Yass

is there any other links tha youtube for the three remixes my youtube is so slow here Actually youtube doesnt work where i work

Different but still cool

Haha, even in our dreams it wont happen

from where? EDIT: whatever maybe someone have same ideas than others, keep firing the lazor^^

lol i like mariana posts always very brief by th way we should all use our lazors, it'll be the catlyser that will show the cover faster

WIN, best album cover in the hhistory of Music

Linkin Park is trending in San Francisco

HAHAHA, this

Lol so much violence ^^ reanimation is a remix album not new material, it may have be done in studio like collision course for example, but you don't consider it as a properly named Studio Album

When they say that the rythm goes crescendo it just reminds hiw much Across the Line is Awesome

Well I actually Took this translation and edited it

Friday, July 16 was held at Warner plays a few songs from the new album of Linkin Park, A Thousand Suns, which is set to release on Sepetember 13. Two management representatives of Linkin Park arrive in early afternoon with their luggage in which there was a disk that is half of the album, six titles.The Listening takes place in the office of Alain Veille, the boss of the label WEA. After having signed privacy policies usual, the staff weighed the U.S. first track. 1) Untitled [4'39 "] It starts with a long intro which turns to drums, keyboard and finally vocals in the background. Chester Bennington is the only to give voice to the first verse whose rhythm is almost dancing. A big break that recalls the excellent electro Reanimation (the remix album Hybrid Theory) breaks the rhythm of the song. Mike Shinoda does his apparation in the bridge. He calmly raised his voice and the song goes back in power. The title ends with an a cappella of both singers 2) Untitled [4'13 "] It begins with what could be the voice of a leader who harangued the crowd. An electric guitar riff quite Launches the song. Mike Shinoda raps over the entire first verse. The choruses are chanted by Chester ("Hey!" Hey! "). Unlike the first track played, Mike Shinoda, who co-produced the album with Rick Rubin (Slayer, Metallica, Slipknot), is very present on this title. 3) Untitled [4'00 "] A guitar and a piano introduces the third piece. The singing of Mike Shinoda on the verse is pretty amazing, almost ragga! The chorus is not really identifiable with the first listen. The track runs itself without real structure. Linkin Park abandons the traditional verse / chorus. Note that for the first time in the discography of Linkin Park, Brad Delson up a guitar solo on the end of the song. 4) Untitled [4'35 "] On this track, the tempo is slower than the first three. The intensity of the song goes crescendo, like the other titles we note the absence of a real chorus easily identifiable.Has Linkin Park decided to make an album that will not go down in radio? 5) Untitled [4'26 "] Of the six titles, is without question one the most surprising. Like what could be "Breaking The Habit" on Meteora, this piece, where Chester sings alone, stands out from the rest by its lack of thickness. No guitar is heard before the third minute. Repeated many times Chester "I'm Losing What I Do not Deserve". Potential title: "What I Do not Deserve". 6) "The Catalyst" [5'42 "] The first single from the disc. Here, we expect a more formatted way in the spirit of what Linkin Park has always offered on the previous albums ... Well, no. It will still be ironed. For once, we are very far from a "Somewhere I Belong" (Meteora, 2003) or "What I've Done (Minutes To Midnight, 2007). The name of the album, A Thousand Suns, is taken from the lyrics of "The Catalyst". An amusing detail, we note that the piano part that comes at the end of the piece bears a resemblance to the song "Le Grand Secret" iwith Indochine and Melissa Auf Der Maur! Listening to these six titles, it appears with the pleasant impression that Linkin Park has taken a real risk with this album: Finished formatted songs and radio jingles. According to information from the press officer of WEA, the other six pieces are much more focused on guitars. The album promises to a tasty mix of electro experimentation on one side and big rock songs of the other. Stay tuned ... The best I can do for now

