c3bebuilder

His backing vocals are also on The Catalyst (the Lift me up and let me go backing vocals) you can hear it clearly all the way at the end of the song towards the last "Let me go" When they had technical difficulties in the Bogota show you could also hear the backing tracks more clearly and Chesters backing vocals It’s also pretty cool they added Chesters vocal on verse 2 of A Place For My Head because in previously that vocal sample was never played live

Could be. Since the CD is dated November 28, 2000 and the version mentioned is possibly the EP version, the band was already playing the shortened version live at this point (wasn’t played in the Toronto show) but it was played from July 2000 until October 2000 then brought back in 2001 which is why im starting to doubt this version exists in a studio form.

Since it was said on this thread that And Two is the rap part at the end of And One (most likely meaning the version of And One in this CD is the 1999 EP version) I'm starting to doubt that the live version has a studio recording of it and that it may of been something they created in rehearsals for the live shows and was never really recorded. But who knows

Don't think so because I'm sure we would of had this CD out already. https://linkinpedia.com/wiki/Live:20001128

Probably worth mentioning when that CD was made by Warner the band was playing a show on that day in Toronto.

What I’ve Done specifically the solo sounds awful to me mainly because of the guitar tone Also it would be cool if Alex would play keys on Waiting For The End (which is literally just hitting one key) like how Brad did instead of standing around until his part comes in

Yeah Brad wouldn’t really palm mute. Same thing for APFMH. I watched some of the 2017 shows and noticed the same thing

I think on these 2 songs it has to do with the way Alex palm mutes compared to Brad. On the live version of A Place For My Head, Brad would never palm mute the clean part like how he does on the studio recording. Alex is however

I mean yeah the playing sounds a bit different since he plays differently compared to Brad but Given Up sounds mostly the exact same from when they played it back then. However, I did notice a lot of the amp effects they use sound a lot different (worse in some ways) which could be that. Also the mixing for the shows recently has sucked compared to previous years (especially when Pooch was around was probably the best LP has sounded good live). On some songs the bass is super loud, guitars are mixed low, vocals are turned down or Colin's drums are louder than everything else. They also seem to always have IEM issues as Emily and Mike are constantly adjusting their in ears. Benjamin still works for LP, same goes for Mike's guitar tech. However, Dave's tech who's been with LP since the Meteora era I believe (Ted) isn't with the band anymore. I don't think it would be good for Ben to play every single show as he would also have to tech for himself (go off stage to grab guitars etc) when Brad would miss shows. It's better to have someone like Alex to fill in.

@LPLStaff A Place For My Head Verse 1 for the bridge on Bleed it Out

More photos/video of Mike's keyboard rig https://www.instagram.com/p/DCngHZYJA9P/

The band should bring back the DSP program

During the Collapse transition the crew brings out another keyboard which is placed on the catwalk and Mike uses it during Lost, Breaking the habit and What I’ve Done then removed during the LOATR transition @RogueSoul maybe should be added to the show notes?

Well the last photo with Rob was in 2019 which was the same year Mike said they started working with Emily. So clearly the band still communicated with Rob during this time. https://www.instagram.com/p/ByG89Wwg2GY/?igsh=MWc2bTk2c2xscHRneQ== Super confusing

I believe so just pitched up which makes it sort of unrecognizable