GlassCastles

All of this was a joke for me, but this is all based on real things people have said about those songs to me personally.

I've always just gone along with it because everyone here seemed to go along with it, but I've always considered "verse 2" verse 3.

[casual fan mode] A Place For My Head - Its soooooooo scury. Chstr screms wayyyyyy to much Figure .09 - Why is it an example? Its suposed to b a song, not a pic. (Spekng of pix, chek out my Instagram: @ShittyLPFan) No More Sorrow - Y dont Brad (hes the raper, right?) rap? LP iz a raping band, not a singing band. DURR! When They Come For Me - THEY SWER TO MUCH! VICTIMIZED - Chstr is tooo scury here 2! Y he screm so mch? [/casual fan mode]

So, Pictureboard is the main theme for Half Life 3?

Fixed that for you.

I still want a COG or STB demo. I would like to hear where they started compared to where they ended up.

I wasn't talking about that. I'm saying the Primo DEMO was from the ATS era so I would consider Primo from the ATS era. The working title still definitely belongs under LIVING THINGS, but the demo was an ATS demo.

I wouldn't quite say Primo is better than ILL BE GONE, but I feel like if they went this route with it rather than the way they went with it on LIVING THINGS, it would.

Primo lyrics: Like shining oil this night is dripping down Night is dripping down Glistening And I'm trying not to think of what I'm leaving now Cause I'm leaving now It's time you let me go Let me go Till then carry on And miss me when I'm gone Don't let anyone give you away Just carry on And miss me when I'm gone Don't let anyone take my place Take my place This air between us is getting thinner now Getting thinner now Bittersweet We crossed that horizon this sun is setting now Slowly setting now It's time you let me go Let me go Till then carry on And miss me when I'm gone Don't let anyone give you away Just carry on And miss me when I'm gone Don't let anyone take my place Take my place Just carry on And miss me when I'm gone Don't let anyone give you away Just carry on And miss me when I'm gone Don't let anyone take my place Take my place Tell them I couldn't help myself And tell them I was alone Tell them I was the only one And there's nothing that can stop me From going home Tell them I couldn't help myself And them I was alone Tell them I was the only one And there's nothing that can stop me From going home From going home From going home From going home Tell them I was the only one And there's nothing that can stop me From going home Not much different from I'LL BE GONE outside of the chorus, but there are some slight differences in the verses/bridge.

But, they didn't drop Reading My Eyes. (I'm assuming you're talking about 2013)

I'm referring to what they were saying above. They created it prior to ATS release if I remember properly.

Actually, I would call this more of an ATS demo. Sure it's a demo for a track off of LIVING THINGS, but the track was made in the ATS era.

It's not like he does that on With You or something. No More Sorrow is pure guitar + drums instrumentally. He CANT do anything.

I just don't like Runaway, so I wouldn't think it was the end of the world if it was dropped prior to the US.

That is pretty much what he wants. I would be fine with just Forgotten and By Myself sticking around, if only until other places have had the chance to see them.