I would do it but I'm at work

Check this review of ATS made by "Music Mag" which is a French website They commented six songs, and we now know their lengths! Friday, July 16 was held at Warner plays a few songs from the new album of Linkin Park, A Thousand Suns, which is set to release on Sepetember 13. Two management representatives of Linkin Park arrive in early afternoon with their luggage in which there was a disk that is half of the album, six titles. The Listening takes place in the office of Alain Veille, the boss of the label WEA. After having signed privacy policies usual, the staff weighed the U.S. first track. 1) Untitled [4'39"] It starts with a long intro which turns to drums, keyboard and finally vocals in the background. Chester Bennington is the only to give voice to the first verse whose rhythm is almost dancing. A big break that recalls the excellent electro Reanimation (the remix album Hybrid Theory) breaks the rhythm of the song. Mike Shinoda does his apparation in the bridge. He calmly raised his voice and the song goes back in power. The title ends with an a cappella of both singers 2) Untitled [4'13"] It begins with what could be the voice of a leader who harangued the crowd. An electric guitar riff quite Launches the song. Mike Shinoda raps over the entire first verse. The choruses are chanted by Chester ("Hey!" Hey! "). Unlike the first track played, Mike Shinoda, who co-produced the album with Rick Rubin (Slayer, Metallica, Slipknot), is very present on this title. 3) Untitled [4'00 "] A guitar and a piano introduces the third piece. The singing of Mike Shinoda on the verse is pretty amazing, almost ragga! The chorus is not really identifiable with the first listen. The track runs itself without real structure. Linkin Park abandons the traditional verse / chorus. Note that for the first time in the discography of Linkin Park, Brad Delson up a guitar solo on the end of the song. 4) Untitled [4'35"] On this track, the tempo is slower than the first three. The intensity of the song goes crescendo, like the other titles we note the absence of a real chorus easily identifiable.Has Linkin Park decided to make an album that will not go down in radio? 5) Untitled [4'26"] Of the six titles, is without question one the most surprising. Like what could be "Breaking The Habit" on Meteora, this piece, where Chester sings alone, stands out from the rest by its lack of thickness. No guitar is heard before the third minute. Repeated many times Chester "I'm Losing What I Do not Deserve". Potential title: "What I Do not Deserve". 6) "The Catalyst" [5'42"] The first single from the disc. Here, we expect a more formatted way in the spirit of what Linkin Park has always offered on the previous albums ... Well, no. It will still be ironed. For once, we are very far from a "Somewhere I Belong" (Meteora, 2003) or "What I've Done (Minutes To Midnight, 2007). The name of the album, A Thousand Suns, is taken from the lyrics of "The Catalyst". An amusing detail, we note that the piano part that comes at the end of the piece bears a resemblance to the song "Le Grand Secret" iwith Indochine and Melissa Auf Der Maur! Listening to these six titles, it appears with the pleasant impression that Linkin Park has taken a real risk with this album: Finished formatted songs and radio jingles. According to information from the press officer of WEA, the other six pieces are much more focused on guitars. The album promises to a tasty mix of electro experimentation on one side and big rock songs of the other. Stay tuned ... They say that it's quite a surprise and that there will be 12 tracks on the album. Are you excited?!

http://www.indabamusic.com/submissions/show/22741

I know it's not up to me to post it but there is the remix of Xefuzion. Go check it out

Are you stll drunk Chris?

And other point, it doesn't really mather that much being first second, or whatever, it just helps you being noticed by LP. Nobody knows how will the song sound like, and maybe it'll sound ike one of the "remixes", and the point is being original and commercial. Anyway im still waiting for xefuzion's one

I think a lot of people have put a lot of effort in it, and some more than others in promoting, posting links, almost spamming, pretending to be the best band of the world, pretending being the judges of the contest. Everybody has his own opinion but you can't judge your own song and saying it's perfect which is not the case. A lot of people here and in other forums, and on facebook are hating you for what you've said and this is lame.

About the intro, I wonder if it's part of a song

@Danger Silent The remix is very good the only thing is the screamings at the end I think they are useless, it doesn't fit in the song and in LP's new ideology in my opinion. Still I like your remix a lot

Too expensive, but if I had money to spend, I would defenitly buy it

I think the moderators will tell you, don't doublepost edit your posts

I wa loofing forward to this

When does it start?