The idea is great, and we should make noise to make something happen...
And now is when I become that BUT guy.
If it would solely depend on the band, I'm pretty sure that they would have release it for us, maybe commercially, maybe for free, like the Chester tribute show. And I think they also believe that those shows were great. The band, specially Mike, have been pretty adamant of not releasing something that they consider band or mediocre (I have the theory that the band was tired of releasing the LPU demos on a yearly basis, but they felt they had a debt with fans), so we can rule out as the reason behind it.
I hate to use the cheap argument of "blame the label", but I think that it is appropriate in this case. We're talking about a professionally filmed and mixed show, not a raw SBD. That's too valuable to give it up for free. They haven't even gave us the Summer 2008 DSP, which have zero commercial value, don't even think about a LP show in their prime with the best quality possible. They are very protective of the LP vault, as it's very valuable and I can respect that.
As for the debate if the show should be included on the MTM20 because is part of the cycle, no and no.
The show has no songs from that record, Qwerty didn't made the cut and isn't representative of what MTM would become. It's more of a Meteora song cocaine-infused.
Speaking of which, setlist and aesthetically wise, the show seems more of a Meteora extension rather than the sign of things to come.
For me, it make sense to save that space in the boxset for an actual MTM show. We have two years worth of great shows, I'll be happy with anything. It deserves to be a stand-alone release.
As for the argument of "it's a MTM concert because they were working on it by that time", following that logic PR02 should be considered a Meteora show.
What would be the solution? Perhaps the Trent Reznor way. You know, perhaps a random day next year, a mysterious leak of a raw SBD of the show finds it's way on YouTube or LP bits...