avo17

HT: Papercut, Forgotten... maybe Crawling. I really only have a top 2 for HT. Meteora: Breaking the Habit, Session, Faint MTM: No Roads Left, In Between, Hands Held High ATS: Iridescent, Waiting for the End, Blackout

HT: By Myself, One Step Closer, A Place for My Head Meteora: Hit the Floor, Don't Stay, From the Inside MTM: Given Up, No More Sorrow, What I've Done ATS: Wretches and Kings, Robot Boy, (If interludes don't count, then When They Come for Me is next)

Valentine's Day, My December, and In Between are all really depressing. I love sad songs so much.

So you're assuming that Rubin had nothing to do with ATS's sound simply because you don't like it? I won't argue with any more of your post because the rest is just opinion, which everyone is allowed to have. But, I don't know, it doesn't seem to make much sense that they would have him produce ATS if they didn't value and utilize his input in their songs.

Replace Dedicated and With You with Given Up and No More Sorrow and you are correct

I concur. Mike's voice portrays sadness better than Chester's imo. I feel so much emotion when he sings.

I say Iridescent, with No Roads Left being a close second.

I think ATS, because MTM had me wanting more Mike. ATS is just great in that regard. I hope they keep it up in the next album.

It's not even a battle. The album version absolutely destroys the remix. It sucks that now the music video's going to be for it. I've been waiting for the mv for Iridescent since the album came out so that's kind of disappointing.

Well then this just comes down to personal taste then, because I don't even listen to HT or Meteora anymore since they have no "x-factor" to me. MTM and ATS on the other hand, I listen to constantly.

I don't see what having 50+ demos has to do with them either having no confidence or just not being talented. I think that's just how they work. You know, mass produce the rough sketches and then weed out the crap. I don't believe we know enough about how they work to really know if they are not talented or anything like that based on only the number of demos they have. On a side note, I do agree their old lyrics sucked and the new ones are cliche, but imo that doesn't make the new ones bad. I would like to see less vague lyrics in the next album though.

This is hard. They're both good but I say Issho Ni simply because it's new.

I pretty much like singing and rapping any of their songs, although mostly ATS and MTM. It's funny, I wanted to be a bass like all the rest of my friends in chorus a while ago, but once I got there I realized I couldn't sing any LP. That sucked like hell lol. But now I'm all good in da hood. I just wish I could scream though. Just so I could perform all of faint

A Place for My Head

A Place For My Head

Figure.09

Figure.09

Figure.09

QWERTY. I've got a good feeling about this round

QWERTY. It's fun typing this because you can just slide your finger across the keyboard...I just noticed this now

This. I pray for the day his singing gets well enough for NRL live lol.

Still QWERTY

Your request sounds an awful lot like Hybrid Theory and Meteora.... Now you most likely don't want HT III but if you reread that sentence it summarizes LP from 2000-2006 almost perfectly. To be honest, I'd prefer some crazy original song like you mentioned over an old-school-LP-esque song any day, no matter if I hated it. That way they keep progressing and don't rely on the elements they've already mastered. They can save that for the LPU or something.

QWERTY

QWERTY