JZLP-Benningstrong

They should take advantage in having a dual vocalist band, its very likely that Emily was the one who got sick. The band should have an emergency set based around Mike, 14 tracks, the interludes, Hahn solo and you have a show. The 2017-2018 Shinoda solo shows were very interesting and he even performed tons of LP tracks. It's just a very simple solution to say we are sorry fuck your time, hotel, flights. Hardcore would love this and the papercuts will be okay and not angry/sad for not having a show.

Loved what he said about Rob, he respects Rob a lot you know what's really weird and interesting it seems like Colin never met Rob.. This interview for sure has tons of bits of really interesting info it was awesome that he also played the deluxe tracks. The deluxe tracklist its the real album Let You Fade its a fantastic ending to this album. I don't remember which artist or producer said this but he said that Rob/LP its the best band to make the transition between beats and drums its flawless Rob cracked the code to make it seem easy. I miss thst dude everyday.

In which songs? I feel like the issues are normal due to her age, her prime its over when Chester was around her age his decline started. Her screaming technique sounds bad it feels like forces her voice who knows i know nothing about singing.

Colin Brittain, drummer for Linkin Park, is here at Drumeo to break down the band’s newest album: ‘From Zero’. After officially joining the band in 2024, Colin helped shape the sound of the record and now performs every song from the deluxe version of the album, front to back, sharing the grooves, fills, electronics, and production ideas behind tracks like “The Emptiness Machine,” “Heavy Is The Crown,” “Overflow,” and “Two Faced.” Along the way, he talks about how he first connected with the band, the drum kit and sounds used on the album, and what it’s been like stepping into his role in the band. Colin also shares insights into the band’s studio dynamic, how electronics and samples were used across the album, and how his production background influences his drumming.

deep down I think that it is, its just that they are so focused on having a new era and not being recognized as Chester's tribute band.

Let You its my favorite FZ its one of the few that survived the test of time. Not sure why they don't play it.. Is it hard for Mike? I think that its the only song written for Chester.

if they play stained and cut the bridge which are absolute trash why they wouldnt play a decent song like Unshatter.

In the Wastelands of todayyyyyyyyyy

''LP didn't have enough songs to fill the entire setlist in 2001 '' that's one of the biggest lies ever they definitely had more material to play a longer set, my theory is that they created that lie for the promoters in order to play more shows and have very long tour without being that exhaused from playing. Papercut Carousel With You Runaway Step Up Points of Authority By Myself High Voltage (Mike Shinoda Reprise) (HT EP) Crawling Forgotten And One Pushing Me Away A Place for My Head My December Part of Me Cure for the Itch In the End Cover (Jane Says) One Step Closer

Sucks that they erased M&G from existence and got replaced by expensive ugly posters (not all.of them but a lot of them are ugly as f and dont represent the band)

amazing work man LP1 will always be the best.

Chester's vocals sound very powerful and dark i don't think that even him in his last years would make them sound good. One of a kind songs Chester's dark mode was awesome he kinda sounds similar in System and then he stopped trying to sing in this dark way.

still sucks that they never cared about not playing carousel and part of me those songs are so fucking good.

Finally found the quote about the live drums from Kyle: In May 1999, they entered the studio with producer Mudrock to record the famous Hybrid Theory EP, a demo CD that was passed around to new fans and record companies. "Most of it, we did in Shinoda's bedroom because he had Pro Tools or something. I think it's Pro Tools on his computer in his bedroom. So we would do the stuff in the studio, the main tracks. And then, because it's too expensive to just do all the overdubs and everything, we would do all the overdubs in Shinoda's bedroom." Their studio time was used to sample Rob Bourdon's hits from his drum kit. "It was mainly just getting the drum tracks down because he [Mike] lived in an apartment in Glendale and so we couldn't really record drums in an apartment in Glendale." Rob doesn't play live on the final songs, his drum sounds were actually programmed.

would love to visit your house lol damn man you are unique keep it up

Damn dude i felt something when i read your comment. Colin could easily become lead guitar player that would be fucking insane, who knows its unlikely but LP2 its an open book.

Zane Lowe directly asked to Mike about Rob and he talked about him for like 30 seconds and quickly changed the topic to talk about Colin it felt weird.

Love that Dave once in a while talks about Chester, its really weird that the rest of the band members barely mention ROB. Talking about Rob wont give clicks to any news outlet i wonder when someone is going to ask some deep questions about Rob.

Sucks that it didnt make it, would have been a blast live.

no big deal if a m20 lead single becomes popular they can play it just like lost and friendly f.

If they are still playing his songs they should honor his legacy by releasing old demos w Chester on vocals it wouldn't hurt anyone. LP2 is nice and awesome i loved them too but Chester's voice is the reason if why im still a hardcore fan after almost 25 years.

Hollywood Bowl Yeah i get it you dislike SOTD but it will comeback someday. I also miss Iridescent

People complained about the ATS sets being slow, too many mid tempo songs in the middle.

being infront of the catwalk seems like the best experience the band spends tons of time in there specially during the best moments of the show.

it wasn't a question it was an opinion🙄 lol