auburntiger

Can you stop writing in broken English so I can actually understand what you're writing? Bottom line, I don't complain and whine when someone doesn't bow to my whim. Mark is to be commended for what he does put up there, but it's not right to demand that certain folks are responsible for whatever collection you're trying to establish. If you contributed, fine and dandy. If you're always leaching, then you have no right to complain when you snap your fingers and a show isn't there. Apparently people just continue to look over this flaw when it applies to them. Why is this so hard for you to understand? And no, I won't shut up. Why? And if you were here last fall, you'd know that the same dude was depended upon to post the shows as they were released (Michaelangelo?). And people whined and complained when he refused. If you want to continue this, then take it off-line. It is otherwise detracting from the original purpose of the thread, which is to post when new shows are available.

I feel pretty much the same as I did with it a year ago. I like that they went beyond their comfort zone to deliver a new work. I like the experimentation with sounds in some places. It still reminds me so much of the musical project Enigma (yeah, the same one with "Sadeness," "Return to Innocence," "Age of Loneliness"). My favorite tracks remain "The Messenger" (lots of stuff happened to me in the last year or so), especially the live version, "When They Come For Me," and "Waiting for the End." It's good...I listen to it a lot, but it's not my favorite one by them ("Meteora"). They're growing and changing their style, and as long as I'm not "Good Lord, what the hell is this crap?" on consecutive albums, I'll still check them out whenever something new comes along.

First, I don't collect these shows like others do. Second, I don't have the financial resources, but you haven't seen me bitch once about things, except your attitude. I agree.

No, my post has a point, you're just too stupid, blind, or stubborn to see it. If you're going to come across as being intelligent, at least think about your response ("constrained to reply"? WTF?). I'm sooooooooo sorry that you aren't a responsible enough of a person to have a credit card or whatever lame excuse you have. The point of my post - GROW UP. Contribute to the DSP collection or shut the hell up about it, if you can't...don't complain and whine about shows being out there or not. Your whining is ridiculous.

Actually, I do understand being a collector. Maybe one day when you actually approach adulthood and grow up and stop with the emo garbage of "you can't feel what I'm feeling," you'll actually understand the right and wrong way to go about things. There are bigger things in life than waiting on a DSP. But whatever, continuing with your incessant bitching. Just be prepared to be slammed for it. Also, get a damn credit card.

No, you're coming off like a whiny emo. People will buy shows when they can and if they have the capability to do so. Continuing to whine and gripe about "well someone should buy these shows" isn't particularly endearing, especially since you can't contribute anyway. And you or someone else earlier in the thread suggested Mark buy them. Thats damn unfair to him. He isn't made of money, either. If someone contributes a show now, fine. If not, it'll surface at some point in the future somewhere. Instant gratification isn't always possible.

And you can't...?

Seoul is available.

Why's it always up to the site admin to buy stuff? Put your money where your mouth is and buy it yourself. smh

Hong Kong is up

Just a thought - maybe Warner's going to make their next album be a "greatest hits" album. There might be enough new material for that. Record companies love to do that, "here's a GH with two new tracks." Annoying.

Ask him if there's a follow-up to DBS planned. Might ask him how he felt about the exchange between Talinda and Mark on twitter last week.

Figures; I just got back from Vegas.

Yeah, put me in that 2013 boat...

I think this would be cool, if they'd do it, and yes, I would buy a few shows. I'd be interested in the ones from '08 in Europe that have RME. And I'd most definitely be interested in earlier shows. Should we start an online petition or something?

You guys that are going "Finding Emo" about the other DSPs should put your money where your mouth is and go buy them. Mark's already said he can't find anyone who went. Stop badgering the guy.

Arras, France is available

Hybrid Theory: Forgotten, Papercut, Cure for the Itch Meteora: Session, Nobody's Listening, Hit the Floor Minutes to Midnight: The Little Things Give You Away (mainly because it got hyped so much and I was like, "What's the deal, again?"), Shadow of the Day, Valentine's Day A Thousand Suns: Robot Boy, The Catalyst, Burning in the Skies

Hybrid Theory: A Place for My Head, By Myself, One Step Closer Meteora: Lying from You, Easier to Run, Figure.09 Minutes to Midnight: No Roads Left, Leave Out All the Rest, Hands Held High A Thousand Suns: Wretches and Kings, The Messenger, Waiting for the End

Hamburg is up

I'm trying really hard not to be emo here, but why can't they play W&K? And I wish they'd play "The Messenger" again...

And today, lpl is educational. I thought the summertime was when our minds were supposed to rest.

I agree with his post, kind of. I don't think that being a part of LPU makes you a "super-fan" necessarily. Anyone who knows me personally would go ahead and lump me in that group, and I don't belong to the LPU. That being said, I wish he would have addressed the price issue a little further. I agree with the analogy about paying to get "something." But, what are folks paying $60 ($10/month) for? Six-ish months in, and I still don't see what you get out of that, so I haven't re-upped. But that's my choice. For others, it may be for the concert pre-sales and meet-and-greets. It doesn't work out so well for me, living where the nearest concert (conceivably) would be 6 hours away (not really looking for sympathy here; I've gotten older and tired of traveling so much). But - you don't see me telling folks to not go for LPU because of my issues. To each their own; kinda like sadly, those who buy Bieber CDs (okay, they do deserve to be bashed a bit). I wish there were more of a tiered system/tradeoff in place for those who can't go to shows. But I also understand that adage that eventually leads to, "you can't satisfy all people all of the time." Crap, what's my point? I guess it's all about perception and being reasonable (something Mike did allude to in his post).

Well, on the plus side, Rubin has enabled them to express themselves in whatever way they want for their albums. The next album should be just as interesting.

Yeah, I'm sure Chester would *love* that