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nkramar

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Posts posted by nkramar

  1. not only that it could be for the band/label/fan club etc

     

    there was a filmer like that for '41 down' (trustcompany before they were trustcompany) he filmed them like 10 times but won't share anything cause "it was for a school project"

    Hmmm... A school project promoting quasi-illegal activities. Guess I went to the wrong school!

  2. The resurrection of audience recordings?

     

    :o

    Won't happen due to:

     

    a ) lack of interest by tapers since DSPs were released

    b ) lack of interest by those trading since everyone with a cell phone claims to have video recorded and who wants audio when we have DSPs?

    c ) the RT/NT bullshit of the last 5+ years

     

    Include an option on Ticketmaster like all bands do for merch. When I buy Dave Matthews Band tickets for example, on the checkout page it says:

    So then that's ticketmaster, the venue and basecamp who would want to be paid at least a handling fee for a DSP. It's a model that won't work from a profit standpoint - at a $10 price point, once they've paid Pooch to mix with how few they sell, they're operating at a loss. I can't blame them for pulling the plug.

  3. http://lplive.net/shows/20080719.php

     

    Does anyone have this source?

     

    Source 1c: Audio - AUD (CAFS-OMNI mics > CA-ST9100 > Edirol R-09 (24bit/48kHz))

    Transfer: USB > PC > Cool Edit Pro (Normalization, switch channels, fade in/out) > DVDLab Pro 2.0 (Audio Only DVD)

    Location: ~70 feet from stage

    Taper: nkramar

    Time: 93:48 mins

    Format: lossless (DVD-A) / 1.56 GB

    Comments: Excellent quality. DVD-A version.

     

    Sorry

    Wrong place :unsure:

     

    Someone move this topic ,please.

    If you've got the 24/48 flac version, it's the same thing, just authored to a DVD-A iso. Not particularly useful now, considering it's a dead format.

  4. great point, but maybe they added the sample and recorded it later.

    My gut instinct is that they're 2 different songs. At the time the demo CD containing She Couldn't was produced, they likely would have still been referring to it as 'Pictureboard' if that was in fact the working title, especially since that was the name later registered with BMI.

  5. is it possible that Pictureboard and She Couldn't are the same song?

     

    - there's Pictureboard in the BMI catalog, but there's no She Couldn't...

    - both never "released" because "legal reasons".

    - if i remember correctly, Pictureboard added to BMI catalog only after She Couldn't released.

    - did Mike/someone else ever talked about Picturebored after She Couldn't released?

     

    btw, Forgotten is missing from the BMI catalog, somebody knows why?

    Wondered this myself, but I doubt it. Had we been told we couldn't release it when we got it, I'd say there might be a better chance at them being the same track.

     

    Mike barely even talked about She Couldn't, only confirming that it was a track that they recorded in 1999 while working on HT. While he didn't say it was written then, the use of the sample from B-Boy Document 99 would mean at the very least the track having been re-mixed or re-produced in 1999 as Pictureboard would have been written years before.

  6. What? An LPU contest involving LPU members collaborating with Linkin Park on original music?

     

    What? Anthony's been working on his own original material for the last several months, has a bunch of instrumental songs written that just need to be fleshed out with vocals and proper production, and just needs to pick which one he feels is the strongest and record it sometime within the next 13 days?

     

    Don't mind if I do, Linkin Park. Don't mind if I do.

    No words. Go get it!

  7. FOH is the place where the show is mixed, Pooch's workspace

    FOB is the area in front of the board (FOH), which doesn't have much meaning without any additional info. Depending on the venue FOB can be the entire room since the FOH is not always in the center of the area.

    As far as I know DFC usually means the exact center where the show sounds the best usually where the FOH is but the so called sweet spot where it sounds the best can be a little off.

    DFC originally started as dead, front & center as opposed to LOC/ROC for left of and right of center. Became dead fucking center as more shows were uploaded to the internet. It's assumed that these are in relation to the placement of FOH.

  8. LOL @ no Delaware. Even back in the small club days, it made very little sense to play anywhere in Delaware as Wilmington, Newark and Dover are all relatively close to Philly. I honestly can't imagine some other states ever being played in again either unless they do another LPU 2003-type tour.

  9. If the band or management would reply to a single thing we've sent them about DSPs, I'd be glad to get this started. I've emailed, called and tweeted....zero replies.

    Did you try regular mail? Pony Express? Singing telegram? Carrier pigeon?

  10. I'm going to go out on a limb and say the next 'holy grail' show will pop up sooner than we all expect. Just like Jonas said, we've had stuff fall into our laps totally unexpectedly over the years.

     

    Mountain View 04 was obtained at random when the taper contacted Mark and offered it to him.

    Kings College, Palladium 01 (as well as She Couldn't and Plaster demos) popped up on eBay.

    Camden 04 was totally unknown to us only a short time before we released it.

    MFR was thought to have possibly been lost before we got it.

    The London workprint was a surprise addition in trying to obtain MFR.

     

    As far as I'm concerned, the only footage at this point which has 'holy grail' status is the Xero show, and that's not even 100% confirmed/documented. No offense to anyone's want lists in this thread, but very few audience sourced shows are going to have the quality to live up to the hype of really wanting it, except in cases where it's a show that the person wanting it attended that particular show.

     

    After Xero, those that I might consider for such status:

    The Ostrick tapes (though the owner seems to want enough $ for a down payment on a house for the tapes).

    Smokeout 03

    The Roxy/One Step Closer video taping

    Mexico 02 (which we THOUGHT we were getting. Not even going there...)

     

    After that... Things like Rock am Ring 07 and similar shows are unlikely to be obtained (by us, mind you) because they're being held by the copyright owner or withheld at the band's/label's wishes. Those above are more likely to end up in our possession.

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