| |
| Linkin Park Live - 07.09.2012 |
|
| |
|
| |
|
|
|
|
| |
|
|
|
|
| Date: |
September 07, 2012 |
|
Tour: |
Honda Civic Tour |
| Location: |
Mountain View, California |
|
Show #: |
15 of 17 |
| Venue: |
Shoreline Amphitheatre |
|
Other Bands: |
Incubus, MUTEMATH |
| Venue Type: |
Amphitheatre |
|
|
|
| Venue Website: |
http://www.theshorelineamphitheatre.com/ |
|
|
|
| |
|
| |
|
|
| Setlist: |
Notes: |
|
| 01. A Place For My Head |
Long Intro; Ext. Outro |
| 02. Given Up |
Ext. Outro w/ Extra Note |
| 03. New Divide |
|
| 04. With You |
2012 Ext. Intro; Ext. Scratch Outro |
| 05. Somewhere I Belong |
2012 Intro |
| 06. IN MY REMAINS |
|
| 07. VICTIMIZED (w/ QWERTY) |
|
| 08. Points Of Authority |
|
| 09. LIES GREED MISERY |
|
| 10. Waiting For The End |
Apaches Intro w/ 'Until It Breaks' rap; Ext. Outro |
| 11. Breaking The Habit |
|
| 12. LOATR/SOTD/Iridescent |
Ballad Medley |
| 13. The Catalyst |
|
| 14. LOST IN THE ECHO |
2012 Intro |
| 15. Numb |
Outro 'Numb/Encore' lyrics tease (Mike) |
| 16. What I've Done |
Album Transition Intro |
| 17. BURN IT DOWN |
|
| 18. In The End |
|
| 19. Bleed It Out |
Ext. Bridge w/ Beastie Boys 'Sabotage' & Mike Einziger; Ext. Outro |
| 20. TINFOIL |
|
| 21. Faint |
Ext. Outro |
| 22. Lying From You / Papercut |
Medley |
| 23. One Step Closer |
Ext. Outro |
| |
|
| |
|
| Show Notes: |
| - Mike rapped a verse from 'Until It Breaks' over the intro to 'Waiting For The End'.
- Mike sang part of the lyrics to 'Numb/Encore' over the outro of 'Numb'.
- 'Bleed It Out' featured the Beastie Boys' 'Sabotage' bridge. Incubus's guitarist Mike Einziger came out after the 'Sabotage' portion of the bridge and jammed with the band on the song. |
| |
| |
| Other Notes: |
| - On August 16, 2012, five shows on the Honda Civic Tour were removed from the DSP website (Wantagh, Noblesville, Tinley Park, Mountain View, and Carson). While Noblesville was randomly released mid-tour, the other four were never released due to disagreements with the venues on how much money they should get from the sale of each recording. |
| |
| |
|
| |
| |
| |
|
|