumentists during The Hunting Party, so I expected the instrumentals to be a little more elaborate on the follow up. Not another heavy album, but at least something that showed they put a little more effort in the instrumentals than what we ultimately got.

Here's what Mark Fiore said during the YouTube chat in case anyone missed it:

Live In Monterrey came out with The Hunting Party in June 2014. They hadn't done any real touring for the album yet besides a few festivals in Europe that same month. There wasn't time to prepare a show from 2014 for release. Machine Shop as a record label died a long time ago. Warner wasn't interested in investing in the artists being signed. It's just Linkin Park's management company now. I still can't believe they included two versions of Numb. They could have picked any of the big platinum singles they left out or a The Hunting Party single instead of Numb/Encore.

"Listen to the KROQ World Premiere of @linkinpark ’s #FriendlyFireLP TOMORROW at 9pm PT! Tune in or stream us live at http://kroq.com/listen or the @Audacy app" https://twitter.com/kroq/status/1760487617932742663

It screams "I have a nephew who knows Photoshop and can do it cheaper." I agree. It looks really low effort, like they don't care about this project at all and they just see it as a quick and easy way to make some money with the Linkin Park brand.

Probably didn't know what people were asking about.

Jeff Blue also told us it was Pushing Me Away. A lot of people have pointed out that the strings at the end of Cure For The Itch transits into High Voltage. Mike said it's because he used the same keyboard and sounds on those two songs and By Myself. Jeff Blue actually owns a CD that has all 3 songs and High Voltage comes right after Cure For The Itch in the tracklist, so I believe that was the new version of High Voltage. It would mean that this version of High Voltage was created in the same period as other Hybrid Theory demos, not after the album was finished.