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Linkin Park Live - 2012.08.24 Tinley Park, Illinois


Show Information

Date: 
August 24, 2012
Location: 
Tinley Park, IL  United States
Venue: 
First Midwest Bank Amphitheatre
Venue Type: 
Amphitheatre
Tour: 
Honda Civic Tour
Show #: 
9 of 17
Other Bands: 

Incubus, MUTEMATH

Setlist: 
B






Setlist:

Notes:

01. A Place For My Head Long Intro; Ext. Outro
02. Given Up Ext. Outro w/ Extra Note
03. New Divide
04. With You 2012 Ext. Intro; Ext Scratch Outro
05. Victimized (w/ QWERTY)
06. Somewhere I Belong 2012 Intro
07. Empty Spaces
08. When They Come For Me
09. Lies Greed Misery
10. Points Of Authority
11. Waiting For The End Apaches Intro w/ Until It Breaks Verse 3; Wall Of Noise Outro
12. Breaking The Habit
13. LOATR/SOTD/Iridescent Ballad Medley
14. The Catalyst
15. Lost In The Echo 2012 Intro w/ Holding Company Synth
16. Numb Numb/Encore Outro
17. What I've Done
18. Burn It Down
19. In The End
20. Bleed It Out Ext. Bridge w/ 'Sabotage'; Ext. Outro
----------------------------------------------------
21. Tinfoil Shortened
22. Faint Ext. Outro
23. Lying From You / Papercut Medley
24. One Step Closer Ext. Outro


Show Notes:

- The setlist had a few songs in different spots than the last time it was played in Alpharetta, GA. Alpharetta's songs four through eight were: 'Somewhere I Belong', 'Empty Spaces', 'When They Come For Me', 'Victimized (w/ QWERTY)', and 'With You'. The order at this show was: 'With You', 'Victimized (w/ QWERTY)', 'Somewhere I Belong', 'Empty Spaces', and 'When They Come For Me'.

- Mike rapped verse two of 'Until It Breaks' over the intro to 'Waiting For The End'.

- Mike sang part of the lyrics to 'Numb/Encore' over the outro of 'Numb'.

- 'Bleed It Out' featured the Beastie Boys' 'Sabotage' bridge.


Other Notes:

- On August 16, 2012, five shows on the Honda Civic Tour were removed from the DSP website (Wantagh, Noblesville, Tinley Park, Mountain View, and Carson). While Noblesville was randomly released mid-tour, the other four were never released due to disagreements with the venues on how much money they should get from the sale of each recording.




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