-
Posts
206 -
Joined
-
Last visited
Content Type
Profiles
Forums
Shows
Wiki
Events
Gallery
Posts posted by Braininator
-
-
July 16 2004, Third Encore
-
The sampled stuff you hear in Drawing.
DRAWING IN MY SKIN
I GOT MYSELF A TATTOO
Expanding on comments I've already made on the hook - there's no way that in their lyrics first approach, they actively came up with repeating the word Invisible. Rather, it feels like a symptom of producing a pop record.Invisible is really the only song where I can see this repetition being outright removed - in every other song the repetition is more integrated into the song structure, and when listening to each song in isolation it doesn't seem as noticeable. However, I'm concerned for how this album will sound when listened to in full - that every song is (more obviously) a variation on the same formula.
-
The constant repeating of the song title in the lyrics is really starting to get to me.
Invisible in particular doesn't need it - you could easily just have this section as an instrumental.
-
RE Battle Symphony - were there other technical issues apart from the intro samples? I think Joe is playing these - no surprise that he is messing them up.
-
Okay, this is primarily a structural suggestion rather than an absolute song suggestion (although it's close to what is realistically possible).
In summary, the setlist structure is loosely Hard > Soft > Hard > Soft > Hard. This is trying to get away from the issue of the drawn out slower section of the set.I included some rotational song slots - it would be easy enough to turn this into distinct setlists instead.
01. Wake/The Requiem/other new intro (one of these or maybe rotating intros?)02. Given Up03. What I've Done (Distorted Remix Intro - please LP make this happen)04. Rotation: Papercut/Points Of Authority/With You05. Rotation: Lying From You/From The Inside/Somewhere I Belong06. Bleed It Out---07. Battle Symphony08. Roads Untraveled09. Rotation: In Pieces/Burning In The Skies/Breaking The Habit10. Invisible11. Numb (long last note transition into...)12. Heavy---13. No More Sorrow (Long Intro)14. Mark The Graves15. Waiting For The End (w/ or w/o Apaches Intro)16. Final Masquerade---17. Burn It Down (Piano Version)18. One More Light (Studio or Piano Version, whichever fits more)19. Crawling (Piano Version)20. In The End-------------------------------------21. (new song)/Leave Out All The Rest/Shadow Of The Day (provided options for an additonal MTM song in the set)22. By_Myslf23. One Step Closer24. Faint -
I'm getting somewhat of a Coldplay - Ghost Stories vibe from how I think this album cycle will pan out.
That comment about not playing full sized shows leads me to think that the shows will be more stripped back, still with a full band setup, but perhaps a minimal stage design, and likely a lengthier slow/acoustic block in the set.
-
I agree that it's too short. The song progression is really good but it's all too condensed.
-
Oh man, did they really put the lyrics and song titles across the screen? The Papercut video looks terrible with all the stuff on the screen.
I've never seen that work before, there is always something fucked up. How would they have the UIB verse, know the Castle stuff, etc?
Looks like they had all the lyrics for Darker than Blood ready as the first line of the 2nd verse popped up during the BID intro. I wonder if they had lyrics for Robot Boy, and some poor person was waiting for vocals that never came?
-
Dolla = Led Zeppelin - The Ocean
To clarify, my comment was in reference to what Mike was playing on guitar at the LA show, not the original sample.
-
RE Dolla: I know it's not this, but it kept bugging me that I had heard something similar.
-
New set of videos up courtesy of YouTube user Hybr1d7h3ory, including the full Castle of Glass/Kenji.
EDIT: Also Believe Me, where it turns out Mike performed Ryu's verse.
-
I hope he plays some new shit.
Before all the masses?
-
So is it FM feat. LP or LP covering FM?
RTN was performed exactly as you'd expect, so no help in terms of what might be played at the FM show.
-
I would like to imagine that Ryu/Tak removing Fort Minor references is out of respect for Mike, rather than in spite of. Fort Minor is an established framework for Mike to release new music; there's nothing to say he couldn't do a new album with a completely different set of guest artists. I feel like this would be a bit more clear cut if a collection of music had been released rather than a single track. It also seems really weird for there to be a Fort Minor show without plenty of new material...
... so pending any surprise guests, it'll be interesting to see what Mike performs solo. Hopefully he's had time to be creative with the older material, so we could see some alternate versions of tracks.
- RTN can clearly work as a single hybrid verse as demonstrated at LP shows (he may even just perform the 'Mike solo').
- Believe Me doesn't really work in the same manner, so I think that's off the table.
- Petrified, In Stereo, Cigarettes, Kenji, and Slip Out the Back are all Mike only. Best chance of the first two.
- Where'd You Go & High Road work with guest vocals
- I'd rule out Right Now, Feel Like Home, Back Home, Red to Black
- From the mixtape and Special Edition - 100 Degrees, Be Somebody, There They Go could be options
- Linkin Park songs? The Nobody's Listening Green Lantern Remix would work. In Between seems like a good idea for backing track + MIke's vocals only. Everyone is probably wanting No Roads Left but it would feel really weird without LP.
And for the obligatory joke idea:
- Loop the Points of Authority intro from 2008 and Mike raps all the verses that fit that beat
-
Periscope summary:
- He'll be playing Welcome during LP shows
Which would be great if they dropped something like the Ballad Medley for it, but it could very well take the place of Mike's solo (that said, the RTM verse is getting a little stale).
-
No way that means an album release date. Albums won't be coming out on Tuesdays by that point, but on Fridays.
The Rising Tied was released on Nov 22, 2005 - also a Tuesday.
-
Stream overlay kindly highlights the 10 seconds of Points of Authority.
-
"That was interesting" - Chester 2014
-
RE Kurt, there likely isn't any video of it. He only appeared to play Chester's part in SOTD, and he only came on stage as far as the drum riser, so you wouldn't have spotted him if you weren't looking for him due to Chester's broken arm.
-
Both verses from Lies Greed Misery in succession would fit the tempo (cue LGM hate).
-
they could always play the studio version, isn't it?
Not if they haven't rehearsed it/don't have audio queues set up/don't have visual queues set up. Depends how organised they were prior to the tour.
EDIT: Just re-read Pooch's blog about the move to using Ableton Live. All the issues he described were about getting different pieces of equipment to talk to one another. If they've sorted that out, then they might be in a position where they can more easily make setlist/song arrangement changes while on the road. We already know Mike is working on stuff - http://instagram.com/p/pBrGxdDmR4/
-
Biggest question mark over the remainder of the set is whether some of the other songs can be played without their regular transitions. (With enough planning they should have this covered). If not, then something like Wastelands may be skipped purely because they don't have a way to play it without the Runaway transition.
-
I posted this in the other thread:
What if ''HT IN FULL'' is just a huge medley? LOL
01. The Hybrid Theory Experience
-
Has it been confirmed that Papercut opens the set? I could see GATS and GU opening before launching into HT.
The Future Of Linkin Park (Discussion)
in Newswire
Posted
Personally, any option except a 5-piece Fort Minor. Keep Fort Minor as Mike's solo outlet, and if he does continue FM, then allow him the freedom to integrate as much LP material as he wishes like the 2015/16 FM shows.