1) Papercut (Show Opener Intro) 2) Lying From You (2008 Intro) 3) No More Sorrow (Long Intro; Drum Transition Outro) 4) Bleed it Out (Drum Solo Intro w/ 'Reading My Eyes' v1; Ext. Bridge w/ 'Burning In The Skies' Chorus; Ext. Outro) 5) VICTIMIZED (w/ QWERTY v1, Chorus, + Bridge) 6) Figure .09 (Blood, Anger, Suffering Transition Outro) 7) From The Inside (Long Intro) 8) And One (Transition Outro [No Rap]) 9) Points of Authority (Intro w/ 'And One' rap; Outro w/ 'SKIN TO BONE' RECHARGED rap) 10) When They Come For Me (Long Intro) 11) I'LL BE GONE (Vice Style) 12) With You (Ext. Intro; Scratch Outro) 13) Runaway (Transition Intro) 14) LOST IN THE ECHO (2012 Intro) 15) Faint (Ext. Outro) ---------------------------- 16) CASTLE OF GLASS (MOH Intro; Piano + Acoustic Version) 17) Breaking The Habit (Piano Version) 18) Leave Out All The Rest (Piano Version) 19) No Roads Left (Acoustic Version) 20) What I've Done (Sing-A-Long Outro; Piano Version) ---------------------------- 21) Forgotten (Guitar Intro) 22) By Myself (2003 Intro) 23) Blackout 24) One Step Closer (Ext. Outro) ------------------------------------------------------------------- Missed my chance to do a few MTM era sets, so let's do this. MTM Promo Tour 1) One Step Closer (Gunshot Intro #1) 2) Lying From You 3) Somewhere I Belong (Long Intro) 4) No More Sorrow 5) Given Up 6) Papercut (Long Intro) 7) Points of Authority (Intro #1 w/ Points of Authority) 8) Don't Stay (Foreword Intro) 9) From The Inside (Ext. Intro) 10) Numb 11) Shadow Of The Day 12) Pushing Me Away (Piano Version) 13) Breaking The Habit (Piano Intro) 14) What I've Done (Album Transition Intro) 15) Crawling ---------------------------- 16) In The End 17) Bleed it Out 18) Faint (Ext. Outro) MTM European Tour (2007) 1) One Step Closer (Gunshot Intro #1) 2) Lying From You 3) Somewhere I Belong (Long Intro) 4) No More Sorrow 5) Given Up 6) Papercut (Long Intro) 7) Points of Authority (Intro #1 w/ Points of Authority) 8) Don't Stay (Foreword Intro) 9) From The Inside (Ext. Intro) 10) Numb 11) Shadow Of The Day 12) Pushing Me Away (Piano Version) 13) Breaking The Habit (Piano Intro) 14) In The End 15) Crawling 16) What I've Done (Album Transition Intro) ---------------------------- 17) The Little Things Give You Away 18) Bleed it Out 19) Faint (Ext. Outro) Projekt Revolution Set A 1) Wake 2) Given Up 3) Don't Stay (Foreword Intro) 4) Lying From You 5) No More Sorrow (Short Intro) 6) From The Inside (Ext. Intro) 7) Papercut (Long Intro) 8) Points of Authority (Intro #1 w/ Points of Authority) 9) Somewhere I Belong (Long Intro) 10) In Pieces 11) Leave Out All The Rest 12) Numb 13) Shadow Of The Day 14) Breaking The Habit (Piano Intro) 15) What I've Done (Album Transition Intro) 16) Crawling 17) In The End 18) Bleed it Out (Ext. Intro; Sing-a-Long Bridge; Slow -> Fast Outro) ---------------------------- 19) The Little Things Give You Away (Keyboard Intro) 20) Faint (Ext. Outro) 21) One Step Closer Projekt Revolution Set B 1) No More Sorrow (Long Intro) 2) Lying From You 3) Wake 4) Given Up 5) From The Inside (Ext. Intro) 6) Papercut 7) Points of Authority (Intro #1 w/ Points of Authority) 8) Somewhere I Belong (Long Intro) 9) Numb (Transition Outro) 10) The Little Things Give You Away (Keyboard Intro) 11) Hands Held High 12) Pushing Me Away (Piano Version) 13) Shadow of The Day 14) Breaking The Habit 15) What I've Done (Album Transition Intro) 16) Crawling 17) In The End 18) Faint (Ext. Outro) ---------------------------- 19) Cure For The Itch (MTM Tour Version) 20) QWERTY 21) Bleed it Out (Ext. Intro; Sing-A-Long Bridge; Slow -> Fast Outro) 22) One Step Closer Projekt Revolution Set C 1) One Step Closer (Gunshot Intro #1) 2) From The Inside (Ext. Intro) 3) Don't Stay (Foreword Intro) 4) Wake 5) Given Up 6) Papercut 7) Points of Authority (Intro #1 w/ Points of Authority) 8) No More Sorrow 9) Somewhere I Belong (Long Intro) 10) Breaking The Habit (Piano Intro) 11) Leave Out All The Rest 12) Numb (Transition Outro) 13) The Little Things Give You Away (Keyboard Intro) 14) Pushing Me Away (Piano Version) 15) Shadow Of The Day 16) Crawling 17) In The End 18) Bleed it Out (Ext. Intro; Sing-a-Long Bridge; Slow -> Fast Outro) ---------------------------- 19) What I've Done (Album Transition Intro) 20) Lying From You 21) Faint (Ext. Outro) Australia/New Zealand Tour Set A 1) Wake 2) Given Up 3) Don't Stay (Foreword Intro) 4) Lying From You 5) No More Sorrow (Short Intro) 6) From The Inside (Ext. Intro) 7) Papercut (Long Intro) 8) Points of Authority (Intro #1 w/ ***) 9) Somewhere I Belong (Long Intro) 10) In Pieces 11) Leave Out All The Rest 12) Numb 13) Shadow Of The Day 14) Breaking The Habit (Piano Intro) 15) What I've Done (Album Transition Intro) 16) Crawling 17) In The End 18) Bleed it Out (w/ Drum Solo; Sing-a-Long Bridge; Slow -> Fast Outro) ---------------------------- 19) The Little Things Give You Away (Keyboard Intro) 20) Faint (Ext. Outro) 21) One Step Closer (Ext. Outro) Australia/New Zealand Tour Set B 1) No More Sorrow (Long Intro) 2) Lying From You 3) Wake 4) Given Up 5) From The Inside (Ext. Intro) 6) Papercut 7) Points of Authority (Intro #1 w/ ***) 8) Somewhere I Belong (Long Intro) 9) In Pieces 10) Numb (Transition Outro) 11) The Little Things Give You Away (Keyboard Intro) 12) Pushing Me Away (Piano Version) 13) Shadow of The Day 14) Breaking The Habit 15) Crawling 16) In The End 17) Faint (Ext. Outro) 18) What I've Done (Album Transition Intro) ---------------------------- 19) Hands Held High (Ext. Intro) 20) QWERTY 21) Bleed it Out (w/ Drum Solo; Sing-A-Long Bridge; Slow -> Fast Outro) 22) One Step Closer (Ext. Outro) Australia/New Zealand Tour Set C 1) One Step Closer (Gunshot Intro #1; Ext. Outro) 2) From The Inside (Ext. Intro) 3) Don't Stay (Foreword Intro) 4) Wake 5) Given Up 6) Papercut 7) Points of Authority (Intro #1 w/ ***) 8) No More Sorrow 9) Somewhere I Belong (Long Intro) 10) Breaking The Habit (Piano Intro) 11) Hands Held High 12) Leave Out All The Rest 13) Numb (Transition Outro) 14) The Little Things Give You Away (Keyboard Intro) 15) Pushing Me Away (Piano Version) 16) Shadow Of The Day 17) Crawling 18) In The End 19) Bleed it Out (w/ Drum Solo; Sing-a-Long Bridge; Slow -> Fast Outro) ---------------------------- 20) What I've Done (Album Transition Intro) 21) Lying From You 22) Faint (Ext. Outro) For Points of Authority, *** = Petrified v1; Petrified v2; Nobody's Listening v1; Respect 4 Grandma; Dolla; Bloc Party; Step Up v1; In Stereo v1; In Stereo v2; Second to None; High Voltage v2; It's Goin' Down v1

