martinez

Polish fans are the best!

Yes, they never released live video of that song.

Added lyrics for "Does It Offend You, Yeah? Remix" of The catalyst to TC Linkinpedia page. Update of the release date of "Not Alone" stand alone release. While the song was released with the compilation album "Download To Donate For Haiti" on January 19, 2010, the 1-track digital release of it with its own cover artwork happened a year later. The song was released on iTunes and other digital platforms on October 21, 2011. The credits that we have for the song there, might be wrong, the digital stores seems to have copy/paste credits from the MTM album for this song. I have seen somewhere that the track was mixed by Mike. Also, added a slightly different New Divide alternate cover, which the maxi international version of the single had.

The band shared a live performance of the song "Stained", recorded live at Bridgestone Arena in Nashville, TN on August 21, 2025. Credits: Directed by - Mark Fiore Produced by - Amigo and Company and Linkin Park Audio Mix - Kevin McCombs Front of House Engineer - Jim Ebdon Edited by - Mark Fiore IMAG Video Director or Tour Video Director - TJ Lievonen Additional footage - Mark Fiore, Chady Awad, Adam Ruehmer, Marisa Mckay, David Mckay

and Overflow is inhospitable, right? https://i.ibb.co/wN7bHW02/34534657.jpg

Changes that were made on the site within the last few weeks: Added: Music Videos (+Live Videos, Visuals) Cut The Bridge (Live) link - streaming only - fixed with new link to 7digital, old link to Amazon was added to notes. It was really tough to find working link to this release - added 7digital link to notes and also slightly updated them - added the 7digital link to notes, update of the lossless icon. After the release was removed from Juno a long time ago, the 7digital store will be the only one where you can buy the lossless version of this live track. Just a reminder that the track is available for purchase only in Germany, it is the exact same track as the bonus track on the digital edition of MTM (Best Buy), it was recorded: 2007.03.xx AT&T BlueRoom Performance - added 7digital link to notes of both - added more links to those releases to notes (of course except ATS (Deluxe Edition)) - update of the notes - added to Studio Collection and all above ATS releases the info and link about the new version of Waiting For The End - update of the mastering credits for ATL in both editions to Brian Gardner. The song is the LPU9 version and Brian mastered it. For some reason on digital platforms the credits says that Dave Collins mastered it. Others: - some little updates of the notes in few releases - track's names that are mentioned in notes are now italics - added format/quality info to the tracklist of "Mikeshinoda.com Exclusives (Playlist)" - added to notes of "Cognition" the info about all available formats for streaming I have also noticed some time ago that the the credits to some songs that are on Mike's Dropped Frames albums are incorrect, especially the ones that have featurings, for example this one lists Keyboards under Money Mark, while Mark never even touched those in the video that Mike sampled, what he does are vocals and drums. There are more songs that have wrong or missing some credits on digital platforms.

Some time ago Nick DeLaCruz on YouTube did interview with Jim Ebdon, Linkin Park's FOH engineer. The interview is from June this year; I watched it a few days ago and I thought you might find it interesting. From YouTube description: In this exclusive interview, I sit down with legendary front-of-house engineer Jim Ebdon, known for his work with some of the biggest names in music, including Linkin Park. We dive deep into the art and pressure of mixing one of the most dynamic and emotionally charged live acts of the 2000s. Jim shares his journey with the band, what it took to bring their powerful sound to life in stadiums and arenas around the world, and how he handled the balance between raw aggression and polished clarity. From technical setups to memorable tour moments, this conversation goes beyond gear, it's about the people, the passion, and the performance. Whether you're an audio professional, a Linkin Park fan, or just curious about what it takes to run FOH for a global phenomenon, this episode offers a rare glimpse behind the board.

I took the liberty of updating the main post in this thread. I hope that RogueSoul or anyone else has no problem with that. Well, I can agree that updating the thread which is 12 years old might be a bit odd but over the years, some stuff was updated, some other things were discovered in the very later time, plus I thought it would be easier for everyone to have everything mentioned in one post. The main post has now the info about the different version of Waiting For The End, Across The Line and the info about the update that happened in 2021. The info about the differences of Across The Line was also enhanced over the new difference that was discovered this week, which is: no synth during the second chorus. Below I'm including the preview of that difference. The preview I mounted consists of two exact same fragments of the song. I use the source of the song from two different MTM deluxe editions released in 2013 and 2022. The version released in the deluxe edition in 2022 is the same as the LPU9 version and contains synth during the second chorus. Also, by checking No Roads Left, I have noticed that the 2021 updated version of the song is not exactly 1 to 1 the 2007 OG version, because it was remastered, which easily can be heard when you compare those versions and, it can also be easily seen e.g. in audacity:

Wanna left an info here, especially for the LPLive team, about the changes I made in Across The Line page. I updated the 'Alternate Mix' section. The first sentence that was there: I updated the "Mastered for iTunes" to deluxe edition with the info that the edition was first on iTunes only and then on October 28, 2016 was released on other digital platforms. I think the same 'Mastered for iTunes' thing is not something that really has to be mentioned in this case, especially now, when the edition is spread over various platforms. The sentence: was not quite correct because Across The Line was never really updated. I have checked it once again few days ago and it is still the 2013 version, so I updated the above sentence. Also, at the bottom I added the sentence that on May 13, 2022 new deluxe edition was released and in that edition the version of Across The Line is same as the LPU9 version. Update of the versions section: - added the album "Minutes To Midnight (Deluxe Edition)" with the release date of "May 13, 2022" next to "Across The Line (Unreleased Demo 2007)" - updated the album name from "Minutes To Midnight (Mastered for iTunes)" to "Minutes To Midnight (Deluxe Edition)" next to "Across The Line (Bonus Track)".

Linkin Park's 2025 From Zero World Tour continues through Brooklyn, Boston, Newark, Montreal, and Toronto. The band meets fans for pizza and Mike solves a backstage mystery.

Did they post the links to the videos or audio? No? So there is no sense to post this screen. Since the videos were uploaded to YouTube, the max audio quality on those is compressed 125-128kps quality.

Linkin Park released on their YouTube channel new LPTV. It is an in-studio episode, showing how they are working on the song "Good Things Go".

I like that they did some much different stuff to make this show more special.

It has to be different reason why they don't release any LPU albums also since 2017 to 2020 when there was no any 20 anniversary, they simply could go with just instrumental demos or do something different. Totally don't get the argument "because Warner want to put those stuff on 20 anniversary releases" - yeah let's say they will find something extra cool and more polished, ok so leave that for any 20 anniver. and put on LPU less polished version of it, maybe without vocals etc, like they did it with "Cumulus" vs "More The Victim". They did like that over the years, what did changed to prevent them from doing it? Maybe they don't have that amount of stuff anymore? Maybe there is something we don't know?

LPUnderground members can now extend the account for another year. The members with -Legacy- status on their accounts - if for some reason you can't re-new your membership now, remember to do it within 60 days, after that time you will lose your -Legacy- status permanently. Also, there is a pre-order of the new LPU 2025-2026 Member Bundle. The bundle includes: • LPU LIMITED EDITION PREMIUM ZINE VOLUME II • LPU 35MM FILM DISPOSABLE CAMERA • LPU 25-26 MEMBERSHIP LANYARD
 • LPU 25-26 MEMBERSHIP LAMINATE More details: For the 2025-2026 membership year, the Member Bundle will include Volume II of the LPU Zine, capturing never-before-seen moments from the From Zero World Tour. The 60-page soft-cover 9” x 12” zine will feature photography, artwork, notes from the band, customizable pages, and a sticker sheet with a randomly selected band member guitar pick. Fill the LPU Zine with your own memories: find blank pages to insert photos from your LPU disposable film camera or favorite concert moment shot on your phone. Let us know what you think about the new bundle and if you are going to re-new your membership. Source: LPU.com | Store

Linkin Park Rig Rundown with Mike Shinoda, Dave "Phoenix" Farrell & Alex Feder (Brad Delson). PG’s Chris Kies headed to downtown Nashville’s Bridgestone Arena to meet up with Mike Shinoda, plus techs Mark, Ben, and Tracy, to learn how the band pulled off their much-anticipated gigs this year.

Thank You!

Whatever they recorded during the rehearsal or the actual show, is because they can later edit it and fix it.

Is it still a possible they recorded a live show? I mean that they recorded the live performance, even if we didn't really heard it?

So, the track on the calm app is available in 3 formats: OGA VBR 128-206 kbps / 115 MB M4A CBR 128 kbps / 73 MB WAV 16-bit / 798 MB

Linkin Park just posted on their YouTube channel a new LPTV episode, showing a studio behind the scenes of the song "IGYEIH".

It could be unmastered too, when comparing it with the og it is way more less stereo and very compressed.

Cool video. 0:50 - that will be "Już mi zimno" Dave.

Of course it does matter. TEM would sound different if the band would go with the Rich Costey version instead of the Neal Avron's one but they decided to go with the Neal's mix. You already have Lost in two versions showing how it would sound if it was mixed by two different people.

Beatiful performance, a fucking awesome mix by Kevin McCombs! Can we have more live stuff mixed by Kevin instead Ethan?