[AndOne]

If you think that 14 is worse than 5 or 7 you should definitely go and see a doctor, this has nothing to do with taste or opinion. - 7 had absolutely nothing new, censored versions of live songs we already had, best performances? debatable - 5 had an incomplete show, that we already had, with the worst mix and mastering of all time, it's a true piece of crap that should be shot into the sun. The sound engineer must have had a stroke and 3 year old finished it. - 14 is all unreleased stuff, I'm not a huge fan either but at least Breaking The Habit is great, I'd say that makes it the worst one since 8. Even 8 is better than 5 and 7. 8 is hated because it dropped after 7, I'm sure it wouldn't have been as bad if 8 was dropped instead of 7, because 8 basically ruined LPU the 2nd year in a row.

Found an interesting article about the technical stuff for the 4k broadcast, it's in German though: http://www.heise.de/newsticker/meldung/4K-ueber-Satellit-Linkin-Park-aus-Berlin-live-ins-Wohnzimmer-2460739.html Short summary: - Twelve 4k cameras were used (11 Sony F55 and a brand new Toshiba camera) - they installed extra lights throughout the area, and on stage for more depth, the light was very challenging in general - the LED screens had to be changed from 60Hz to 50Hz to avoid flickering in the video - the raw signal was sent via fiber to be transcoded from 12 Gbit/s to 35 Mbit/s and then sent to the satellite - 120 people were involved in the production - it was decided to do this only a few weeks before the concert - the guitars were "polished"

Ticket scan anyone?

Yeah the java downloader was a complete mess, I remember that there were incomplete downloads and all that stuff. Not to mention the non existing bandcamp support.

If I remember correctly it took me only about 40 shows to catch a guest performance lol.

Don't get greedy and stay realistic, if we don't even get the audio for the shows, no band would ever release all that stuff, it's just impossible, in terms of legal and amount of data for just a few people who actually want that stuff. No one will care anymore if we get flooded with this stuff and they know that. I don't even understand why this topic was revived for no reason, there are no new developments. Oh yeah and Geki changing his mind about something, big news lol. That the DSPs are gone is partially our own fault but the major reason is still that *insert whoever is responsible for the DSP stuff* fucked up, it all went down the drain when they stopped selling the blank discs at the shows, they sold out every time and that clearly covered the costs for each show. When they stopped people didn't even know that they are still selling these, and that's were the problem started. Display after the show that you can buy it and problem solved. Offer an option to buy a code when you purchase the ticket, that shit would sell like crazy. Or just add a dollar to every ticket and offer it for free like they did in 2011.