That means we will never have a DSP of CASTLE OF GLASS.

Meteora. Let's do this. Foreword Rage and destruction. Common feelings associated with desertion and loneliness. That's what this track symbolizes. Mike lets out his frustration by destroying stuff. Don't Stay Chester has been lied to for too long, and he isn't putting up with it anymore. He needs space and wants to be left alone to try and cope with this person. He gives up, and wants them to leave, permanently. Take all this pain and suffering away and go away. That is basically what Chester is saying. He doesn't need this anymore. He doesn't need to feel worthless and have all these wasted opportunities because of this person. No apologies are needed, he just wants them to go away. Somewhere I Belong At the start, Mike and Chester thought they were alone. They thought they were the only ones who felt they were forced to fit in. They feel stuck and that everything is their fault. They just want to belong, but on their own terms. They don't want to have it forced upon them. Despite everything they are going through internally, their external appearance doesn't show any sign of weakness. They have to deal with it on their own, and if they don't, they will never learn. They have to find who they truly are without the help of others, or else they will always be stuck like this. Lying From You Mike has been faking who he is and what he wants for this person. He has been lying to stay with this person, and he realizes he can't keep it up. Chester comes in to help Mike out, saying that he would rather be alone than continue this facade of who he really is. He is the worst part of her. Mike then gives some backstory as to why he lied about who he truly was. He was bullied and taunted when he let his true self be known, and now he wants to hide it behind this fake personality. However, it didn't go how he wanted, and now he is causing those closest to him to leave him just so he can hide. TO BE CONTINUED (It's 5 AM here and I'm fucking exhausted)

Thanks guys.

I'll try and do A Thousand Suns (8th Grade Honors Language Arts skills, don't fail me now) The Requiem This intro seems like a warning. The distant echo of the music showcases the world in shambles, and only one child-like voice can be heard, giving a final plea. "God save us everyone" It introduces us to the world post-A Thousand Suns. The Radiance Fairly self-explanatory. The track samples the "Father of the Atomic Bomb", Oppenheimer. The music has begin to slow down, as to showcase that this is the beginning of the end for humanity. Once the silence hits as Oppenheimer finishes his regretful tale of his part in the destruction of the world, we begin to go into our current time. Burning In The Skies Another fairly self-explanatory song. We are slowly destroying the world to help ourselves. We have burned and destroyed any possibility of going back to where we once were as a society. Back to a time where our destruction wasn't happening right before our eyes. Empty Spaces The beautiful sound of nature abruptly cut off with the sounds of war. Bombs, soldiers, gunfire etc. We are killing nature with these meaningless battles. When They Come For Me I'm going to ignore the obvious meaning of LP striking back against their old-school fans. Humanity is trying to run from its past, and avoid the consequences of the actions we have made. We've allowed corruption and selfishness take over society, which will inevitably lead to the collapse of everything we once knew. Now we are running, and never facing the consequences to what we have done in the past. Robot Boy The repetition of the instrumental and the monotonous singing in this track showcase that mankind has fallen into a cycle of mindlessly following orders from those above us. Somebody needs to stand up and lead the charge, but nobody is willing because people are afraid of breaking away from this cycle. Society has told us to lock away any personal feelings we have and just go with what everybody else is doing and not to question it. This, ironically, will lead to the one person who will stand up and rise against this. The Robot Boy has gotten the strength to lead, and this cycle will come to an end. Jornada Del Muerto This is where the atomic bomb was tested in WWII. The Japanese singing showcases how they were the victims of the first and only atomic bomb, and they were the demonstration of how devastating this weapon can be. "Lift me up. Let me go." The souls of the dead from this event want to move on, to let go of this world full of destruction. They finally are in the end, and now they may rest in peace, while the rest of us have to try and fix the world. Waiting For The End The track starts out with a man oblivious to what is really going on in the world, and thinks that they have helped it, not destroyed it. He wants to forget about all the pain and just throw his fist up in the air. Meanwhile, a man (The Robot Boy?) has trying to deal with the problems of the world, and is failing. He alone can't fix everything, despite how hard he tries. He knows how it feels to stand alone and try to fix the unfixable as he holds on to the hope that the world could someday be rebuilt. Eventually, the first man comes to his senses and helps the second man. He realizes how destructive mankind has been and wants to assist in starting over. He understands the difficulty, but understands that he needs to try, or humans won't live on. The end of the song shows how the two men battled over their opinions at first, but the second man convinced the first in the end. Blackout A man who has lied and cheated to get on top is the worst kind of man. Chester understands this and calls out all of those who have done it. He knocks these men down a peg, showing how egotistical and selfish these man are. He offers them one last chance for redemption before their demise. They take this opportunity and realize the life they have been missing, and how many they have been ruining. They begin to live their life as a good man should, helping others. Wretches and Kings Anarchy has struck. The governments are falling as the citizens are sick of the bullshit lies. People are rising up, and Mike is leading the charge. He is raising an army to fight. Chester is warning the wretches and kings that they are coming, and they won't show mercy. They have been beaten low for too long, and now it's time for payback. Mike then leads the army in a chant. "If you fear what I fell put 'em up real high" Mike sees the end of government, and wants to start anew. Wisdom, Justice, and Love Martin Luther King Jr. has inspired an entire country to do what's right. However, even the most inspirational of words can strike fear into the hearts of millions when warped and twisted. This is exactly what this song does. They showcase how words that were used to help, can be used to destroy when they are twisted to how someone wants. Iridescent This song showcases how alone people can feel in their final moments. However, it shows that you need to find forgiveness for those who have wronged you, and let it go. The souls from "Jornada Del Muerto" reappear near the end to tell you to let all the pain go, just as they did. It's ok to feel anger and regret, but you need to learn when to let it go. Fallout The end is coming close. The robotic voice from "Wisdom, Justice, and Love" slowly fades back to human as a final warning is given. Everything is coming to an end, and there is no chance for us to go back. We've burned the bridges that gave us a path between present and past. Now we have to suffer for our actions. The Catalyst Everything is ending. Final pleas are given from people struck with panic. "God save us everyone." Atomic bombs are being dropped. Now we are suffering for what we have done to this planet. There is nobody to blame but ourselves as the planet crumbles beneath us. The oceans are overflowing, flooding all of the coastal land. The chaos continues, until everything becomes eerily still. Just as the souls from "Jornada Del Muerto" realized, the only way to get away from the pain and suffering is to let go. The people realize that this is their fault, and they overpower the few naive people left who are still pleading to God to save them. Eventually, all the people who realized their mistakes and let go are free. The ones who didn't however, are stuck, forever pleading to be free. The Messenger There was one more survivor who realized their mistakes, but wasn't let go. He is the Robot Boy. He has overcome the cycle completely, and realized love is what keeps the world going, not money or hatred. Now it is his duty to spread this message to the rest of the new world. Now it is his duty to ensure this never happens again. There. Agree or disagree, that is how I interpreted A Thousand Suns.

I might change my avatar to that even without losing.

+1 (I vote C, in case it wasn't clear.) How long do we have to keep the silly avatar, if we lose?

Also, Hybrid Theory IN FULL is an "exclusive" to Download. They could drop one song and it wouldn't be under that label anymore. *cough*Cure For The Itch*cough*

Don't give Soul more reason to think I'm Mike.

Don't smack yourself. #CASTLEOFSASS